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Group by: Item Type | Date | No Grouping
Number of items: 72.

2017

Shaughnessy, Robert (2017) The Time is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance. In: Bulman, James, ed. The Oxford Handbook of Shakespeare and Performance. Oxford Handbooks . Oxford University Press, Oxford, UK. ISBN 978-0-19-968716-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2017) Shakespeare in Performace: As You Like It. Other. Manchester University Press, Manchester, UK (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2016

Shaughnessy, Robert (2016) Film and Film Audiences. In: The Cambridge Guide to the Worlds of Shakespeare. Cambridge University Press, Cambridge, UK, pp. 1935-1940. ISBN 978-0-521-11394-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2015

Shaughnessy, Robert (2015) Connecting the Globe: Actors, Audience and Entrainment. In: Shakespeare Survey : Volume 68 : Shakespeare, Origins and Originality. Cambridge University Press, pp. 294-305. ISBN 978-1-316-25873-6. (doi:https://doi.org/10.1017/CBO9781316258736) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Howe, William (2015) A Cinema of Happenings: Exploring Improvisation as Process in Filmmaking. Master of Philosophy (MPhil) thesis, University of Kent,. (Full text available)
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Dennis, Krysta (2015) Globalizing McDonagh: The Playwright in Performance on the World Stage. Doctor of Philosophy (PhD) thesis, University of Kent, Universite de Paris 3 Sorbonne Nouvelle. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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2014

Shaughnessy, Robert (2014) England. In: Hamlet-Handbuch: Stoffe, Aneignungen, Deutungen. Verlag J. B. Metzler, Stuttgart, pp. 273-278. ISBN 978-3-476-02352-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2013

Shaughnessy, Robert (2013) Tyrone Guthrie. In: Mazer, Cary M., ed. Poel, Granville Barker, Guthrie, Wanamaker : Great Shakespeareans. Continuum, New York. ISBN 978-1-4411-3372-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2012

Shaughnessy, Robert (2012) Silence. In: Hampton-Reeves, Stuart and Escolme, Bridget, eds. Shakespeare and the Making of Theatre. Palgrave, Basingstoke. ISBN 978-0-230-21867-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2012) Shakespeare and the London Stage. In: Ritchie, Fiona and Sabor, Peter, eds. Shakespeare in the Eighteenth Century. Cambridge University Press, Cambridge, pp. 161-184. ISBN 978-0-521-89860-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2010

Shaughnessy, Robert (2010) The Routledge Guide to William Shakespeare. Routledge Guides to Literature . Routledge, Abingdon, 512 pp. ISBN 9780415275404. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2010) Falstaff's Belly: Pathos, Prosthetics and Performance. In: Holland, Peter, ed. Shakespeare Survey. Shakespeare's English Histories and their Afterlives, 63 . Cambridge University Press, pp. 63-77. ISBN 978-0-521-76915-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2009

Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey, 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2008

Shaughnessy, Robert (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2008) Domestic life and domestic tragedy in early modern England: The material life of the household. Review of: Domestic life and domestic tragedy in early modern England: The material life of the household by Richardson, Catherine. Literature and History, 17 (1). pp. 82-83. ISSN 0306-1973. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola and Shaughnessy, Robert, eds. (2008) Lives of Shakespearian actors, Part I: David Garrick, Charles Macklin and Margaret Woffington by their contemporaries. Lives of Shakespearian Actors, 3 . Pickering and Chatto, London, 330 pp. ISBN 978-1-85196-853-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Nicola and Shaughnessy, Robert and Caines, Michael and Goring, Paul (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2007

Shaughnessy, Robert (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 978-0-415-42333-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Chedgzoy, Kate and Greenhalgh, Susanne and Shaughnessy, Robert, eds. (2007) Shakespeare and Childhood. Cambridge University Press, Cambridge, 296 pp. ISBN 978-0-521-87125-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich. Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Symington, Rodney. Theatre Research International, 32 (2). pp. 216-217. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883306002550) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert, ed. (2007) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature . Cambridge University Press, Cambridge, 304 pp. ISBN 978-0-521-84429-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) Early modern tragedy and the cinema of violence. Review of: Early Modern Tragedy and the Cinema of Violence by Simkin, Stevie. Literature and History, 16 (1). pp. 107-108. ISSN 0306-1973. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2006

Shaughnessy, Robert (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 978-0-230-00189-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Dreaming the Globe: Poel, Guthrie, and the quest for authenticity. In: Shakespeare and Tudor Traditions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Film. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Television seminar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert, ed. (2006) A.C. Bradley, Shakespearean Tragedy, 4th Edition. Basingstoke and New York: Palgrave (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2005

Shaughnessy, Robert (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) Hamlet. Performance Research, 10 (3). p. 103. ISSN 1352-8165. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1-4051-1104-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2004

Shaughnessy, Robert (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert, ed. (2004) Four Renaissance Comedies: The Old Wives Tale, The Shoemakers Holiday, The Alchemist, A New Way to Pay Old Debts. Basingstoke and New York: Palgrave (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert, ed. (2004) Four Renaissance comedies. Palgrave ISBN 0-333-97366-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2003

Shaughnessy, Robert (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2002

Shaughnessy, Robert (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0-333-77937-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2001

Shaughnessy, Robert (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) Shakespeare versus Performance. In: London Shakespeare Seminar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2000

Shaughnessy, Robert, ed. (2000) Shakespeare in Performance: Contemporary Critical Essays. Basingstoke and New York: Palgrave (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey, (54). pp. 233-243. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1999

Shaughnessy, Robert (1999) Shakespeare Goes Pop. In: Millennium Shakespeares. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1998

Shaughnessy, Robert (1998) Shakespearean Utopias. In: The Shakespeare Institute. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1998) Eugene O’Neill and American Drama to 1945. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert, ed. (1998) Shakespeare on Film: Contemporary Critical Essays. Basingstoke and New York: Palgrave (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1997

Shaughnessy, Robert (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1996

Shaughnessy, Robert (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1994

Shaughnessy, Robert (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Shaughnessy, Robert (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production, (9). pp. 22-37. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1992

Shaughnessy, Robert (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

1989

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly, (15). pp. 264-271. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Mon May 27 09:16:02 2019 BST.