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Number of items: 16.
Article
| Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (doi:0036-9543) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2000) Millennial debates - www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
Book section
| Grant, Catherine A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, Catherine A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0-8263-2825-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Grant, Catherine A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
Book
| Grant, Catherine A. (2007) Directing cinema : The new auteurism. Manchester University Press (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
Edited book
| Grant, Catherine A. and Kuhn, Annette, eds. (2006) Screening World Cinema: A Screen Reader. Routledge (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
