Performers’ Rights Regime in Sri Lanka: Singers’ Melancholia

Nanayakkara, Gauri (2016) Performers’ Rights Regime in Sri Lanka: Singers’ Melancholia. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)

PDF
Restricted to Repository staff only
Contact us about this Publication Download (3MB)
[img]

Abstract

The recently institutionalised global Performers’ Rights Regime (PRR) aims to improve the economic position of those performers whose work can be audio-recorded and reproduced. This thesis asks whether the PRR achieves this aim. The thesis investigates this question through a case study of Sri Lankan vocalists. Vocalists in Sri Lanka are a significant constituent within the music industry, and they had hoped that the PRR would make their work more economically secure. However, this thesis finds that the PRR, as developed internationally and implemented in Sri Lanka, is predicated on a particular understanding of the role of performers and their relationships with other actors in the music industry; that this understanding of performers’ roles and relationships does not reflect established practices and relationships within Sri Lanka’s contemporary music industry; and that consequently the PRR fails to deliver the improved economic security that Sri Lankan singers had sought.

Item Type: Thesis (Doctor of Philosophy (PhD))
Uncontrolled keywords: Performers' Rights, Copyright Law, Sri Lanka
Subjects: K Law > K Law (General)
Divisions: Faculties > Social Sciences > Kent Law School
Depositing User: Users 1 not found.
Date Deposited: 11 Mar 2016 12:00 UTC
Last Modified: 14 Mar 2016 09:22 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/54508 (The current URI for this page, for reference purposes)
  • Depositors only (login required):

Downloads

Downloads per month over past year