Browse by Person (creator, editor, contributor, etc.)

Article

Thomas, Ben D. H. (2017) Jim Dine and Pinocchio. Arabeschi, 10 (1.6). ISSN 2282-0876. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2016) Alfred Drury: The Artist as Curator. 19: Interdisciplinary Studies in the Long Nineteenth Century. 2016(22), . pp. 1-13. E-ISSN 1755-1560. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and Whistler, Catherine (2016) Eloquence in Raphael Drawings. Artibus et Historiae, 74 . pp. 25-36. ISSN 0391-9064. (Full text available)

Preview

Thomas, Ben D. H. (2015) The Early Prints of Marcus Rees Roberts. Art in Print, 5 (1). pp. 7-11. ISSN 1-844-278-4677. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2015) Edgar Wind. A Short Biography. Stan Rzeczy, 08 (1). pp. 117-137. ISSN 2083-3059. (Full text available)

Preview

Thomas, Ben D. H. (2015) 'The child is father of the man': Alfred Drury and temporality. Sculpture Journal, 24 (1). pp. 55-72. ISSN 1366-2724. (doi:https://doi.org/10.3828/sj.2015.24.1.5) (Full text available)

Preview

Thomas, Ben D. H. (2012) John Evelyn's Project of Translation. Art in Print, (2, 4). pp. 28-34. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) The academy of Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) Finding Ovid through Raphael in the Schools of the Tombs. Art on the Line, 1 (2). pp. 1-11. ISSN 1478-6818. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2001) The lantern of painting: Michelangelo, Daniele da Volterra and the paragone. Apollo, CLIV (474). pp. 46-53. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) The Fortnum Archive in the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Hercules and the Hydra: C. D. E. Fortnum, Arthur Evans and the Ashmolean Museum. Journal of the History of Collections, 11 (2). pp. 159-169. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Book section

Thomas, Ben D. H. (2017) Raphael and the Idea of Drawing. In: Raphael: The Drawings. Ashmolean, pp. 43-55. ISBN 978-1-910807-15-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Grindle, Nicholas and Thomas, Ben D. H. (2017) Curating connections in the art history curriculum. In: Developing the Higher Education Curriculum: Research-based Education in Practice. UCL Press, pp. 106-117. ISBN 978-1-78735-089-2. E-ISBN 978-1-78735-090-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2016) Freedom and Exile: Edgar Wind and the Congress for Cultural Freedom. In: Crossing Continents: Exile and Expatriate Histories of Art. Routledge. ISBN ???. (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2012) Paul Coldwell: Passing through... In: Coldwell, Paul, ed. Paul Coldwell: A Layered Practice - Graphic Works 1993-2012. Studio 3 Gallery, University of Kent at Canterbury. ISBN 978-1-902671-81-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 978-1-907975-29-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 978-0-7546-6654-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2007) Casa Vasari: writing and decorating the artist’s house. In: Hendrix, Harald, ed. Writers’ Houses and the Making of Memory. Routledge, pp. 139-148. ISBN 0-415-54082-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) “The art consists of hiding the art”: Castiglione and Raphael. In: Braida, Antonella and Pieri, Giuliana, eds. Image and Word. Reflections of Art and Literature from the Middle Ages to the Present. Legenda/Oxford University Press, pp. 134-150. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2000) Artefici and Huomini Intendenti: Questions of Artistic Value in Sixteenth-Century Italy. In: Shepherd, Rupert and Neher, Gabriele, eds. Revaluing Renaissance Art. Ashgate Press, pp. 43-56. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Conference or workshop item

Thomas, Ben D. H. (2017) Raphael's drawings: invention, disposition, and demonstration. In: Raffaels Zeichnungen, Internationales Symposium, 21-22 November 2017, Albertina, Vienna. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2017) Raphael: Singular Acts of Drawing. In: Singular Acts: The Role of the Individual in the Transformation of Collective Culture, The Warburg Institute Second Postgraduate Symposium, 16 November 2017, The Warburg Institute, London. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) Disegno. In: Renaissance Keywords, 19th September 2008, University of Birmingham. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) Noble or Commercial? The Early History of Mezzotint in Britain. In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Truest Poetry is the Most Feigning: Edgar Wind on Art and Morals during the Cold War. In: Cultural Memory:Forgetting to Remember/Remembering to Forget, KIASH conference, 10th-13th September 2008, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Locations of Art in the Mezzotints of Wallerant Vaillant. In: Early Modern Prints Symposium and Study Day. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. In: Centre for Medieval and Early Modern Studies. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) The Many Faces of Lucas van Leyden and Other Stories: Some Historiographical Reflections on the Pictorum aliquot celebrium Germaniae inferioris effigies of Domenicus Lampsonius. In: Courtauld Institute Research Seminar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) Framing Giambologna’s Rape of a Sabine. In: Renaissance Society of America Annual Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) Casa Vasari: writing and decorating the artist’s house. In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli by Enea Vico. In: Renaissance Society of America Annual Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2005) Parallel Lives: Dante, Michelangelo and the Reception of the Medici Chapel Sculpture. In: Conception: Reception, 31st Annual Conference of the Association of Art Historians. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2004) Tracing the Course of Forms: John Obadiah Westwood. In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2003) The Dissemination of Disegno: Baccio Bandinelli and Anton Francesco Doni. In: The Business of Prints in Rome, University of Edinburgh, 24-25 March, 2003. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2002) Finding Ovid through Raphael in the Schools of the Tombs. In: Art on the Line. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2002) Edgar Wind and Leonardo da Vinci. In: University of Oxford, Renaissance History Seminar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2000) The Renaissance artist’s sense of history. In: 30th International Congress of the History of Art. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2000) “A beautiful and rare invention”: Gian Girolamo Savoldo’s so-called portrait of Gaston de Foix. In: University of Oxford, Oxford Brookes University and Ashmolean Museum Art History Seminar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Artefici and huomini intendenti: questions of artistic value in sixteenth-century Italy. In: Images and Values, Association of Art Historian’s 25th Annual Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1996) “The Spaniard’s Peccadillo”: The Interrelation of Painting and Sculpture in Sixteenth-Century Italy. In: University of Oxford, Renaissance History Seminar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Book

