Items where Subject is "N Fine Arts > NX Arts in general"

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Number of items at this level: 171.

Radosavljevic, Duška, ed. (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, 288 pp. ISBN 9780415535304. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M., eds. (2012) Fifty Key Texts in Art History. Routledge Key Guides . Routledge, 288 pp. ISBN 9780415487054. (The full text of this publication is not available from this repository)

Radosavljevic, Duška, ed. (2015) Theatre Criticism: Changing Landscapes. Methuen Bloomsbury (Unpublished) (The full text of this publication is not available from this repository)

Allain, Paul and Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review . (The full text of this publication is not available from this repository)

Anderson, Graham (1999) Lucian's dialogues: Performance, nature, and techniques of humor. Classical Review, 49 (1). pp. 32-33. ISSN 0009-840X. (The full text of this publication is not available from this repository)

Anderson, Graham (1999) Symmachus, 'Lettres', vol III, Books-VI-VIII. Classical Review, 49 (2). p. 578. ISSN 0009-840X. (The full text of this publication is not available from this repository)

Anderson, Michael (1999) Classical Greek theatre: New views of an old subject. Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus. by Ashby, Clifford. Theatre Research International, 24 (3). p. 293. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1999) The Cambridge companion to Greek tragedy. Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus. by Easterling, P.E.. Theatre Research International, 24 (1). pp. 109-110. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1998) Tragedy in Athens: Performance space and theatrical meaning. Review of: Tragedy in Athens: performance space and theatrical meaning by Wiles, David. Theatre Research International, 23 (2). p. 179. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Bann, Stephen (1998) A grand design: The art of the Victoria and Albert Museum. Burlington Magazine, 140 (1139). pp. 153-154. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Bolaki, Stella (2015) Illness as Many Narratives: Arts, Medicine and Culture. Edinburgh University Press, Edinburgh ISBN 978-1474402422. (Submitted) (The full text of this publication is not available from this repository)

Bolaki, Stella (2011) Review of Alan Radley’s Works of Illness: Narrative, Picturing, and the Social Response to Serious Disease. Review of: Works of Illness: Narrative, Picturing, and the Social Response to Serious Disease by Radley, Alan. Medical Humanities, 37 . pp. 130-131. ISSN 1468-215X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2005) 'Men, women and property in England 1780-1870' [etc] (reviews). Review of: 'Men, women and property in England 1780-1870' 'City of quarters' 'Turning houses into homes' 'Unmodern architecture' 'What we want' by Morris, R. J. and Bell, David and Jayne, Mark and Edwards, Clive and Ibelings, Hans and Jodice, Francesco. AA Files (51). pp. 79-82. ISSN 0261-6823. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2006) Back in the bookshops. Review of: 'Is Mr Ruskin living too long: selected writings of E. W. Godwin on Victorian architecture, desgin and culture' by Kinchin, Juliet and Stirton, Paul. The Tablet . p. 28. ISSN 0039 8837. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2007) Domus 1929-1999 (review). Review of: 'Domus 1929-1999' by Fiell, Charlotte and Fiell, Peter. World of Interiors . p. 47. ISSN 0264-083X. (The full text of this publication is not available from this repository)

Brittain-Catlin, Timothy (2004) Romantic pomp. Review of: Encyclopaedia of the romantic era, 1760-1850 by Murray, Christopher John. Architectural Review . p. 105. ISSN 0003-861X. (The full text of this publication is not available from this repository)

Cardinal, Roger (1996) Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A. Review of: Duchamp: Passim : A Marchel Duchamp Anthology by Hill, Anthony. Burlington Magazine, 138 (1117). p. 261. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0 9527978 0 1. (The full text of this publication is not available from this repository)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not available from this repository)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Double, Oliver (2014) Getting the Joke (2nd edition). Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not available from this repository)

Double, Oliver (2005) Getting the joke. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not available from this repository)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not available from this repository)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (The full text of this publication is not available from this repository)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (The full text of this publication is not available from this repository)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (Full text available)
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Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not available from this repository)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0 413 70320 7. (The full text of this publication is not available from this repository)

Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not available from this repository)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464x. (The full text of this publication is not available from this repository)

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 9780521673846. (The full text of this publication is not available from this repository)

