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Up a levelNumber of items: 14.
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| Declercq, Dieter (2018) Humour as Politics: The Political Aesthetics of Contemporary Comedy, by Nicholas Holm, London, Palgrave Macmillan, 2017, pp., £67.99 hardback), ISBN: 9783319509495. Review of: Humour as Politics: The Political Aesthetics of Contemporary Comedy, by Nicholas Holm, London, Palgrave Macmillan, 2017 by Holm, Nicholas. Comedy Studies, 9 (2). pp. 260-262. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1080/2040610X.2018.1494353) (KAR id:75390) |
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| Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (doi:10.1386/cost.3.1.93_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:31708) |
| Double, Oliver (2022) ‘My life fell apart. Are you happy now?’: an interview with Laura Lexx. Comedy Studies, 14 (1). pp. 133-140. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1080/2040610X.2023.2149378) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:100581) |
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| Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (doi:10.1386/cost.1.1.5/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24936) |
| Double, Oliver (2017) ‘[T]his is eating your greens, this is doing your homework’: writing and rehearsing a full-length stand-up show. Comedy Studies, . pp. 137-153. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1344477) (KAR id:62270) |
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| Double, Oliver (2018) The origin of the term stand-up comedy update. Comedy Studies, 9 (2). pp. 235-237. ISSN 2040-610X. (doi:10.1080/2040610X.2018.1428427) (KAR id:66675) |
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| Double, Oliver (2017) The origin of the term ‘stand-up comedy’. Comedy Studies, 8 (1). pp. 106-109. ISSN 2040-610X. (doi:10.1080/2040610X.2017.1279912) (KAR id:60313) |
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| Keates, Nathan (2022) Book Review: Improvised theatre and the autism spectrum: a practical guide to teaching social connection and communication skills. Review of: Improvised theatre and the autism spectrum: a practical guide to teaching social connection and communication skills By Gary Kramer and Richie Ploesch, Routledge, 2022, ISBN: 978-1-032-07551-8 by Kramer, Gary and Ploesch, Richie. Comedy Studies, . ISSN 2040-610X. (doi:10.1080/2040610X.2022.2091902) (KAR id:97501) |
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| Keates, Nathan, Beadle-Brown, Julie (2022) The benefits of participating in improvisational comedy: a global confirmatory survey study. Comedy Studies, . ISSN 2040-610X. (doi:10.1080/2040610X.2022.2091719) (KAR id:95864) |
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| May, Shaun (2013) Comedy on the Spectrum: An Interview with Aspergers Are Us. Comedy Studies, 4 (1). pp. 103-110. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.4.1.103_7) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:54026) |
| May, Shaun (2013) Take My Gag, Please!Joke Theft and Copyright in Stand-up Comedy. Comedy Studies, 4 (2). pp. 195-203. ISSN 2040-610X. (doi:10.1386/cost.4.2.195_1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49200) |
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| Quirk, Sophie (2014) Review, Joan Rivers: A Piece of Work, Ricki Stern and Annie Sundberg (dirs). Review of: Joan Rivers: A Piece of Work by Stern, Ricki and Sundberg, Annie. Comedy Studies, 2 (2). pp. 185-186. ISSN 2040-610X. E-ISSN 2040-6118. (doi:10.1386/cost.2.2.185_4) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:64791) |
| Quirk, Sophie (2018) Russell Brand: Comedy, Celebrity, Politics. Review of: Russell Brand: Comedy, Celebrity, Politics by Arthurs, Jane and Little, Ben. Comedy Studies, . pp. 1-2. ISSN 2040-6118. (doi:10.1080/2040610x.2018.1494362) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:69593) |
| Quirk, Sophie (2010) Who's in charge? Negotiation, manipulation and comic licence in the work of Mark Thomas. Comedy Studies, 1 (1). pp. 113-124. ISSN 2040-610X. (doi:10.1386/cost.1.1.113/1) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:49839) |
