Guerry, Emily Davenport and Binski, Paul (2015) Seats, relics, and the rationale of images in Westminster Abbey: Henry III to Edward II. In: Westminster Part I: The Art, Architecture and Archaeology of the Royal Abbey. The British Archaeological Association, 1 . Routledge, pp. 180-204. ISBN 978-1-910887-25-7. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65472)
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Abstract
The aim of this paper is to illuminate the wall- and panel paintings in the sanctuary and
spaces were furnished and used. The study of liturgy, inferring behaviour from texts,
is, what actually happened. In cases such as Westminster’s, the well-documented unruliness of courts reminds us of brute reality. The sedilia in the sanctuary were made in a
paintings adorned a complex space used or viewed by monks and layfolk. The murals
depended in part upon access routes and seating of uncertain nature. We take these cases
initialled separately.
| Item Type: | Book section |
|---|---|
| Subjects: |
D History General and Old World D History General and Old World > DA Great Britain |
| Divisions: | Faculties > Humanities > School of History |
| Depositing User: | Emily Guerry |
| Date Deposited: | 15 Dec 2017 11:38 UTC |
| Last Modified: | 29 May 2019 20:06 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/65472 (The current URI for this page, for reference purposes) |
| Guerry, Emily Davenport: |  https://orcid.org/0000-0003-1844-3347 |
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