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Number of items: 28.

Article

Wood, A. (2013) Intangible space: three-dimensional technology in Hugo and IMAX in The Dark Knight. Convergence: The International Journal of Research Into New Media Technologies, 19 (4). pp. 1-13. ISSN 1354-8565. (The full text of this publication is not available from this repository)

Wood, A. (2013) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video . ISSN 0742-4671. (In press) (The full text of this publication is not available from this repository)

Wood, A. (2012) Where Codes Collide: the Emergent Ecology of Avatar. Animation: An Interdisciplinary Journal, 7 (3). pp. 309-322. ISSN 1746-8477 . (The full text of this publication is not available from this repository)

Wood, A. (2012) Recursive space: play and creating space. Games and Culture, 7 (1). pp. 87-105. ISSN 1555-4120. (Full text available)
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Wood, A. (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309. (Full text available)
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Wood, A. (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. (Access to this publication is restricted)
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Wood, A. (2008) Proliferating Connections and Communicating Convergence. Fibreculture (13). ISSN 1449-1443 . (The full text of this publication is not available from this repository)

Wood, A. (2007) 'Pixel Visions: Digital Intermediates and Micromanipulations of the Image'. Quarterly Review of Film and Video, Film Criticism 32 (1). pp. 72-94. ISSN 0163-5069. (The full text of this publication is not available from this repository)

Wood, A. (2006) Re-Animating Space. Animation: An Interdisciplinary Journal, 1 (2). pp. 133-152. ISSN 1746-8477 . (The full text of this publication is not available from this repository)

Wood, A. (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309. (The full text of this publication is not available from this repository)

Wood, A. (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Joireman, J. and Van Lange, P. and Van Vugt, M. and Wood, A. and Leest, T. and Lambert, C. (2001) Structural solutions to social dilemmas: A field study on commuters' willingness to fund improvements in public transit. Journal of Applied Social Psychology, 31 (3). pp. 504-526. ISSN 0021-9029. (The full text of this publication is not available from this repository)

Taylor, C. and Ripley, B.D. and Wood, A. and Fan, J.Q. and Yao, Q.W. and Titterington, D.M. and Cox, T.F. and Phillips, M.J. and Thomas, T.R. and Yu, K.M. (1999) Fractal analysis of surface roughness by using spatial data - Discussion on the paper by Davies and Hall. Journal of the Royal Statistical Society Series B-Statistical Methodology, 61 . pp. 30-37. ISSN 1369-7412. (The full text of this publication is not available from this repository)

Book section

Wood, A. (2013) Inception’s Timespaces. In: North, D. and Rehak, R. and Duffy, M.S., eds. Special Effects: New Histories, Theories, Contexts. BFI: Palgrave Macmillan. ISBN n/a. (In press) (The full text of this publication is not available from this repository)

Wood, A. (2013) Sonic Times in Inception and Watchmen. In: Vernalis, C. and Richardson, J. and Herzog, A., eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press. ISBN n/a. (In press) (The full text of this publication is not available from this repository)

Wood, A. (2008) Cinema as Technology: Encounters with an Interface. In: Furstenau, Marc and Mackenzie, Adrian and Bennett, Bruce, eds. Cinema and Technology. Palgrave Press. ISBN 9780230524774. (The full text of this publication is not available from this repository)

Wood, A. (2005) The Animated Queer. In: Griffiths, Robin, ed. Queer Cinema in Europe. