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Number of items: 79.

Article

Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2010.505763) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800701741477) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486800601095982) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Komik und Konsumzwang: Zwischen Jux und Jucken – Komische Gesten bei Forced Entertainment. Maske und Kothurn. Vierteljahresschrift zur Theater-, Film- und Medienwissenschaft, 51 (4). pp. 335-345. ISSN 3-205-77434-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Alienating Realities. Hygiene Heute and the Politics of Sonic Conspiracy. 3xT Tidsskrift for teori og teater, (15 & 1). pp. 40-49. ISSN 0807-6316. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Ent-Körpern, Ent-Schreiben, Ent-Schöpfen. Wie sich die Tanztheorie von Forsythe's 'Decreation' zur Dekonstruktion der Diskurse über das Ballett verleiten ließ. BalletTanz, . pp. 56-61. ISSN 3617559948. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) coMEDIA electrONica. Performing intermediality in contemporary theatre. Theatre Research International, 28 (1). pp. 34-45. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) ElectrONic bodies. Corpo-realities in contemporary dance performance. Moving Bodies. Performance Research, 8 (4). 33 -41. ISSN 0-415-32133-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Körper als Zeichen!? Zur Analyse von Körper- und Bewegungsdarstellungen. Fanzdrama, 62 (1). pp. 18-21. ISSN 0932-8688. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) www dot theatre dot. Alice Croft, or: Transforming Performance in the Internet Culture. Body, Space and Technology, 2 (2). ISSN 1470-9120. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Training Intelligence: Give Us Dance Academies! Ballett International - Tanz Aktuell, (8-9). pp. 52-53. ISSN 0947-0484. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1998) Die Idee vom Körper als Tastatur. Mimekunst, Kunst der Stille: Vor 100 Jahren wurde der Theatermeister Etienne Decroux geboren. Süddeutsche Zeitung/SZ am Wochenende, (18-19). ISSN 0174-4917. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1997) I doubt not I, but she will stoop in time: Frauenfiguren in Tamburlaine und The Spanish Tragedy. ZAA. Zeitschrift für Anglistik und Amerikanistik, XLV . pp. 325-338. ISSN 0044-2305. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Book section