Double, Oliver and Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (Full text available)
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Durrani, Osman (2004) Adrian Richter. In: Murray, John, ed. Encyclopedia of the Romantic Era 1760-1850. Fitzroy Dearborn, New York, pp. 945-946. ISBN 9781579584221. (The full text of this publication is not available from this repository)

Durrani, Osman (2004) Alfred Rethel. In: Murray, John, ed. Encyclopedia of the Romantic Era 1760-1850, Vol. 2. Fitzroy Dearborn, New York, pp. 941-942. ISBN 1-57958361-X . (The full text of this publication is not available from this repository)

Duska, Radosavljevic (2013) ‘Michael Boyd: The RSC Ensemble’ - Introduction. In: Britton, John, ed. Encountering Ensemble. Methuen Bloomsbury, pp. 147-149. ISBN 9781408155172. (The full text of this publication is not available from this repository)

Fontana-Giusti, Gordana (2008) Avant-Gard Film and Its Role in Understanding the Space of the City. In: Hallam, Julia and Kronenburg, Robert and Koeck, Richard and Roberts, Les, eds. Cities in Film: Architecture, Urban Space and the Moving Image. University of Liverpool, Liverpool. ISBN ISBN 978–0–9557884–1–3. . (Full text available)
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Fontana-Giusti, Gordana and Schumacher, Patrik (2004) Zaha Hadid: The Complete Works. Thames and Hudson Ltd London /Rizzoli New York, London, 448 pp. ISBN 9780500342008. (Access to this publication is restricted)
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Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Guerin, Frances (2006) The Perpetrator in Focus. Law Text Culture, 10 (NA). pp. 167-192. ISSN 1332-9060.. (Full text available)
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Hankey, A.T. (1991) Riccobaldo-of-ferrara and giotto, an update. Journal of the Warburg and Courtauld Institutes, 54 . p. 244. ISSN 0075-4390. (The full text of this publication is not available from this repository)

Jordanous, Anna (2014) Review. Review of: Digital Da Vinci: Computers in the Arts and Sciences (2014, Springer) by UNSPECIFIED. ACM Computing Reviews . p. 1. (Submitted) (The full text of this publication is not available from this repository)

Kear, Jon (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Early modernism - Butler,C. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (The full text of this publication is not available from this repository)

Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, , 22 pages (9,800 words). ISBN not known yet. (In press) (Full text available)
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Kear, Jon (1999) Manet's modernism or, the face of painting in the 1860s. Review of: Manet's Modernism: or, The Face of Painting in the 1860s by UNSPECIFIED. Burlington Magazine, 141 (1154). pp. 294-296. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 9789042025219. (Access to this publication is restricted)
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Kear, Jon (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not available from this repository)

Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 9780415957427. (Full text available)
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Klich, Rosemary E. (2014) ‘Amplifying Sensory Spaces: Headphone Theatre’. In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens.. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2014) Amplifying Sensory Spaces: The In and Outputs of Headphone Theatre. Contemporary Theatre Review . ISSN 1048-6801. (Submitted) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2010) Copies, Robots, Mutants, and the Unfinished Human. In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton.. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2006) During Intermediality: Remediation and Virtuality in Multimedia Theatre. In: Australasian Drama Studies Association Annual Conference, July 2006, University of Sydney. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2014) Fleshing Out: Intermedial Bodies, Digital Plasticity and the Dancer-in-Code. Dance Research Journal of Korea . (In press) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) "Fleshing Out: The Body in Intermedial Dance". In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2014) ‘The In and Outputs of Headphone Theatre’. In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2010) Instance: The Builder’s Association. In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 149-156. ISBN 978 90 8964 255 4. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) “InterMEdiation and the InterMEdial System”. In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) Intermediality, Complexity and Emergence. In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2005) Into Virtuality: Interactivity and Immersion in New Media Performance. In: E-Performance and Plug-ins, December 2005, University of New South Wales, Sydney. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2014) Mediation, Trace and Space in Dance Theatre: Already Elsewhere. In: Baxter, Virginia and Brannigan, Erin, eds. Bodies of Thought: 12 Australian Choreographers. Wakefield Press, Adelaide. ISBN 9781743052419. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2012) “Participate or Else”. In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) Performing Poetry and the Postnarrative Text in the Theatre of New Media. Contemporary Theatre Review, 23 (3). pp. 421-431. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2010) "Performing at a Distance: Place, Pattern and Posthumanism". In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2006) Performing ‘Posthuman’ Perspective: Remediation and Virtuality in New Media Performance. In: International Federation for Theatre Research Annual Congress, Helsinki, Finland. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2007) Staging Space: Performing Plasticity and Plastic Performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2015) Systems of Spectatorship: Blast Theory’s Aesthetic of Emergence. In: Depestel, David and Pewny, Katherina and Stalpaert, Christel and Coppens, Jeroen, eds. Unfolding Spectatorship: Re-Evaluating the Spectator’s Corporeal Engagement. Academia Press. ISBN Not yet available. (In press) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2011) Systems of Spectatorship: Presence, Play and Performance in Blast Theory’s Games. In: “The Gaze is Us”, 23rd March 2011, Vooruit Centre for the Arts. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O. Body, Space & Technology Journal, 11 (2). NA (online and downloadable PDF)-NA (online and downloadable PDF). ISSN ISSN 1470-9120. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2012) The ‘unfinished’ subject: Pedagogy and performance in the company of copies, robots, mutants and cyborgs. International Journal of Performance Arts and Digital Media, 8 (2). pp. 155-171. ISSN 1479-4713 . (The full text of this publication is not available from this repository)

Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta (2014) Through the Grapevine: A Performed Wine Tasting (2013) and (2014). Performance type: Live play , 2014: 23rd, 24th October, Mrs Jones’ Kitchen, Canterbury, 2013: 26th and 27th April, Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent.. Performance and documentation. (Unpublished) (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana City, Public Spaces and Urban Choreography. In: CUMULUS Conference Utrecht, November 2004, Academy of Fine Arts Utrecht. (Unpublished) (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana (2005) The Status of the Categories of the Virtual and the Real in Contemporary Architecture and Urban Design. In: CATH 2005 Conference "Ethics and Politics of Virtuality and Indexicality" , 1 July 2005, University of Leed, Bradford site. (The full text of this publication is not available from this repository)

Korolija Fontana-Giusti, Gordana The Importance of Good Design. In: Cityscape 2007 - Interdisciplinary Conference, February 2007, London, Earls Court. (Unpublished) (Full text available)
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Korolija Fontana-Giusti, Gordana and Mohammed, Abdul and Kueppers, Stefan and Robertson, Nick and Choudhary, Vineet and Purkayastha, Sharbari and Eno, Brian (2006) London Loves the Thames - Flows and Assemblages - Movie. Central Saint Martins College of Art and Design film. (Full text available)
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Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029 . (Full text available)
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Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (Full text available)
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Marotti, Ferruccio and Tinti, Luisa and Allain, Paul (2005) Il Principe Costante di Jerzy Grotowski Riconstruzione, with subtitles in English. Centro Teatro Ateneo - University of Rome 'La Sapienza' DVD. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2010) Contemporary British Art: An Introduction. Routledge, 304 pp. ISBN 9780415389747. (The full text of this publication is not available from this repository)

