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Women, Islam and tradition in the West African novel

Shehu, Halima (2003) Women, Islam and tradition in the West African novel. Doctor of Philosophy (PhD) thesis, University of Kent. (doi:10.22024/UniKent/01.02.86320) (KAR id:86320)

Abstract

There is a body of literature from West Africa that is of Islamic inspiration and that deals in a substantial way with Islamic beliefs and practices. To a considerable extent, Islam has influenced the way some important African writers define themselves and their art. Their novels are distinguished by a rich profusion of Islamic beliefs and practices even as they remain mindful of traditional cultural practices that continue to flourish in their various societies. Prominent in the novels selected for in depth study here, are the conflicts as well as the collusion that occurs between Islam and tradition particularly as they affect the lives of women. This thesis undertakes a close reading of six novels in order to examine in depth literary representations of the West African Muslim woman. Chapter one serves as an introduction as well as an exposition of the theory that informs the rest of the thesis. Drawing on the ideas of Edward Said, Fatima Mernissi and Molara OgundipeLeslie, I attempt to place this discussion within the body of critical discourse about "other" women. Chapter two goes on to trace the history of Islam in West Africa and the impact it has had on the religious beliefs and socio-political life of the inhabitants. I pay special attention to how the condition of women is affected by it before examining how creative writing is seen and approached by writers from an Islamic background. Since a number of West African novels speak of the Islamic experience, choices have to be made in the selection of texts for discussion in Chapters two to five. I have therefore chosen to focus on specific novels from two West African countries namely, Senegal and Nigeria. In the chapters which examine the works of Ousmane Sembene, Aminata Sow Fall and Mariama Ba as well as those of Ibrahim Tahir and Zaynab Alkali, I take into account available literary criticism on the novels. I also lean heavily on the Holy Quran and on the Hadith (the sayings and practices of Prophet Muhammed) including the exegeses of knowledgeable commentators.

Item Type: Thesis (Doctor of Philosophy (PhD))
Thesis advisor: Innes, C. Lyn
DOI/Identification number: 10.22024/UniKent/01.02.86320
Additional information: This thesis has been digitised by EThOS, the British Library digitisation service, for purposes of preservation and dissemination. It was uploaded to KAR on 09 February 2021 in order to hold its content and record within University of Kent systems. It is available Open Access using a Creative Commons Attribution, Non-commercial, No Derivatives (https://creativecommons.org/licenses/by-nc-nd/4.0/) licence so that the thesis and its author, can benefit from opportunities for increased readership and citation. This was done in line with University of Kent policies (https://www.kent.ac.uk/is/strategy/docs/Kent%20Open%20Access%20policy.pdf). If you feel that your rights are compromised by open access to this thesis, or if you would like more information about its availability, please contact us at ResearchSupport@kent.ac.uk and we will seriously consider your claim under the terms of our Take-Down Policy (https://www.kent.ac.uk/is/regulations/library/kar-take-down-policy.html).
Subjects: P Language and Literature
Divisions: Divisions > Division of Arts and Humanities > School of English
SWORD Depositor: SWORD Copy
Depositing User: SWORD Copy
Date Deposited: 29 Oct 2019 16:51 UTC
Last Modified: 09 Dec 2022 00:03 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/86320 (The current URI for this page, for reference purposes)

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