Laera, Margherita (2017) A Theatre Of/For Europe : Giorgio Strehler and the Dream of a United Continent. In: Finburgh, Clare and Boenisch, Peter M and Shepherd, Simon, eds. Great Stage Directors, vol. 6: Littlewood, Planchon, Strehler. Bloomsbury Methuen Drama. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 978-1-4081-8486-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001). In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 187,196-202. ISBN 978-90-8964-255-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Stalpaert, Christel (2010) Jan Fabres Affirmationsfalle: Von der (Un-) Möglichkeit politischen Theaters im Zeitalter der Toleranz. In: Forschungszentrum, Sound and Movement, ed. Spielart Festival Reloaded. Henschel, Berlin, pp. 62-88. ISBN 978-3-89487-661-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Thomas Ostermeier: mission neo(n)realism and a theatre of actors and authors. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 339-359. ISBN 978-0-415-46251-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project. In: Suguiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Publishing, pp. 121-134. ISBN 978-1-84718-138-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik. In: Klein, Gabriele and Brandstetter, Gabriele, eds. Bewegung in Übertragung, Bielefeld. Transcript, pp. 29-45. ISBN 3-89942-558-8. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Aesthetic art to aisthetic act. Theatre, media, intermedial performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance. Amsterdam: Rodopi, pp. 103-116. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Mediation Unfinished. Choreographing Intermediality in Contemporary Dance Performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance, Amsterdam and New York. Rodopi, pp. 151-166. ISBN 90-420-1629-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Theater der Sensationen. Performance als Wahrnehmungs-Labor. In: Matzke, Annemarie and Kurzenberger, Hajo, eds. TheorieTheaterPraxis. Berlin: Theater der Zeit, pp. 261-268. ISBN 3-934344-29-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Pavis, Patrice (2003) Kunst oder die Kunst der Fugue. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag. Herbert Utz Verlag, München, pp. 194-208. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) Realität - Fiktion - Alienation. Hygiene Heute und die Politik der Grenzverschiebung im Performancetheater. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen. München: Utz, pp. 456-464. ISBN 3-8316-0237-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert. In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds. Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter. Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456. ISBN 3-7720-2796-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Darsteller auf der Bühne: Klangkörper <> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater. In: Bayerdörfer, Hans-Peter, ed. Stimmen - Töne - Klänge. Tübingen. Gunter Narr, pp. 139-152. ISBN 3-8233-5230-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Der Körper als Zeichen!? In: Klein, Gabriele and Zipprich, Christa, eds. Tanz.Theorie.Text. Jahrbuch Tanzforschung 12. Münster u.a.: Lit, pp. 383-395. ISBN 3-8258-5901-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Tanz als Leben, oder: Die Erotik des Balanceakts auf der Nabelschnur. Das expressive Ballett-Theater des Jirí Kylián. In: Staatsballett, Bayerisches, ed. Porträt Jirí Kylián. München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Balme, Christopher (2001) Re-Play. Wiederholung der Welt - Welten der Wiederholung im zeitgenössischen britischen Drama. In: Felix, Jurgen and Kiefer, Bernd and Marschall, Susanne and Stiglegger, Marcus, eds. Die Wiederholung. Marburg: Schüren, pp. 269-284. ISBN 3-89472-334-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Contributions to Lexikon der Kultur der Gegenwart,. In: Schnell, Ralf, ed. Lexikon der Kultur der Gegenwart. Stuttgart: Metzler. ISBN 3-476-01622-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater. In: Jeschke, Claudia and Bayerdörfer, Hans-Peter, eds. Bewegung im Blick. Berlin: Vorwerk 8. Theatralia, Documenta Choreologica, pp. 16-29. ISBN 3-930916-22-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) Contributions to Dictionnaire de la Danse. In: Le Moal, Philippe, ed. Dictionnaire de la Danse. Larousse. ISBN 2-03-511318-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Conference or workshop item

