Items where Subject is "N Fine Arts > NX Arts in general"

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Number of items at this level: 85.

Radosavljevic, Duška, ed. (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, 288 pp. ISBN 9780415535304. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M., eds. (2012) Fifty Key Texts in Art History. Routledge Key Guides . Routledge, 288 pp. ISBN 9780415487054. (The full text of this publication is not available from this repository)

Radosavljevic, Duška, ed. (2015) Theatre Criticism: Changing Landscapes. Methuen Bloomsbury (Unpublished) (The full text of this publication is not available from this repository)

Allain, Paul and Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review . (The full text of this publication is not available from this repository)

Anderson, Graham (1999) Lucian's dialogues: Performance, nature, and techniques of humor. Classical Review, 49 (1). pp. 32-33. ISSN 0009-840X. (The full text of this publication is not available from this repository)

Anderson, Graham (1999) Symmachus, 'Lettres', vol III, Books-VI-VIII. Classical Review, 49 (2). p. 578. ISSN 0009-840X. (The full text of this publication is not available from this repository)

Anderson, Michael (1999) Classical Greek theatre: New views of an old subject. Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus. by Ashby, Clifford. Theatre Research International, 24 (3). p. 293. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1999) The Cambridge companion to Greek tragedy. Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus. by Easterling, P.E.. Theatre Research International, 24 (1). pp. 109-110. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1998) Tragedy in Athens: Performance space and theatrical meaning. Review of: Tragedy in Athens: performance space and theatrical meaning by Wiles, David. Theatre Research International, 23 (2). p. 179. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Bann, Stephen (1998) A grand design: The art of the Victoria and Albert Museum. Burlington Magazine, 140 (1139). pp. 153-154. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2005) 'Men, women and property in England 1780-1870' [etc] (reviews). Review of: 'Men, women and property in England 1780-1870' 'City of quarters' 'Turning houses into homes' 'Unmodern architecture' 'What we want' by Morris, R. J. and Bell, David and Jayne, Mark and Edwards, Clive and Ibelings, Hans and Jodice, Francesco. AA Files (51). pp. 79-82. ISSN 0261-6823. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2006) Back in the bookshops. Review of: 'Is Mr Ruskin living too long: selected writings of E. W. Godwin on Victorian architecture, desgin and culture' by Kinchin, Juliet and Stirton, Paul. The Tablet . p. 28. ISSN 0039 8837. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2007) Domus 1929-1999 (review). Review of: 'Domus 1929-1999' by Fiell, Charlotte and Fiell, Peter. World of Interiors . p. 47. ISSN 0264-083X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2004) Romantic pomp. Review of: Encyclopaedia of the romantic era, 1760-1850 by Murray, Christopher John. Architectural Review . p. 105. ISSN 0003-861X. (The full text of this publication is not available from this repository)

Cardinal, Roger (1996) Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A. Review of: Duchamp: Passim : A Marchel Duchamp Anthology by Hill, Anthony. Burlington Magazine, 138 (1117). p. 261. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not available from this repository)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (The full text of this publication is not available from this repository)

Double, Oliver (2007) Punk as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (Full text available)
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Durrani, Osman (2004) Adrian Richter. In: Murray, John, ed. Encyclopedia of the Romantic Era 1760-1850. Fitzroy Dearborn, New York, pp. 945-946. ISBN 9781579584221. (The full text of this publication is not available from this repository)

Durrani, Osman (2004) Alfred Rethel. In: Murray, John, ed. Encyclopedia of the Romantic Era 1760-1850, Vol. 2. Fitzroy Dearborn, New York, pp. 941-942. ISBN 1-57958361-X . (The full text of this publication is not available from this repository)

Duska, Radosavljevic (2013) ‘Michael Boyd: The RSC Ensemble’ - Introduction. In: Britton, John, ed. Encountering Ensemble. Methuen Bloomsbury, pp. 147-149. ISBN 9781408155172. (The full text of this publication is not available from this repository)

