Items where Author, Editor or other role is "Shaughnessy, Robert"

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Number of items: 70.

2017

Shaughnessy, Robert (2017) The Time is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance. In: Bulman, James, ed. The Oxford Handbook of Shakespeare and Performance. First edition. Oxford Handbooks . Oxford University Press, Oxford, UK. ISBN 978-0-19-968716-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60552)

Shaughnessy, Robert (2017) As You Like It. First edition. Shakespeare in Performance . Manchester University Press, Manchester, UK, 200 pp. E-ISBN 978-1-5261-1573-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:60554)

2016

Shaughnessy, Robert (2016) Film and Film Audiences. In: The Cambridge Guide to the Worlds of Shakespeare. First edition. Cambridge University Press, Cambridge, UK, pp. 1935-1940. ISBN 978-0-521-11394-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57270)

2015

Shaughnessy, Robert (2015) Connecting the Globe: Actors, Audience and Entrainment. In: Shakespeare Survey : Volume 68 : Shakespeare, Origins and Originality. Cambridge University Press, pp. 294-305. ISBN 978-1-316-25873-6. (doi:10.1017/CBO9781316258736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57241)

Howe, William (2015) A Cinema of Happenings: Exploring Improvisation as Process in Filmmaking. Master of Philosophy (MPhil) thesis, University of Kent,. (KAR id:62458)

Dennis, Krysta (2015) Globalizing McDonagh: The Playwright in Performance on the World Stage. Doctor of Philosophy (PhD) thesis, University of Kent, Universite de Paris 3 Sorbonne Nouvelle. (doi:10.22024/UniKent/01.02.54754) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:54754)

2014

Shaughnessy, Robert (2014) England. In: Hamlet-Handbuch: Stoffe, Aneignungen, Deutungen. First edition. Verlag J. B. Metzler, Stuttgart, pp. 273-278. ISBN 978-3-476-02352-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:57269)

2013

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum, New York. ISBN 978-1-4411-3372-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31617)

2012

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave, Basingstoke. ISBN 978-0-230-21867-3. (doi:10.1177/0894318412466739) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31652)

Shaughnessy, Robert (2012) Shakespeare and the London Stage. In: Ritchie, Fiona and Sabor, Peter, eds. Shakespeare in the Eighteenth Century. Cambridge University Press, Cambridge, pp. 161-184. ISBN 978-0-521-89860-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31568)

2010

Shaughnessy, Robert (2010) The Routledge Guide to William Shakespeare. Routledge Guides to Literature . Routledge, Abingdon, 512 pp. ISBN 9780415275404. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31572)

Shaughnessy, Robert (2010) Falstaff's Belly: Pathos, Prosthetics and Performance. In: Holland, Peter, ed. Shakespeare Survey. Shakespeare's English Histories and their Afterlives, 63 . Cambridge University Press, pp. 63-77. ISBN 978-0-521-76915-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31562)

2008

Shaughnessy, Robert (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference, August 2008, The Shakespeare Institute. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6501)

Shaughnessy, Robert (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium, April 2008, Queen's University Belfast. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6502)

Shaughnessy, Robert (2008) Domestic life and domestic tragedy in early modern England: The material life of the household. Review of: Domestic life and domestic tragedy in early modern England: The material life of the household by Richardson, Catherine. Literature and History, 17 (1). pp. 82-83. ISSN 0306-1973. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:15664)

Shaughnessy, Nicola and Shaughnessy, Robert, eds. (2008) Lives of Shakespearian actors, Part I, Vol 3: David Garrick, Charles Macklin and Margaret Woffington by their contemporaries. Lives of Shakespearian Actors, P1 V3 . Pickering and Chatto, London, 330 pp. ISBN 978-1-85196-853-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31529)

Shaughnessy, Nicola, Shaughnessy, Robert, Caines, Michael, Goring, Paul (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1249)

2007

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 978-0-415-42333-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2246)

Chedgzoy, Kate and Greenhalgh, Susanne and Shaughnessy, Robert, eds. (2007) Shakespeare and Childhood. Cambridge University Press, Cambridge, 296 pp. ISBN 978-0-521-87125-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6385)

Shaughnessy, Robert (2007) The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich. Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Symington, Rodney. Theatre Research International, 32 (2). pp. 216-217. ISSN 0307-8833. (doi:10.1017/S0307883306002550) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2350)

Shaughnessy, Robert (2007) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature . Cambridge University Press, Cambridge, 304 pp. ISBN 978-0-521-84429-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6384)