Boenisch, Peter M (2010) Zeitläufte: Zur Choreografie und Wahrnehmung von Zeitlichkeit im Tanztheater der Gegenwart. In: Symposium “TIME CODES: Zeichen der Flüchtigkeit – Zeichen der Zeit”, DANCE 2010-Festival, 8th November 2010, Munich. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Dramaturgy as Relational Process: On the Act of Spectating. In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Orozco, Lourdes (2010) Working Group “Directing & Dramaturgy”. In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2010) Curator of Panel “Dramaturgy Abroad and Back: Transnational Reflections on a modern Western theatre paradigm” and Introductory Paper “Dramaturgic Research in Theatre Studies: Exploring Potentials and Methodologies”. In: IFTR World Congress 2010 “Cultures of Modernity”, 25th-31st July 2010, Munich. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Curator “Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies” (Symposium). In: Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies Symposium, 21st November 2009, Barbican, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Panel contribution "Visions of Dance Studies". In: Tanzkongress, 8th November 2009, Hamburg. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf. In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) The naked tragedy of being human: Recent productions of Shakespeare in German Theatre. In: 2009 British Shakespeare Association conference, 13th September 2009, King's College London and the Globe Theatre. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Co-convenor, with Una Bauer, Working Group Directors/Collectives. In: TaPRA Conference 2009, 5th-7th September 2009, Plymouth, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Keynote, Symposium 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries'. In: 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries Symposium, 3rd June 2009, Royal Holloway. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Lecture, Critical Encounters 3: Encountering the Intermedial. In: Critical Encounters 3: Encountering the Intermedial, 9th May 2009, Tramway, Glasgow. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Invited Research Seminar, ‘(Re-)Devising Classics in Contemporary Theatre’. In: (Re-)Devising Classics in Contemporary Theatre, 6th May 2009, University of Lancaster. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Research Seminar, Forschungsprojekt SaM Sound and Movement. In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2009) Panelist, Plenary Discussion ‚Jacques Rancière Study Day. In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur'. In: • Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur', 17th December 2008, Ludwig-Maximilians-Universität München. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) 'How to do things with Text: Text-Regie als Mise-en-Sens'. In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2008) Invited Panel Member, Conference ‘Theatre Studies Today and Tomorrow’. In: Theatre Studies Today and Tomorrow, 12th March 2008, University of Surrey. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Deutsches Theater according to Michael Thalheimer: A Postcard from Berlin. In: Tapra Theatre and Performance Research Association. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Intermediality and the Classics: Updating the “old media” of theatre. In: 15th World Congress International Federation of Theatre Research. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2006) Decreation Inc. William Forsythe’s exploration of ‘behaviour without intention’. In: Symposium "The Changing Body in Training and Performance". (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Postdramatic Mise-en-scène: The ro:theater’s Proust-Project. In: IFTR-Conference “Fictional/Real in Contemporary Theatre”. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) Komik ist Konsumterror. 20 Jahre gegen das genussvolle Einverständnis: Forced Entertainment 1984 - 2004. In: Kongress "Komik - Ästhetik, Theorien, Vermittlungsstrategien", 7th International Congress of the German Society for Theatre Studies. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2004) See and be SCENE: Reflecting the Presentation and Perception of Restoration Theatre. In: "The Long Restoration: Leviathan to Licensing Act", Conference. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2003) In\Between.Realities. In: Working Group Meeting "Theatre and Intermediality", CSSD London. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Theater der Sensationen. In: 6. Kongress der Gesellschaft für Theaterwissenschaft. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2002) Archaeology/Alienation in Contemporary Performance. In: Fédération Internationale du Recherche Théâtrale. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Theatre and Media Studies: Bridging the Gap. In: Working Group Session "Theatre and Intermediality". (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Transforming Performance in the Internet Culture. In: Fédération Internationale du Recherche Théâtrale. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) "Alienation" and "Theater als Medium der Moderne? ". In: Theater als Paradigma der Moderne. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2001) Synthesized Dreams Of Moving Men: ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theater: An International Investigation. Proceedings of the MoMentUm I Conference, Manchester 2001. pp. 122-127. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Die Entdeckung der Korporealität (nicht nur) im Musiktheater. In: 5. Kongress der Gesellschaft für Theaterwissenschaft. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2000) Intermediality in Contemporary Theatre. In: Fédération Internationale du Recherche Théâtrale. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theatre: An International Investigation. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1999) The Body and Beyond. Theatre Semiotics in the Age of Virtual Reality. In: 5th Performance Studies Conference 1999 "Here Be Drag-ons". (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (1998) Etienne Decroux' Körpertheater und die Theaterästhetik der Neunziger Jahre. In: 4. Kongress der Gesellschaft für Theaterwissenschaft. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Book

Boenisch, Peter M (2002) körPERformance 1.0. Theorie und analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen theater. München: ePodium ISBN 3-9807394-6-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Edited book

Boenisch, Peter M and Allsopp, Ric, eds. (2003) Bodiescapes. Performance Research. Routledge, 144 pp. ISBN 0-415-32131-X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M and Keim, Katharina and Braunmuller, Robert, eds. (2003) Theater ohne Grenzen. Munchen: Utz, 504 pp. ISBN 3-8316-0237-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Internet publication

Boenisch, Peter M Make World: Archaeology as Alienation in Contemporary Performance. . Projekte/Kirchner Internet Article. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Review

Boenisch, Peter M (2009) Book Review No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany. Review of: No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany by Stalpaert, Christel and Le Roy, Frederick and Bousset, Sigrid. Contemporary Theatre Review, 19 (1). pp. 115-116. ISSN ISSN 1048-6801. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2007) Book Review: Mary Luckhurst, Dramaturgy: A Revolution in Theatre. Review of: Dramaturgy: A Revolution in Theatre by Luckhurst, Mary. Theatre Research International, 32 (2). p. 207. ISSN 0307-8833. (doi:https://doi.org/10.1017/S0307883307002945) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Boenisch, Peter M (2005) Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,. Review of: “Drama/ Theatre/ Performance” by Shepherd, Simon and Wallis, Mick. Theatre Research International, 30 (3). pp. 306-307. ISSN 0307-8833. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Tue May 21 16:53:03 2019 BST.