Fontana-Giusti, Gordana (2008) Avant-Gard Film and Its Role in Understanding the Space of the City. In: Hallam, Julia and Kronenburg, Robert and Koeck, Richard and Roberts, Les, eds. Cities in Film: Architecture, Urban Space and the Moving Image. University of Liverpool, Liverpool. ISBN ISBN 978–0–9557884–1–3. . (Full text available)
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Fontana-Giusti, Gordana and Schumacher, Patrik (2004) Zaha Hadid: The Complete Works. Thames and Hudson Ltd London /Rizzoli New York, London, 448 pp. ISBN 9780500342008. (Access to this publication is restricted)
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Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Hankey, A.T. (1991) Riccobaldo-of-ferrara and giotto, an update. Journal of the Warburg and Courtauld Institutes, 54 . p. 244. ISSN 0075-4390. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Early modernism - Butler,C. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (The full text of this publication is not available from this repository)

Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, , 22 pages (9,800 words). ISBN not known yet. (In press) (Full text available)
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Kear, Jon (1999) Manet's modernism or, the face of painting in the 1860s. Review of: Manet's Modernism: or, The Face of Painting in the 1860s by UNSPECIFIED. Burlington Magazine, 141 (1154). pp. 294-296. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 9789042025219. (Access to this publication is restricted)
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Kear, Jon (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not available from this repository)

Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 9780415957427. (Full text available)
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Klich, Rosemary E. (2013) Performing the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2012) Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence. In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds. Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement. Academia Press. ISBN Not yet available. (Submitted) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713 . (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana City, Public Spaces and Urban Choreography. In: CUMULUS Conference Utrecht, November 2004, Academy of Fine Arts Utrecht. (Unpublished) (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana (2005) The Status of the Categories of the Virtual and the Real in Contemporary Architecture and Urban Design. In: CATH 2005 Conference "Ethics and Politics of Virtuality and Indexicality" , 1 July 2005, University of Leed, Bradford site. (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana The Importance of Good Design. In: Cityscape 2007 - Interdisciplinary Conference, February 2007, London, Earls Court. (Unpublished) (Full text available)
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Korolija Fontana-Giusti, Gordana and Mohammed, Abdul and Kueppers, Stefan and Robertson, Nick and Choudhary, Vineet and Purkayastha, Sharbari and Eno, Brian (2006) London Loves the Thames - Flows and Assemblages - Movie. Central Saint Martins College of Art and Design film. (Full text available)
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Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029 . (Full text available)
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Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (Full text available)
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Marotti, Ferruccio and Tinti, Luisa and Allain, Paul (2005) Il Principe Costante di Jerzy Grotowski Riconstruzione, with subtitles in English. Centro Teatro Ateneo - University of Rome 'La Sapienza' DVD. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2010) Contemporary British Art: An Introduction. Routledge, 304 pp. ISBN 9780415389747. (The full text of this publication is not available from this repository)