Pooke, Grant F. (1994) Larionov,mikhail and the russian avant-garde - parton,a. Art History, 17 (4). pp. 685-686. ISSN 0141-6790. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Callow, John and Powell, Jane (2011) The Art of Revolution: Illustrated by the Collection of the Marx Memorial Library. Evans Mitchell Books, 96 pp. ISBN 9781901268607. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Another Someone. Review of: Another Someone by UNSPECIFIED. The Stage . p. 20. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Artist is Busy. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) Baby Boom. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Birds with Skymirrors. Review of: Birds with Skymirrors by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) Blind Hamlet. Review of: Blind Hamlet by UNSPECIFIED. Exeunt . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2005) Carmen Angel. Review of: Carmen Angel by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) A Ceremony of Carols - Richard Alston Dance Company. Review of: A Ceremony of Carols - Richard Alston Dance Company by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Changing Scenes. . Exeunt website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Circus as the Time and Space for Thinking. . PDF. (Full text available)
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Radosavljevic, Duška (2013) Community Innovation. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2007) A Companion to Shakespeare and Performance. Review of: A Companion to Shakespeare and Performance by UNSPECIFIED. Theatre Research International . pp. 204-205. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Cymbeline. Review of: Cymbeline by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Devising as a Historical Category. In: Devising Dramaturgy: A Shared Space – Symposium for the Makers, Prague Quadrennial. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Dramaturgies of Togetherness. In: Play: Relational Aspects of Dramaturgy, University of Ghent. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Dubrovnik Summer Festival: Father Courage. . Exeunt website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Encounters in Stratford-upon-Avon. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2009) England. Review of: England by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) The Ensemble Way of Working and Playwrighting. In: Turning the Page: Creating New Writing 1945-2013. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) The Ensemble Way of Working. In: Encountering Ensemble, University of Huddersfield. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) An Evening with Dementia. Review of: An Evening with Dementia by UNSPECIFIED. The Stage . p. 22. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) FE 365. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2008) From Milford Haven to Milford Junction: The Golden Age of Kneehigh. In: Cultures of Translation: Adaptation in Film and Performance, Glamorgan University, Cardiff. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Harlekin. Review of: Harlekin by UNSPECIFIED. The Stage . p. 19. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Hidden in the Sand. Review of: Hidden in the Sand by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) How to Move a Critic. In: Cultural Criticism in the Digital Age: Media, Purposes, and the Status of the Critic Symposium. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Howard Barker Day. Western European Stages, 22 (2/3). pp. 63-66. ISSN 1050-1991. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Hugh Hughes- Stories from an Invisible Town. Review of: Hugh Hughes - Stories from an Invisible Town by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) I, Claudia. Review of: I, Claudia by UNSPECIFIED. The Stage . p. 20. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Interview with Adriano Shaplin. Routledge Performance Archive website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Interview with Howard barker. Western European Stages, 22 (2-3). pp. 67-70. ISSN 1050-1991. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Interview with Mike Alfreds. Routledge Performance Archive Item format: website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2004) Joe. Review of: Joe by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2015) Kneehigh Theatre. In: British Theatre Companies 1995-2014. Methuen Bloomsbury. ISBN 1408177277. (In press) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Kotor Festival of Children's Theatre. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2009) Les Trois Mousquetaires. Review of: Les Trois Mousquetaires by UNSPECIFIED. The Stage . p. 19. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Mary and William. Review of: Mary and William by UNSPECIFIED. The Stage . p. 20. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2009) Michael Clark - New Work. Review of: Michael Clark - New Work by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2007) A Midsummernights Tree. Review of: A Midsummernight's Tree by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Mike Alfreds on Adaptation. Journal of Adaptation in Film and Performance, 5 (3). pp. 315-323. ISSN 1753-6421. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: Fun Places Festival, 3 October 2014, Lyric Hammersmith Theatre, Lonodn. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Mums and Babies Ensemble. In: GIFT Festival, Gateshead. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Northern Stage Ensemble as an Adaptation of the Russian Theatre Model. In: International Federation of Theatre Research conference. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2005) An Oak Tree. Review of: An Oak Tree by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) Occupare! . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) The Old King. Review of: The Old King by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) On Audience and Authorship. In: Lifting the Curtain on Audience and Authorship, Institute of Contemporary Arts, London. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2011) On Impact. In: Invisible Presences Conference,, Queens University Belfast. (Unpublished) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) On the Virtues of ‘Open Source’ Innovation in the Arts. In: Svich, Caridad, ed. TCG. TCG. (Submitted) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2011) On the Wrestling School. In: Brown, Mark, ed. Howard Barker Interviews 1980-2010: Conversations in Catastrophe. Intellect, Bristol, pp. 181-185. ISBN 9781841503981. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Others. Review of: Others by UNSPECIFIED. The Stage . p. 20. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Place of a Dramaturg in Twenty-First-Century England. In: The Routledge Companion to Dramaturgy. Routledge, pp. 40-44. ISBN 0415658497. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) The Problem of Page and Stage in Russian and British Productions of Shakespeare. Arts Studies Quarterly (2). ISSN 0032-9371. (Full text available)
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Radosavljevic, Duška (2009) Research Methodologies for a Consideration of the ‘Ensemble Way of Working'. In: TaPRA. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2012) The Return to Brecht in the Twenty-First Century. In: TaPRA. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (0013) Risk and Reinvention. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: A Reassessment', University of Cambridge. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2011) 'Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble’. In: Pitches, Jonathan, ed. Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, pp. 139-166. ISBN 9780415591003. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) The Spanish Tragedy. Review of: The Spanish Tragedy by UNSPECIFIED. The Stage . 00-00. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Spring Awakening. Review of: Spring Awakening by UNSPECIFIED. The Stage . p. 21. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) Theatre as an Intellectual Concertina: Simon Stephens in Conversation with Duska Radosavljevic. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Bloomsbury. ISBN 9781408184721. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Theatre-Making – Bridging the Gap Between Text-Based and Devised Theatre in the English-Speaking World. In: International Federation for Theatre Research conference, Barcelona. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2015) Theatre-Making: The End of Directing as We Know It. In: Popovici, Iulia, ed. The Playwright-Director: New European Theatre-Makers. Sibiu Festival. (Unpublished) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses. Review of: The Tiger Lillies - The Songs of Shockheaded Peter and Other Gory Verses by UNSPECIFIED. The Stage . p. 19. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) To Create a New Kind of Flower. . website. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Tokyo Love Song. Review of: Tokyo Love Song by UNSPECIFIED. The Stage . p. 19. ISSN 0038-9099. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2014) Towards Performed Dramaturgy. In: Trencsenyi, Katalin and Cochrane, Bernadette, eds. New Dramaturgy: International Perspectives on Theory and Practice. Methuen Bloomsbury, pp. 68-79. ISBN 9781408177082. (The full text of this publication is not available from this repository)

