Items where Subject is "M Music and Books on Music"

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Number of items at this level: 17.

C

Curry, B (2014) Blues Music Theory and the Songs of Robert Johnson: Ladder, Level and Chromatic Cycle. Popular Music . xx-xx. ISSN 0261-1430. (In press) (The full text of this publication is not available from this repository)

Curry, B (2013) Classing Topics: An Analysis of the Music for Ken Loach’s Riff Raff. In: Proceedings of the International Conference on Music Semiotics. (Full text available)
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Curry, B (2010) Musical Semiotics in Action: Applying and Debating Hatten’s Semiotics in a Musico-Dramatic Context. Studies in Musical Theatre, 4 (1). pp. 53-65. ISSN 1750-3159. (Access to this publication is restricted)
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Curry, B (2013) On the value of Mozart’s Symphony in A, K.201. In: Music: Function and Value: Proceedings of the Eleventh International Congress on Musical Signification. (Access to this publication is restricted)
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Curry, B (2010) Review of Sarah Reichardt. Review of: Composing the Modern Subject: Four String Quartets by Dmitri Shostakovich (2008) by UNSPECIFIED. twentieth century music, 7 (2). pp. 260-267. ISSN 1478-5722. (Access to this publication is restricted)
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Curry, B (2014) Review of Sophy Smith. Review of: Hip-Hop Turntablism, Creativity and Collaboration by UNSPECIFIED. Popular Music, 34 (1). xx-xx. ISSN 0261-1430. (Submitted) (The full text of this publication is not available from this repository)

Curry, B (2010) Signs, Dicisigns and the Dimensions of Time in Music: Towards a Semiotic Theory of Musical Subjectivity. In: Before and After Music: Tenth International Congress on Musical Signification, 2008, Vilnius. (Access to this publication is restricted)
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D

Durrani, Osman (2002) Popular music in the German-speaking world. In: Phipps, Alison, ed. Contemporary German Cultural Studies. Hodder Arnold, London, pp. 197-218. ISBN 9780340764015. (The full text of this publication is not available from this repository)

F

Falk, Simone and Rathcke, Tamara V (2011) The Speech-To-Song Illusion Revisited. In: On Words and Sounds. Cambridge Scholars Publishing, Cambridge, pp. 1-26. ISBN 1-4438-3161-1. (The full text of this publication is not available from this repository)

Forrester, Michael A. (2010) Emerging musicality during the pre-school years: a case study of one child. Psychology of Music, 38 (2). pp. 131-158. ISSN 0305-7356. (Full text available)
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Fretwell, Paul (2008) Ghosts of King's Cross (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not available from this repository)

Fretwell, Paul (2007) Wall of Stone (2007) Female voice and four percussionists with megaphones. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not available from this repository)

Fretwell, Paul (2008) from the cold (2008) female voice and electroacoustic sound. Item format: score and recording of performance. (Unpublished) (The full text of this publication is not available from this repository)

G

Grantley, Darryll (1993) American drama of the 20th-Century - Berkowitz, GM. Notes and Queries, 40 (4). pp. 571-572. ISSN 0029-3970. (The full text of this publication is not available from this repository)

R

Roesner, David P. (2015) The Musical as Experiment – New Developments on the British Stage (working title). In: Jubin, O and Gordon, Robert, eds. Oxford Handbook of the British Musicals. Oxford University Press, Oxford. ISBN tbc. (Unpublished) (The full text of this publication is not available from this repository)

S

Simone, Falk and Tamara, Rathcke and Simone, Dalla Bella (2014) When Speech Sounds Like Music. Journal of Experimental Psychology: Human Perception and Performance, 40 (4). pp. 1491-1506. ISSN 0096-1523. (The full text of this publication is not available from this repository)

Stanfield, Peter (2011) “From the Barroom: American Song, Saloon Culture, Stack O’Lee and Wild Bill, or ‘Did you touch my hat?’”. In: Kalinak, Kathryn, ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series . Routledge, New York, pp. 183-202. ISBN 9780415882262. (Access to this publication is restricted)
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This list was generated on Sat Nov 22 09:07:26 2014 GMT.