Shaughnessy, Robert (2007) Early modern tragedy and the cinema of violence. Review of: Early Modern Tragedy and the Cinema of Violence by Simkin, Stevie. Literature and History, 16 (1). pp. 107-108. ISSN 0306-1973. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2349)

Shaughnessy, Robert (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (doi:10.1353/shb.2007.0057) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6391)

2006

Shaughnessy, Robert (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 978-0-230-00189-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2247)

Shaughnessy, Robert (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare, November 2006, University of Michigan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6503)

Shaughnessy, Robert (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1245)

Shaughnessy, Robert (2006) Dreaming the Globe: Poel, Guthrie, and the quest for authenticity. In: Shakespeare and Tudor Traditions, September 2006, Queen Mary and Westfield College & Shakespeare’s Globe. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6546)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Film, May 2006, Royal Holloway, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6504)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Television seminar, April 2006, Shakespeare Association of America Annual Conference, Philadelphia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6505)

Shaughnessy, Robert, ed. (2006) A.C. Bradley, Shakespearean Tragedy, 4th Edition. Basingstoke and New York: Palgrave (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6386)

Shaughnessy, Robert (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6392)

Shaughnessy, Robert (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6394)

2005

Shaughnessy, Robert (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference, September 2005, University of Newcastle. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6507)

Shaughnessy, Robert (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute, March 2005, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6508)

Shaughnessy, Robert (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin, February 2005, Trinity College, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6509)

Shaughnessy, Robert (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6397)

Shaughnessy, Robert (2005) Hamlet. Performance Research, 10 (3). p. 103. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6396)

Shaughnessy, Robert (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1-4051-1104-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1244)

2004

Shaughnessy, Robert (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance, November 2004, University of Notre Dame. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6510)

Shaughnessy, Robert (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference, April 2004, New Orleans. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6511)

Shaughnessy, Robert, ed. (2004) Four Renaissance Comedies: The Old Wives Tale, The Shoemakers Holiday, The Alchemist, A New Way to Pay Old Debts. Basingstoke and New York: Palgrave (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6389)

Shaughnessy, Robert, ed. (2004) Four Renaissance comedies. Palgrave ISBN 0-333-97366-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1243)

Shaughnessy, Robert (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6398)

2003

Shaughnessy, Robert (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar, November 2003, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6512)

Shaughnessy, Robert (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6400)

2002

Shaughnessy, Robert (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe, May 2002, Shakespeare’s Globe. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6513)

Shaughnessy, Robert (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0-333-77937-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1242)

Shaughnessy, Robert (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (doi:10.1017/s0307883302001049) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6401)

2001

Shaughnessy, Robert (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 2001, Anglia Polytechnic University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6536)

Shaughnessy, Robert (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School, August 2001, Royal Shakespeare Company Summer School. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6535)

Shaughnessy, Robert (2001) Shakespeare versus Performance. In: London Shakespeare Seminar, April 2001, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6538)

Shaughnessy, Robert (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar, February 2001, University of London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6539)

Shaughnessy, Robert (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6402)

2000

Shaughnessy, Robert, ed. (2000) Shakespeare in Performance: Contemporary Critical Essays. Basingstoke and New York: Palgrave (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6387)

Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey, (54). pp. 233-243. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6405)

1999

Shaughnessy, Robert (1999) Shakespeare Goes Pop. In: Millennium Shakespeares, November 1999, Hofstra University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6540)

1998

Shaughnessy, Robert (1998) Shakespearean Utopias. In: The Shakespeare Institute, February 1998, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6541)

Shaughnessy, Robert (1998) Eugene O’Neill and American Drama to 1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6499)

Shaughnessy, Robert (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (doi:10.1017/s004055740000301x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6407)

Shaughnessy, Robert, ed. (1998) Shakespeare on Film: Contemporary Critical Essays. Basingstoke and New York: Palgrave (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6388)

1997

Shaughnessy, Robert (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 1997, Anglia Polytechnic University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6543)

Shaughnessy, Robert (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference, May 1997, Seoul University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6544)

Shaughnessy, Robert (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6408)

1996

Shaughnessy, Robert (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference, August 1996, The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6547)

Shaughnessy, Robert (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6410)

1994

Shaughnessy, Robert (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945, July 1994, Leicester University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6548)

Shaughnessy, Robert (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6380)

Shaughnessy, Robert (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production, (9). pp. 22-37. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6411)

1992

Shaughnessy, Robert (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6383)

1989

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly, (15). pp. 264-271. (doi:10.1017/s0266464x0000333x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6412)

This list was generated on Thu Apr 2 19:58:04 2026 BST.