Bellido, Jose, Macmillan, Fiona (2016) Music Copyright after Collectivisation. Intellectual Property Quarterly, 2016 (3). pp. 231-246. ISSN 1364-906X. (KAR id:56197)
|
PDF (Final draft post-referees)
Author's Accepted Manuscript
Language: English |
|
|
Download (420kB)
Preview
|
Preview |
|
This file may not be suitable for users of assistive technology.
Request an accessible format
|
|
| Official URL http://dx.doi.org/10.1353/bh.2014.0002? |
|
Abstract
Reflects on the controversies and conflicts associated with the collective management of music copyright. Reviews the initial opposition to collective enterprises for collecting performance fees, the factors contributing to their acceptance, the methods of collection, the development of litigation, its uses, and the move to shift liability to performance venues. Discusses the development of sustainable data infrastructures linking data to music.
| Item Type: | Article |
|---|---|
| Uncontrolled keywords: | Collecting societies; Copyright; Legal history; Licensing; Music industry; Musical works; Royalties; |
| Subjects: | K Law |
| Divisions: | Divisions > Division for the Study of Law, Society and Social Justice > Kent Law School |
| Depositing User: | Sarah Saines |
| Date Deposited: | 01 Jul 2016 15:27 UTC |
| Last Modified: | 16 Feb 2021 13:35 UTC |
| Resource URI: | https://kar.kent.ac.uk/id/eprint/56197 (The current URI for this page, for reference purposes) |
| Bellido, Jose: |  https://orcid.org/0000-0001-9323-6052 |
- Link to SensusAccess
- Export to:
- RefWorks
- EPrints3 XML
- BibTeX
- CSV
- Depositors only (login required):
Download Statistics
Download Statistics
