Items where Subject is "M Music and Books on Music > M Music"

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Number of items at this level: 72.

B

Behan, Tom (2007) Putting spanners in the works: the politics of the 99 Posse. Popular Music, 26 (3). pp. 497-504. ISSN 0261-1430 . (The full text of this publication is not available from this repository)

C

Cameron, Claire and Ostashevsky, Luba (2013) Science Gets Down With Miles Davis and Bernini. . Online magazine. (Full text available)
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D

Durrani, Osman (2002) 'Virtual paradises. A brief history of the postwar Schlager'. In: Berghahn, D., ed. Millennial Essays on Film and other German Studies. Verlag Peter Lang, Bern, pp. 93-110. ISBN 9783906768298. (The full text of this publication is not available from this repository)

F

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not available from this repository)

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not available from this repository)

Fretwell, Paul (2013) Étune No. 1. Item format: audio recording. (Unpublished) (The full text of this publication is not available from this repository)

Fretwell, Paul and Field, Ambrose (2013) Northern Loop. Sargasso Records Item format: CD recording. (In press) (The full text of this publication is not available from this repository)

H

Howle, Tim (2011) Novelists make things up. http://www.fmr-records.com Item format: CD. (The full text of this publication is not available from this repository)

Howle, Tim and Cope, Nick (2011) Flags. Item format: DVD. (The full text of this publication is not available from this repository)

Howle, Tim and Cope, Nick (2013) Hypnotised. Item format: DVD. (Unpublished) (The full text of this publication is not available from this repository)

Howle, Tim and Cope, Nick and Alix, Christophe (2013) Brain Scan (working title). Item format: DVD plus installation. (Unpublished) (The full text of this publication is not available from this repository)

I

Ilan, Jonathan (2014) Commodifying compliance? UK urban music and the new mediascape. Tijdschrift over Cultuur & Criminaliteit, 4 (1). pp. 67-79. ISSN 2211-9507. (The full text of this publication is not available from this repository)

J

Jordanous, Anna (2010) A-Fitness-Function-for-Creativity-in-Jazz-Improvisation-and-Beyond (Jordanous 2010) - code. github Java code. (Full text available)
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Jordanous, Anna (2011) Computer Models of Musical Creativity? A review of Cope (2005). Review of: Computer Models of Musical Creativity. David Cope (2005). MIT Press by UNSPECIFIED. AISB Quarterly, 132 (-). p. 10. ISSN 1476-3036. (Full text available)
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Jordanous, Anna (2009) Conference Report: The Fourth Conference on Interdisciplinary Musicology (CIM08). Review of: Fourth Conference on Interdisciplinary Musicology, 2008 (CIM08) by UNSPECIFIED. AISB Quarterly, 128 (-). pp. 8-9. ISSN 1476-3036. (Full text available)
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Jordanous, Anna (2010) Conference Review: Empirical approaches to Performance: Empirical Musicology II conference (25-26 March 2010, School of Music, University of Leeds, UK). Review of: Empirical approaches to Performance: Empirical Musicology II conference 2010 by UNSPECIFIED. Excursions, 1 (1). p. 1. ISSN 2044-4095. (The full text of this publication is not available from this repository)

Jordanous, Anna (2011) Evaluating the creativity of computational musical improvisation systems. In: Workshop on International Cross-Disciplinary Research Collaboration in Science \& Music at 7th Conf. Interdisciplinary Musicology, 2011, Glasgow, UK. (Full text available)
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Jordanous, Anna (2010) The Realisation of Creativity in Artificial Music Improvisation and Interpretation. In: Empirical Musicology II, 2010, Leeds, UK. (Unpublished) (The full text of this publication is not available from this repository)

Jordanous, Anna (2007) Score Following: An artificially intelligent musical accompanist (Jordanous 2007, Jordanous & Smaill 2008+2009) - code. github Max/MSP code. (Full text available)
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Jordanous, Anna (2007) Score following: An artificially intelligent musical accompanist. Master of Science (MSc) thesis, University of Edinburgh, UK.. (Full text available)
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Jordanous, Anna (2012) A Standardised Procedure for Evaluating Creative Systems: Computational Creativity Evaluation Based on What it is to be Creative. Cognitive Computation, 4 (3). pp. 246-279. ISSN 1866-9956. (The full text of this publication is not available from this repository)

Jordanous, Anna (2008) Voice Separation in polyphonic music (Jordanous 2008) - code. github Matlab code. (Full text available)
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Jordanous, Anna (2008) Voice separation in polyphonic music: A data-driven approach. In: International Computer Music Conference 2008, 2008, Belfast, UK. (Full text available)
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Jordanous, Anna (2010) A fitness function for creativity in jazz improvisation and beyond. In: International Conference on Computational Creativity, 2010, Lisbon, Portugal. (The full text of this publication is not available from this repository)

Jordanous, Anna and Allington, Daniel (2014) Network analysis - code for the Valuing Electronic Music project. github Python code. (Full text available)
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Jordanous, Anna and Allington, Daniel and Dueck, Byron (2014) Using online networks to analyse the value of electronic music. In: International Conference on Computational Creativity, 2014, Ljubljana, Slovenia. (Full text available)
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Jordanous, Anna and Keller, Bill (2012) What makes a musical improvisation creative? Journal of Interdisciplinary Music Studies, 6 (2). pp. 151-175. ISSN 1307-0401. (Full text available)
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Jordanous, Anna and Keller, Bill (2011) What makes a musical improvisation creative? In: 7th Conference on Interdisciplinary Musicology, 2011, Glasgow, UK. (Full text available)
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Jordanous, Anna and Smaill, Alan (2008) Artificially intelligent accompaniment using Hidden Markov Models to model musical structure. In: Conference on Interdisciplinary Musicology, 2008, Thessaloniki, Greece. (Full text available)
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Jordanous, Anna and Smaill, Alan (2009) Investigating the role of score following in automatic musical accompaniment. Journal of New Music Research, 38 (2). pp. 197-209. ISSN 0929-8215. (Full text available)
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M