Radosavljevic, Duška and Milatovic-Ovadia, Maja (2015) (un)decorated. Performance type: Live play , London. live performance. (Unpublished) (The full text of this publication is not available from this repository)

Radosavljevic, Duška and Portmann, Alexandra (2013) Serbian Hamlet Meets Fortinbras from Yorkshire. In: Eastern European Hamlets, Royal Central School of Speech and Drama, London. (Unpublished) (The full text of this publication is not available from this repository)

Radosavljevic, Duška and Rodosthenous, George (2014) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics . ISSN 1054-8378. (Submitted) (The full text of this publication is not available from this repository)

Rodosthenous, George and Radosavljevic, Duška (2012) The Gift of Pygmalion. Performance type: Live play , 2012, Leeds/Munich. Live performance. (The full text of this publication is not available from this repository)

Rodosthenous, George and Radosavljevic, Duška (2007) The Symposium. Performance type: Live play , Leeds. live performance. (The full text of this publication is not available from this repository)

Rodosthenous, George and Radosavljevic, Duška and Zavros, Demetris (2009) The Fall of Ikarus. Performance type: Live play , Koln. live performance. (The full text of this publication is not available from this repository)

Rodosthenous, George and Zavros, Demetris and Radosavljevic, Duška (2011) Othello's Revenge. Performance type: Live play , Munich/Munster/Berlin. Live performance. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2012) Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave, Basingstoke, 312 pp. ISBN 9780230241336. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2011) Knowing Me, Knowing You: Autism, Kinesthetic Empathy and Applied Performance. In: Reynolds, Deirdre and Reason, Matthew, eds. Kinesthetic Empathy in Creative and Cultural Practices. Intellect, Bristol, pp. 33-50. ISBN 9781841504919. (The full text of this publication is not available from this repository)

Skillen, Tony J. (1999) Ethics, evil, and fiction. Review of: Ethics, evil, and fiction by McGinn, Colin. British Journal of Aesthetics, 39 (4). pp. 434-435. ISSN 0007-0904. (The full text of this publication is not available from this repository)

Smith, Murray (1992) Coming to terms - the rhetoric of narrative in fiction and film - Chatman,S. Journal of Aesthetics and Art Criticism, 50 (3). pp. 253-254. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Stähler, Axel (2006) The Oxford Dictionary of the Renaissance, ed. Gordon Campbell. Oxford: Oxford University Press, 2003. Review of: The Oxford Dictionary of the Renaissance by Campbell, Gordon. Archiv für das Studium der neueren Sprachen und Literaturen, 158 . pp. 154-157. ISSN 0003-8970. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 9781907975295. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2012) In Defence of Marginal Anarchy: Edgar Wind and the Congress for Cultural Freedom. In: Art History and the Cold War. Ashgate. ISBN ???. (In press) (The full text of this publication is not available from this repository)

Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 9780415403986. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2010) 'Objects in transition: the puppet and the autistic child'. Journal of Applied Arts in Health, 1 (3). pp. 251-265. ISSN 2040-2457. (Full text available)
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Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 9783863351632. (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Research on the Ancient Mask, 6 (1). N/A-N/A. ISSN ISSN 1321-4853. (Access to this publication is restricted)
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This list was generated on Wed Nov 26 23:29:19 2014 GMT.