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Number of items: 51.

Article

Kear, Jon (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line, . pp. 1-20. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2002) Le Sang Provençal. Journal of European Studies, . pp. 32-45. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2002) Le Sang Provençal: Joachim Gasquet’s Cézanne. Journal of European Studies, 32 (125-6). pp. 135-150. ISSN 0047 2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1999) Manet's Modernism. Burlington Magazine, . pp. 139-144. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon and Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1997) Seurat's Bathers at Asnières. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Modernism Revisited. Oxford Art Journal, 19 (2). pp. 119-122. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Monet Re-viewed. Burlington Magazine, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Odd Man Out; Cézanne in Context. LQ, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri, . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Montage, Modernism and its Histories. Word & Image, . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Travellin' Light. Wasafiri, . ISSN 0269-0055. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1994) Watching the Detectives. Art History, . pp. 112-118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1991) Making Hay with Monet; Monets of the 90s. Art History, . pp. 593-599. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Book section

Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, pp. 142-163. ISBN 978-1-137-01418-4. (Full text available)
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Kear, Jon (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, Jane and Whiteley, Gillian, eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 978-1-4438-0532-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 978-90-420-2521-9. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Kear, Jon (2008) L'Origine del frammento ne Il capolavoro sconosciuto di Balzac. In: Cattani, Francesca and Meneghelli, Donata, eds. La Rappresentazione all specchio. Testo letterario e testo pittorico. Meltemi, Rome, pp. 55-68. ISBN 978-88-8353-671-7. (Full text available)
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Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 978-0-415-95742-7. (Full text available)
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Kear, Jon (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 978-3-03911-102-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 978-1-905674-20-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, Eleonora, ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2003) The Spiral of Time: Memory, Temporality and Subjectivity in Chris Marker’s La Jetée’. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. University of New Mexico Press, New Mexico USA, 0-0. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2002) In the spiral of time. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, Michael, ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) The Exposition Universelle of 1900. In: Banham, Joanna, ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Conference or workshop item

Kear, Jon (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Book

Kear, Jon and Thomas, Ben D. H. (2010) In Elysium: Prints by James Barry. Studio 3 Gallery, University of Kent, Canterbury, UK, 63 pp. ISBN 978-1-902671-69-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 978-0-233-00234-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Thesis

Tavassoli Zea, Zahra (2016) LA BANDE DES QUATRE: Nineteenth-century Artistic and Literary Sources in Late Nouvelle Vague Filmmaking. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Amirkhani, Jordan Haleh (2015) 'I am Failure's Success': Francis Picabia and the Enactment of Refusal. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Pelacchi, Laetitia (2014) Gustave Caillebotte and Visual Representation: Perspective, Photography and Movement. Master of Arts by Research (MARes) thesis, University of Kent,. (Full text available)
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Show / exhibition

Thomas, Ben D. H. and Kear, Jon (2010) In Elysium: Prints by James Barry. In Elysium: Prints by James Barry, 4 October - 17 December 2010, Studio 3 Gallery, University of Kent. Exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Other

Kear, Jon (2002) Masters of Colour: From Derain to Kandinsky. Royal Academy. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Review

Kear, Jon (1999) Manet's modernism or, the face of painting in the 1860s. Review of: Manet's Modernism: or, The Face of Painting in the 1860s by UNSPECIFIED. Burlington Magazine, 141 (1154). pp. 294-296. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Early modernism - Butler,C. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (doi:https://doi.org/10.1093/oaj/19.2.119) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Kear, Jon (1995) Review of Nineteenth Century Painting: A Critical History. Review of: Nineteenth Century Painting: A Critical History by Eisenmann, Stephen F.. Apollo, . pp. 60-61. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Mon May 27 02:25:36 2019 BST.