Gentry, Charles, Redmon, David, Sabin, Ashley (2011) The Kamp Katrina Project : A Conversation with the Filmmakers. Invisible Culture: An Electronic Journal for Visual Culture, (16). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:43490)
The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided. | |
Official URL: https://www.rochester.edu/in_visible_culture/Issue... |
Abstract
“Kamp Katrina” was supposed to provide a communal shelter in the aftermath of the devastating storm of late summer 2005. The tent village was located in the garden backyard of a house on Alvar Street, in the post-Katrina “melting pot” of New Orleans’ Upper 9th Ward. The inhabitants included the homeowners—an eclectic Native American woman known as Ms. Pearl and her husband David Cross, the owner of a home-repair business—and their traumatized guests, who are mostly poor, white, working-class addicts and survivors. Although it is inspiring to witness the dedication and generosity of the hosts, there is also a necessary toughness in their mission, as campers are evicted for fighting, stealing, or substance abuse. Maybe most viewers are not surprised to see the social order break down as it surely does at Kamp Katrina, yet many critics have noted the film’s unexpected beauty and artfulness.
Item Type: | Article |
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Additional information: | Issue No. 16: The Cultural Visualization of Hurricane Katrina |
Subjects: | H Social Sciences |
Divisions: | Divisions > Division for the Study of Law, Society and Social Justice > School of Social Policy, Sociology and Social Research |
Depositing User: | N. Gregory |
Date Deposited: | 19 Oct 2014 00:28 UTC |
Last Modified: | 16 Nov 2021 10:17 UTC |
Resource URI: | https://kar.kent.ac.uk/id/eprint/43490 (The current URI for this page, for reference purposes) |
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