MacLeod, Duncan W M (2012) Diesis. London Sinfonietta Records Item format: Score, MAX/MSP patch and commercial CD release of premier performance. ASIN: B0094G5JLQ. (Access to this publication is restricted)
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MacLeod, Duncan W M (2009) Ellipsis. CD Squeaky Kate Music Item format: Score and commercial release (ASIN: B004F6O9ZM; performed by duoDorT). (Access to this publication is restricted)
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Molitor, Claudia (2012) Promming (with listening stick). BBC Proms Item format: online. (The full text of this publication is not available from this repository)

Molitor, Claudia (2012) Remember me... Item format: performance. (The full text of this publication is not available from this repository)

P

Pasoulas, Aki (2010) Paramnesia. International Computer Music Association Item format: CD. (Full text available)
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Roesner, David P. and Rebstock, Matthias, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 9781841504568. (The full text of this publication is not available from this repository)

Roesner, David P. and Kendrick, Lynne, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. (The full text of this publication is not available from this repository)

Roesner, David P. (2010) Bella Merlin’s “Tilly No-Body” (Composer and Sound-designer). Performance type: Other “Tilly No-Body”, Oct 2010, Mondavi Center for the Performing Arts, Davis, California. Live Performance. (The full text of this publication is not available from this repository)

Roesner, David P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. (The full text of this publication is not available from this repository)

Roesner, David P. (2014) Composing Tilly. ETUM E-Journal for Theatre and Media (peer-reviewed online journal) . (Unpublished) (The full text of this publication is not available from this repository)

Roesner, David P. (2013) Dancing in the Twilight – On the Borders of Music and the Scenic. In: Symonds, Dominic and Karatonis, Pamela, eds. The Legacy of Opera. Reading Music Theatre as Experience and Performance. Rodopi, Amsterdam, pp. 169-187. ISBN 9789042036918. (The full text of this publication is not available from this repository)

Roesner, David P. (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, Stephanie, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. (The full text of this publication is not available from this repository)

Roesner, David P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 9783793094326. (The full text of this publication is not available from this repository)

Roesner, David P. (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit, 2005 (6). pp. 14-15. ISSN 0040-5418. (Full text available)
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Roesner, David P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, Kati, ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 9783823366065. (The full text of this publication is not available from this repository)

Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (The full text of this publication is not available from this repository)

Roesner, David P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, David P. and Rebstock, Matthias, eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 9781841504568. (The full text of this publication is not available from this repository)

Roesner, David P. (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (Full text available)
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Roesner, David P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, Hans-Peter, ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 9783823352303. (The full text of this publication is not available from this repository)

Roesner, David P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, Volker, eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 9783772081255. (The full text of this publication is not available from this repository)

Roesner, David P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, Lynne and Roesner, David P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 9781443834407. (The full text of this publication is not available from this repository)

Roesner, David P. (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 17503159. (Full text available)
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Roesner, David P. (2014) Musicality in Theatre – Music as Model, Method and Metaphor in Theatre-making. Other. Ashgate, Farnham (In press) (The full text of this publication is not available from this repository)

Roesner, David P. (2010) Musicking as mise-en-scène. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. (The full text of this publication is not available from this repository)

Roesner, David P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, Hajo and Matzke, Annemarie, eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 9783934344297. (The full text of this publication is not available from this repository)

Roesner, David P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, Anno, ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 9783826041846. (The full text of this publication is not available from this repository)

Roesner, David P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3896841872. (The full text of this publication is not available from this repository)

Roesner, David P. (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 9783709115039. (The full text of this publication is not available from this repository)

Roesner, David P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. (The full text of this publication is not available from this repository)

Roesner, David P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 9783772027963. (The full text of this publication is not available from this repository)

Roesner, David P. (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 14682761. (Full text available)
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Roesner, David P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. (The full text of this publication is not available from this repository)

Roesner, David P. (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3823360205. (Full text available)
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Roesner, David P. (2014) Theaterrauschen – Spielarten der performativen Hervorbringung von Geräusch. In: Mungen, Anno and Ernst, Wolf-Dieter, eds. Sound and Performance. Königshausen & Neumann, Würzburg. ISBN tbc. (Submitted) (The full text of this publication is not available from this repository)

Roesner, David P. (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany. (Full text available)
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Roesner, David P. (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A. (Full text available)
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Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801 . (Full text available)
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Roesner, David P. and Risi, Clemens (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. (Full text available)
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Skingley, Ann and Clift, Stephen M. and Coulton, Simon and Rodriguez, John (2011) The effectiveness and cost-effectiveness of a participative community singing programme as a health promotion initiative for older people: protocol for a randomised controlled trial. BMC Public Health, 11 (142). ISSN 1471-2458 . (Full text available)
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Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (Full text available)
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Stähler, Axel (2006) The Oxford Dictionary of the Renaissance, ed. Gordon Campbell. Oxford: Oxford University Press, 2003. Review of: The Oxford Dictionary of the Renaissance by Campbell, Gordon. Archiv für das Studium der neueren Sprachen und Literaturen, 158 . pp. 154-157. ISSN 0003-8970. (The full text of this publication is not available from this repository)

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Thomas, Scarlett (2004) Sofa Sagas. Daily Telegraph “Music on Thursday” . p. 19. (The full text of this publication is not available from this repository)

This list was generated on Fri Oct 24 12:29:15 2014 BST.