Pooke, Grant F. (1994) Larionov,mikhail and the russian avant-garde - parton,a. Art History, 17 (4). pp. 685-686. ISSN 0141-6790. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Callow, John and Powell, Jane (2011) The Art of Revolution: Illustrated by the Collection of the Marx Memorial Library. Evans Mitchell Books, 96 pp. ISBN 9781901268607. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Artist is Busy. . website. (Full text available)
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Radosavljevic, Duška (2014) Baby Boom. . website. (Full text available)
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Radosavljevic, Duška (2013) Changing Scenes. . Exeunt website. (Full text available)
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Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (Full text available)
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Radosavljevic, Duška (2013) Community Innovation. . website. (Full text available)
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Radosavljevic, Duška (2013) Dubrovnik Summer Festival: Father Courage. . Exeunt website. (Full text available)
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Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (Full text available)
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Radosavljevic, Duška (2010) Howard Barker Day. Western European Stages, 22 (2/3). pp. 63-66. ISSN 1050-1991. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Interview with Howard barker. Western European Stages, 22 (2-3). pp. 67-70. ISSN 1050-1991. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2015) Kneehigh Theatre. In: British Theatre Companies 1995-2014. Methuen Bloomsbury. ISBN 1408177277. (In press) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (Full text available)
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Radosavljevic, Duška (2012) Mike Alfreds on adaptation. Journal of Adaptation in Film and Performance, 5 (3). pp. 315-323. ISSN 1753-6421. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Occupare! . website. (Full text available)
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Radosavljevic, Duška (2011) On the Wrestling School. In: Brown, Mark, ed. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Intellect, Bristol, pp. 181-185. ISBN 9781841503981. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Place of a Dramaturg in Twenty-First-Century England. In: The Routledge Companion to Dramaturgy. Routledge, pp. 40-44. ISBN 0415658497. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) 'The Problem of Page and Stage in Russian and British Productions of Shakespeare'. Arts Studies Quarterly (2). ISSN 0032-9371. (In press) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2011) 'Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble’. In: Pitches, Jonathan, ed. Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, pp. 139-166. ISBN 9780415591003. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) Theatre as an Intellectual Concertina: Simon Stephens in Conversation with Duska Radosavljevic. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Bloomsbury. ISBN 9781408184721. (In press) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Theatre-Making: Interplay between text and performance in the 21st century. Palgrave Macmillan (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) ‘Towards Performed Dramaturgy’. In: Trencsenyi, Katalin and Cochrane, Bernadette, eds. New Dramaturgy: International Perspectives on Theory and Practice. Methuen Bloomsbury, pp. 68-79. ISBN 9781408177082. (The full text of this publication is not available from this repository)

Radosavljevic, Duška and Rodosthenous, George (2014) Reversing the Process: Investigating multi-disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics . ISSN 1054-8378. (Submitted) (The full text of this publication is not available from this repository)

Rodosthenous, George and Radosavljevic, Duška (2012) The Gift of Pygmalion. Performance type: Live play , 2012, Leeds/Munich. Live performance. (The full text of this publication is not available from this repository)

Rodosthenous, George and Radosavljevic, Duška (2007) The Symposium. Performance type: Live play , Leeds. live performance. (The full text of this publication is not available from this repository)

Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not available from this repository)

Rodosthenous, George and Zavros, Demetris and Radosavljevic, Duška (2011) Othello's Revenge. Performance type: Live play , Munich/Munster/Berlin. Live performance. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 9780230241336. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2011) Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance. In: Reynolds, Deirdre and Reason, Matthew, eds. Kinesthetic Empathy in Creative and Cultural Practices. Intellect, Bristol, pp. 33-50. ISBN 9781841504919. (The full text of this publication is not available from this repository)

Skillen, Tony J. (1999) Ethics, evil, and fiction. Review of: Ethics, evil, and fiction by McGinn, Colin. British Journal of Aesthetics, 39 (4). pp. 434-435. ISSN 0007-0904. (The full text of this publication is not available from this repository)

Smith, Murray (1992) Coming to terms - the rhetoric of narrative in fiction and film - Chatman,S. Journal of Aesthetics and Art Criticism, 50 (3). pp. 253-254. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Stähler, Axel (2006) The Oxford Dictionary of the Renaissance, ed. Gordon Campbell. Oxford: Oxford University Press, 2003. Review of: The Oxford Dictionary of the Renaissance by Campbell, Gordon. Archiv für das Studium der neueren Sprachen und Literaturen, 158 . pp. 154-157. ISSN 0003-8970. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 9781907975295. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2012) In Defence of Marginal Anarchy: Edgar Wind and the Congress for Cultural Freedom. In: Art History and the Cold War. Ashgate. ISBN ???. (In press) (The full text of this publication is not available from this repository)

Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 9780415403986. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2010) 'Objects in transition: the puppet and the autistic child'. Journal of Applied Arts in Health, 1 (3). pp. 251-265. ISSN 2040-2457. (Full text available)
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Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 9783863351632. (The full text of this publication is not available from this repository)

This list was generated on Tue Sep 2 05:58:40 2014 BST.