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Items where Author, Editor or other role is "Varakis-Martin, Angie"

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Number of items: 21.

Article

Varakis-Martin, Angeliki (2010) 'Body and Mask in Aristophanic Performance'. Bulletin of the institute of classical studies, 53 (1). pp. 17-38. ISSN 2041-5370. (doi:10.1111/j.2041-5370.2010.00002.x) (KAR id:31518)
Format: PDF

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Didaskalia, 6 (1). E-ISSN 1321-4853. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44718)
Format: XML Word Processing Document (DOCX)

Book section

Varakis, Angeliki (2018) Encountering the Heroic prosopeion in Fifth Century Theatre Performance. In: The Physicality of the Other: Masks from the Ancient Near East and the Eastern Mediterranean. Orientalische Religionen in der Antike . Mohr Siebeck. ISBN 978-3-16-155513-8. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:61817)
Format: PDF Format: PDF

Varakis-Martin, Angeliki (2013) Aristophanic Performance as an all-inclusive event:audience participation and celebration in the modern staging of Aristophanic comedy. In: Hardwick, Lorna and Harrison, Stephen, eds. Classics in the Modern World: A democratic turn? Classical Presences . Oxford University Press. ISBN 978-0-19-967392-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31521)

Varakis-Martin, Angeliki (2008) 'Body and Mask’ in Performances of Classical Drama on the Modern Stage. In: Hardwick, Lorna and Stray, Christopher, eds. The Blackwell Companion to Classical Reception. Oxford: Blackwell. ISBN 978-1-4051-5167-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9351)

Varakis-Martin, Angeliki (2007) 'The Use of Masks in Koun's Stage Interpretations of Aristophanes' Birds, Frogs and Peace'. In: Hall, Edith and Wrigley, Amanda, eds. Aristophanes in Performance, 421BC-AD2007, Peace, Birds and Frogs. Legenda Press, pp. 179-193. ISBN 978-1-904350-61-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2250)

Conference or workshop item

Varakis-Martin, Angeliki (2014) ‘Aristophanic Performance as an all-inclusive event: audience participation and celebration in the modern staging of Aristophanic comedy'. In: Classics in the Modern World - a Democratic Turn?, July 2010, Open University.. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45079)

Varakis-Martin, Angeliki (2014) Laughter and distributed attention in the spectating of Aristophanic comedy. In: Cognitive Futures in the Humanities conference, 24-26 April 2014, Durham University. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45049)

Varakis-Martin, Angeliki (2013) Popular celebration and cognition in Karolos Koun’s stage interpretations of Aristophanic comedy. In: Reconsidering popular comedy, Ancient and Modern, Wednesday 28–Friday 30 August 2013, Western Infirmary Lecture Theatre, University of Glasgow (proceedings will be published, organisers currently in conversation with OUP). (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45069)

Varakis-Martin, Angeliki (2010) ‘The comic body in Aristophanic performance’. In: The Body and Ancient Drama, 1-3 October 2004, Centre for Ancient Greek drama 'Desmoi', Eleusina. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45094)

Varakis-Martin, Angeliki (2010) ‘Performing' celebration and ‘celebrating’ performance in modern Aristophanic productions'. In: 10th Annual APGRD PG Symposium. ‘Revelry, Rhythm and Blues’ in the reception of Greek and Roman drama from antiquity to the present day’, 21 July 2010, Royal Holloway. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45084)

Varakis-Martin, Angeliki (2010) ‘The aesthetics of the mask in Karolos Koun’s ancient Greek Productions.’ (in Greek). In: The mask in ancient Greek drama, 14-15 September 2010, Centre for Ancient Greek drama 'Desmoi', Eleusina. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45089)

Varakis-Martin, Angeliki (2004) ‘The Staging of Aristophanes in Modern Times’. In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45103)

Varakis-Martin, Angeliki (2002) The masks of Dionysis Fotopoulos in modern productions of Ancient Greek Drama. In: The Greek Theatre Mask in Ancient and Modern Performance, 20-21 April 2002, Royal Holloway, Egham. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:45098)

Thesis

Stawman-Tuka, Magdalena (2023) Towards a Burning Method: how might the contemporary performer build on the legacy of Grotowski's Total Act? Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.101596) (KAR id:101596)
Format: PDF

Reader, Kate (2017) 'To what extent is "sex" a constrained production, a forcible effect, one which sets the limits to what will qualify as a body?' (Butler, 1993: pg. 23) an embodied inquiry into feminine performance in 2016 with a focus on the female body as resistance. Master of Arts by Research (MARes) thesis, University of Kent,. (KAR id:66617)
Format: PDF

Ang, Gey Pin (2017) Sourcing Within: A Reflexive Investigation of a Creative Path. Doctor of Philosophy (PhD) thesis, University of Kent,. (KAR id:61616)
Format: PDF Format: Audio (WAV)

Edited book

Varakis-Martin, Angeliki, ed. (2008) Oedipus the King. 1st. Student editions . Bloomsbury Methuen Drama, London ISBN 978-0-7136-8676-0. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44771)
Format: PDF

Varakis-Martin, Angeliki, ed. (2006) Antigone. 1st. Student editions . Methuen Bloomsbury, London ISBN 978-0-413-77604-4. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:44779)
Format: PDF

Review

Varakis-Martin, Angeliki (2008) Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation. Review of: Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation by Wiles, David. Theatre Research International, 33 (3). pp. 325-326. ISSN 0307-8833. (doi:10.1017/s0307883308004070) (KAR id:12969)
Format: PDF

Varakis-Martin, Angeliki (2008) Review of Oedipus. Review of: Oedipus by Edmunds, Lowell. Classical Review, 58 (2). p. 619. ISSN 0009-840X. (doi:10.1017/S0009840X08001467) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:12954)
Format: PDF

This list was generated on Fri Nov 29 19:27:27 2024 GMT.
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