Whistler, Catherine and Thomas, Ben D. H. (2017) Raphael: The Drawings. Ashmolean, 256 pp. ISBN 978-1-910807-15-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2017) Drawing Together. Paul Holberton Publishing, 48 pp. ISBN 978-1-911300-33-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Thomas, Ben D. H. (2015) My Generation: A Festival of British Art in the 1960s. University of Kent at Canterbury, GB, 60 pp. ISBN 978-1-902671-90-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon and Thomas, Ben D. H. (2010) In Elysium: Prints by James Barry. Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp. ISBN 978-1-902671-69-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint, exhibition catalogue. Canterbury ISBN 978-1-902671-55-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Show / exhibition

Thomas, Ben D. H. (2018) Drawing Together. Drawing Together, 30 Sep 2017 - 2 Jan 2018, The Courtauld Gallery, London. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Whistler, Catherine and Thomas, Ben D. H. (2017) Raphael: The Drawings. Ashmolean Museum, 1 June - 3 September 2017, Oxford. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2016) Dungeness: Philip Hughes with Psiche Hughes. , 13 May - 10 June 2016, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2015) Palindrome: The Sixties Art of Brian Rice and Richard Rome. , 19 Jan - 10 Apr 2015, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2014) Marcus Rees Roberts: Winter Journey. , 20 Jan - 11 Apr 2014, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2013) Alfred Drury and the New Sculpture. , 30 Sep - 20 Dec 2013; 15 Jan - 13 Apr 2014, Studio 3 Gallery, University of Kent and The Stanley and Audrey Burton Gallery, University of Leeds. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2013) Paul Coldwell: A Layered Practice - Graphic Works 1992-2012. , 14 Jan - 5 Apr 2013; 14 Jun - 11 Jul 2013, Studio 3 Gallery, University of Kent and The Stephen Lawrence Gallery, University of Greenwich. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shawa, Laila and Zurob, Hani (2013) Resilience & Light: Contemporary Palestinian Art. , 11 April - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and El Saqqa, Aser (2013) Resilience and Light: Contemporary Palestinian Art. , 11 Apr - 18 May 2013, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2011) Ana Maria Pacheco: Shadows of the Wanderer. , 17 Jan - 17 May 2011, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and Kear, Jon (2010) In Elysium: Prints by James Barry. In Elysium: Prints by James Barry, 4 October - 17 December 2010, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. The Paradox of Mezzotint, 12th April - 11th June 2008/2nd July-31st October 2008, Museum of Canterbury/Strang Print Room, University College London. Prints. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2006) Van Dyck pinxit/After Van Dyck. Van Dyck pinxit/After Van Dyck, May-November 2006, Museum of Canterbury. Prints. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Other

Thomas, Ben D. H. (2005) Enea Vico, The Academy of Baccio Bandinelli. National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (2004) ‘Wind, Edgar Marcel (1900-1971). Oxford University Press, Oxford Dictionary of National Biography. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and Clayton, Timothy (2000) George Clarke Print Collection, Worcester College, Oxford, 2000. Worcester College Oxford, http://prints.worc.ox.ac.uk/. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. (1999) Calendar of the Fortnum Papers at the Ashmolean Museum, 1999. National Art Library. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Edited book

Read, Benedict and Drury, Jolyon and Landy, Brian and Winfrey, Jane and Matjyjaskiewicz, Krystyna and Thomas, Ben D. H., eds. (2013) Alfred Drury and the New Sculpture. Studio 3 Gallery, University of Kent (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H., ed. (2012) Double Take: The Art of Printmaking. Studio 3 Gallery ISBN 978-1-902671-75-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H., ed. (2008) The Art of Comedy, exhibition catalogue. Canterbury ISBN 978-1-902671-56-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H., ed. (2007) Dreams and Nightmares, exhibition catalogue. Canterbury ISBN 978-1-902671-48-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H., ed. (2006) The Awakening, exhibition catalogue. Canterbury ISBN 978-1-902671-44-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thomas, Ben D. H. and Wilson, Timothy, eds. (1999) C. D. E. Fortnum and the collecting and study of applied arts and sculpture in Victorian England. Ashmolean Publications/Oxford University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)