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Up a levelNumber of items: 5.
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| Behan, Tom (2007) Putting spanners in the works: the politics of the 99 Posse. Popular Music, 26 (3). pp. 497-504. ISSN 0261-1430. (doi:10.1017/S0261143007001407) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:10983) |
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| Curry, B (2015) Review of Sophy Smith. Review of: Hip-Hop Turntablism, Creativity and Collaboration by UNSPECIFIED. Popular Music, 34 (1). pp. 137-140. ISSN 0261-1430. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43179) |
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| Dawe, Kevin (1998) Minotaurs or musonauts?1 ‘World Music’ and Cretan Music: Popular Music. Popular Music, 18 (02). pp. 209-225. (doi:DOI: 10.1017/S0261143000009053) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:47136) |
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| Parkinson, Tom (2017) ‘Indiestanbul’: counter-hegemonic music and third republicanism in Turkey. Popular Music, 37 (1). pp. 40-62. ISSN 0261-1430. (doi:10.1017/S0261143017000563) (KAR id:70554) |
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| Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (doi:10.1017/S0261143010000255) (KAR id:26189) |
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