Sharoni, Josephine (2015) Vampires and ape men : a Lacanian reading of British fantasy fiction, 1886-1914. Doctor of Philosophy (PhD) thesis, University of Kent,. (doi:10.22024/UniKent/01.02.47511) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:47511)
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Official URL: https://doi.org/10.22024/UniKent/01.02.47511 |
Resource title: | Lacan and Fantasy Literature Portents of Modernity in Late-Victorian and Edwardian Fiction - Contemporary Psychoanalytic Studies |
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Resource type: | Publication |
ISBN: | 9789004336575 |
KDR/KAR URL: | |
External URL: | https://blackwells.co.uk/bookshop/product/Lacan-and-Fantasy-Literature-by-Josephine-Sharoni-author/9789004336575 |
Abstract
This thesis offers a close reading from the perspective of Lacanian psychoanalysis of a selection of literary texts published in Britain in the thirty years leading to the outbreak of the First World War in 1914. These works, belonging to different genres – science fiction, gothic and the adventure or quest – are loosely categorized as ‘fantasy’ literature as opposed to the realistic novel or short story. My contention is that it is only in conjunction with a consideration of Jacques Lacan’s ‘return to Freud’, that is, his re-examination of the texts of Sigmund Freud, and the work of contemporary theorists writing in Lacan’s wake, such as Slavoj Žižek and Mladen Dolar, that the significance of the fanciful plots and devices appearing in the texts emerges.
My starting point is the resemblance which the plot of each of these works bears to that of Freud’s Totem and Taboo, published in 1913, which tells of the killing of a primal father. What might be labelled as the return of the primal father, a violent and obscene figure who must be killed again (whereas for Freud this was a unique event which occurred at the beginning of human time), appears in a period when ‘modern’ Britain is coming into a being, that is, an industrialized, urbanized, literate democracy. It can be seen that the re-appearance of this evil primal father figure follows the demise of traditional forms of authority of the agrarian society, that of the ‘everyday’ father, the aristocracy and the church, and concurrently, the increasing dominance of scientific discourse and technology. In this and in further ways which will be discussed in the thesis, the texts bring to light the function of apparently obsolete symbolic frameworks and the corresponding deficiency in modern paradigms of knowledge, in particular, the blind spots of science. This reading thereby diverges sharply from those typical of existing literary criticism in that as opposed to being read in terms of and pertaining to the reconstructed context of a past era, the texts are seen as unfolding common concerns in regard to the modernisation of Britain, thus rendering them still relevant today.
Item Type: | Thesis (Doctor of Philosophy (PhD)) |
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Thesis advisor: | Chiesa, Lorenzo |
Thesis advisor: | Stähler, Axel |
DOI/Identification number: | 10.22024/UniKent/01.02.47511 |
Additional information: | The author of this thesis has requested that it be held under closed access. We are sorry but we will not be able to give you access or pass on any requests for access. 11/03/2022 |
Uncontrolled keywords: | British Fantasy Literature, Lacan |
Subjects: |
B Philosophy. Psychology. Religion > BF Psychology P Language and Literature > PN Literature (General) |
Divisions: | Divisions > Division of Arts and Humanities > School of Culture and Languages |
Depositing User: | Users 1 not found. |
Date Deposited: | 03 Mar 2015 01:00 UTC |
Last Modified: | 11 Mar 2022 15:23 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/47511 (The current URI for this page, for reference purposes) |
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