Items where Subject is "M Music and Books on Music > M Music"

Library of Congress Subject Areas (47)
- M Music and Books on Music (47)
  - M Music (47)

Group by: Creator's name | Item Type | Date | No Grouping

2013 2012 2011 2010 2009 2008 2007 2006 2005 2004 2003 2002

Number of items at this level: 47.

2013

Fretwell, Paul (2013) Étune No. 1. Item format: audio recording. (Unpublished) The full text of this publication is not available from this repository.

Fretwell, Paul and Field, Ambrose (2013) Northern Loop. Sargasso Records Item format: CD recording. (In press) The full text of this publication is not available from this repository.

Howle, Tim and Cope, Nick (2013) Hypnotised. Item format: DVD. (Unpublished) The full text of this publication is not available from this repository.

Howle, Tim and Cope, Nick and Alix, Christophe (2013) Brain Scan (working title). Item format: DVD plus installation. (Unpublished) The full text of this publication is not available from this repository.

2012

MacLeod, Duncan W M (2012) Diesis. London Sinfonietta Records Item format: Score, MAX/MSP patch and commercial CD release of premier performance. ASIN: B0094G5JLQ. Access to this publication is restricted.

Molitor, Claudia (2012) Promming (with listening stick). BBC Proms Item format: online. The full text of this publication is not available from this repository.

Molitor, Claudia (2012) Remember me... Item format: performance. The full text of this publication is not available from this repository.

Roesner, D.P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, D.P. and Rebstock, M., eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 9781841504568. The full text of this publication is not available from this repository.

Roesner, DP and Rebstock, M, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 9781841504568. The full text of this publication is not available from this repository.

Roesner, DP (2012) Der „Guitar Hero“ zwischen Musizieren und Performen. In: Schroedter, S, ed. Bewegungen zwischen Hören und Sehen. Königshausen & Neumann, Göttingen, pp. 591-607. ISBN 978-3-8260-4744-2. The full text of this publication is not available from this repository.

Roesner, David (2012) "Musikalität als ästhetisches Dispositiv: Analogien und Transfers". In: Huber, Jorg and Nigro, Roberto and Bippus, Elke, eds. Ästhetik x Dispositiv: Die Erprobung von Erfahrungsfeldern. Edition Voldemeer (1). Springer, Zürich, Wien, New York. ISBN 9783709115039. The full text of this publication is not available from this repository.

2011

Howle, Tim (2011) Novelists make things up. http://www.fmr-records.com Item format: CD. The full text of this publication is not available from this repository.

Howle, Tim and Cope, Nick (2011) Flags. Item format: DVD. The full text of this publication is not available from this repository.

Roesner, D.P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. The full text of this publication is not available from this repository.

Roesner, D.P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, L. and Roesner, D.P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 9781443834407. The full text of this publication is not available from this repository.

Roesner, D.P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. The full text of this publication is not available from this repository.

Roesner, DP and Kendrick, L, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. The full text of this publication is not available from this repository.

Skingley, A. and Clift, S.M. and Coulton, S. and Rodriguez, J. (2011) The effectiveness and cost-effectiveness of a participative community singing programme as a health promotion initiative for older people: protocol for a randomised controlled trial. BMC Public Health, 11 (142). ISSN 1471-2458 .

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2010

Pasoulas, Aki (2010) Paramnesia. International Computer Music Association Item format: CD.

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Roesner, D.P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, K., ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 9783823366065. The full text of this publication is not available from this repository.

Roesner, D.P. (2010) Musicking as mise-en-scne. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. The full text of this publication is not available from this repository.

Roesner, D.P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, A., ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 9783826041846. The full text of this publication is not available from this repository.

Roesner, DP (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 17503159. The full text of this publication is not available from this repository.

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430.

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2009

MacLeod, Duncan W M (2009) Ellipsis. CD Squeaky Kate Music Item format: Score and commercial release (ASIN: B004F6O9ZM; performed by duoDorT). Access to this publication is restricted.

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Roesner, D.P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3896841872. The full text of this publication is not available from this repository.

Roesner, D.P. and Risi, C. (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. The full text of this publication is not available from this repository.

2008

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) The full text of this publication is not available from this repository.

Roesner, DP (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany.

Roesner, DP (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801 .

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2007

Behan, T.H. (2007) Putting spanners in the works: the politics of the 99 Posse. Popular Music, 26 (3). pp. 497-504. ISSN 0261-1430 . The full text of this publication is not available from this repository.

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) The full text of this publication is not available from this repository.

Roesner, DP (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim.

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Roesner, DP (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 14682761.

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2006

Roesner, D.P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. The full text of this publication is not available from this repository.

Stähler, Axel (2006) The Oxford Dictionary of the Renaissance, ed. Gordon Campbell. Oxford: Oxford University Press, 2003. Review of: The Oxford Dictionary of the Renaissance by Campbell, G.. Archiv für das Studium der neueren Sprachen und Lite¬ra¬turen, 158 . pp. 154-157. ISSN 0003-8970. The full text of this publication is not available from this repository.

2005

Roesner, D.P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 9783793094326. The full text of this publication is not available from this repository.

Roesner, D.P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, V., eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 9783772081255. The full text of this publication is not available from this repository.

Roesner, DP (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit - Insert "Zuspiel", 2005 (6). pp. 14-15. ISSN 0040-5418.

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2004

Roesner, D.P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, H. and Matzke, A., eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 9783934344297. The full text of this publication is not available from this repository.

Roesner, DP (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A.

Thomas, Scarlett (2004) Sofa Sagas. Daily Telegraph “Music on Thursday” . p. 19. The full text of this publication is not available from this repository.

2003

Roesner, D.P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, C. and Fischer-Lichte, E. and Grätzel, S., eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 9783772027963. The full text of this publication is not available from this repository.

Roesner, D.P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. The full text of this publication is not available from this repository.

Roesner, DP (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3823360205.

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2002

Durrani, O. (2002) 'Virtual paradises. A brief history of the postwar Schlager'. In: Berghahn, D., ed. Millennial Essays on Film and other German Studies. Verlag Peter Lang, Bern, pp. 93-110. ISBN 9783906768298. The full text of this publication is not available from this repository.

Roesner, D.P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, P., ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 9783823352303. The full text of this publication is not available from this repository.

This list was generated on Wed Jun 19 20:36:16 2013 BST.