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Number of items: 13.
Article
| Grieveson, Lee (2000) America on film: Hollywood and American history. Journal of American Studies, 34 . pp. 316-317. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (doi:https://doi.org/10.1093/screen/38.2.149) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
Book section
| Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
Edited book
| Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. (2005) Mob Culture: Hidden Histories of American the Gangster Film. Berg, 320 pp. ISBN 1-84520-330-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. (2005) Mob culture: hidden histories of the American gangster film. New York: Rutgers University Press ISBN 0-8135-3557-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
Review
| Grieveson, Lee (1999) African American films through 1959: A comprehensive illustrated filmography. Review of: African American films through 1959: A comprehensive illustrated filmography by Richards, Larry. Journal of American Studies, 33 (3). pp. 550-551. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grieveson, Lee (1999) America on film: Hollywood and American history. Review of: America on film: Hollywood and American history by Cameron, K.M.. Journal of American Studies, 33 (3). pp. 575-576. ISSN 0021-8758. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grieveson, Lee (1997) Lovers of cinema: The first American film avant-garde, 1919-1945. Review of: Lovers of cinema: The first American film avant-garde, 1919-1945 by Horak, Jan-Christopher. Rethinking History, 1 (2). pp. 212-214. ISSN 1364-2529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grieveson, Lee (1994) Eastwood, Clint - a Cultural Prodution -Smith,P. Screen, 35 (4). pp. 400-406. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grieveson, Lee (1994) Screening the Male - Exploring Masculinities in Hollwood Cinema - Cohan,S, Hark,IR. Screen, 35 (4). pp. 400-406. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grieveson, Lee (1994) Spectacular Bodies - Gender,Gender and the Action Cinema - Tasker,Y. Screen, 35 (4). pp. 400-406. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
