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Up a levelNumber of items: 6.
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| Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309. (doi:10.1080/17400300600982080) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:9344) |
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| Lázaro-Reboll, Antonio (2014) Daring Cycles: the Towers–Franco Collaboration, 1968–70. New Review of Film and Television Studies, 11 (1). pp. 92-110. ISSN 1740-0309. (doi:10.1080/17400309.2012.740595) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:33050) |
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| Misek, Richard (2010) The invisible ideology of white light. New Review of Film and Television Studies, 8 (2). pp. 125-143. ISSN 1740-0309. (doi:10.1080/17400301003700160) (KAR id:35717) |
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| Stanfield, Peter (2013) Intent to Speed: Cyclical Production, Topicality and the 1950s Hot Rod Movie. New Review of Film and Television Studies, 11 (1). pp. 34-55. ISSN 1740-0309. (doi:10.1080/17400309.2012.734496) (KAR id:31610) |
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| Wood, Aylish (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309. (doi:10.1080/17400309.2011.585860) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:31397) |
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| Wood, Aylish (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309. (KAR id:4635) |
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