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Number of items: 31.

Article

Hammer, Martin (2015) Ambivalence and Ambiguity: David Sylvester on Henry Moore. 2015, . (Full text available)

Hammer, Martin (2015) There is no such thing as British Art. British Art Studies, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2014) The Independent Group take on Francis Bacon. Visual Culture in Britain, 15 (1). pp. 69-89. ISSN 1471-4787. E-ISSN 1941-8361. (doi:10.1080/14714787.2014.870369) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2013) Kenneth Clark and the Death of Painting. Tate Papers, (20). ISSN 1753-9854. (Full text available)
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Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (doi:10.1080/14714787.2013.750985) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2012) Francis Bacon: Back to Degas. Tate Papers, . (Full text available)
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Hammer, Martin (2012) ‘After Camden Town: Sickert’s Legacy since 1930’. The Camden Town Group in Context, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2010) Found in Translation: Chaim Soutine and English Art. Modernist Cultures, 5 (2). pp. 218-242. ISSN 1753-8629 . (doi:10.3366/E2041102210000195) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2010) Francis Bacon and the Lefevre Gallery. Burlington Magazine, 152 (1286). pp. 307-312. ISSN 0007-6287. (Full text available)
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Book section

Hammer, Martin (2014) The Growth and Form of Artistic Responses to D’Arcy Thompson. In: D'Arcy Thompson's On Growth and Form. Essays on Sculpture . Henry Moore Institute, Leeds, pp. 14-29. ISBN 9781905462452. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2012) Continuity and Contradiction in the Art of Francis Bacon. In: Arya, Rina, ed. Francis Bacon: Critical and Theoretical Perspectives. Pater Lang, pp. 121-168. ISBN 9783034308892 (pbk); 9783035303896 (eBook) . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2012) Francis Bacon: Painting after Photography. In: British Art in the Cultural Field, 1939-69. Wiley-Blackwell, pp. 156-173. ISBN 9781118275849. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2006) Clearing away the screens. In: Francis Bacon: Heads and Portraits. National Galleries of Scotland, Edinburgh, pp. 14-27. ISBN 9781903278666. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (1999) The Irony of Egotism. In: John Coplans: A Self-Portrait 1984-99. Dean Gallery, Edinburgh, pp. 5-14. ISBN 9780903598965. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Conference or workshop item

Hammer, Martin (2016) Crossing the border and closing the gap: David Hockney and abstraction. In: Generation Painting: Abstraction and British Art, 1955–65, 5 March 2016, Downing College, Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2016) Food for Artists: the exhibition as resource. In: Exhibiting Contemporary Art in Post-War Britain, 28-29th January 2016, Tate Britain. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2016) Making transatlantic sense of Hockney’s A Rake’s Progress. In: History of Art department research seminar, University of York, 11 Jan 2016, York. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) The Silent Kingdom of Panting: Sickert and Hopper. In: Walter Sickert: The Document and the Documentary, 4 Dec 2015, Paul Mellon Centre, London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) 1965; Culture and Sculpture in Britain. In: Sculpture: 1965, 25-6 September 2015, Henry Moore Institute, Leeds. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) David Hockney’s Tired Indians and Rocky Mountains. In: UNSPECIFIED, 16 March 2015, National Gallery of Scotland, Edinburgh. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2015) Francis Bacon’s ‘Crucifixion’: The presence of the Nazi past. In: UNSPECIFIED, 29 Oct 2015, Moderne Pinakothek, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Book

Hammer, Martin and Thomas, Ben D. H. (2015) My Generation: A Festival of British Art in the 1960s. University of Kent at Canterbury, GB, 60 pp. ISBN 9781902671901. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2012) Francis Bacon and Nazi Propaganda. Tate Publishing, 224 pp. ISBN 9781849760737. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2007) The Naked Portrait 1900 to 2007. National Galleries of Scotland, Edinburgh, UK, 176 pp. ISBN 978-1903278956. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Bacon and Sutherland : Patterns of Affinity in British Culture of the 1940s. The Paul Mellon Centre for Studies in British Art . Yale University Press, 296 pp. ISBN 9780300107968. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Graham Sutherland: Landscapes, War Scenes, Portraits 1924-1950. Scala, 192 pp. ISBN 978-1857594041. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Lodder, Christina (2000) Gabo on Gabo: Texts and Interviews. Artists Bookworks, Forest Row, 295 pp. ISBN 978-0946311118. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin and Lodder, Christina (2000) Constructing Modernity: the Art and Career of Naum Gabo. Yale University Press, 528 pp. ISBN 978-0300076882. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Show / exhibition

Hammer, Martin (2015) My Generation: A Festival of British Art in the 1960s. , Kent. exhibitions. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2007) The Naked Portrait. The Naked Portrait, Scottish National Portrait Gallery and Compton Verney. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Hammer, Martin (2005) Graham Sutherland. Graham Sutherland, 2005, Dulwich Picture Gallery and Djanogly Gallery, University of Nottingham. exhibition. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Sat Dec 3 04:47:17 2016 GMT.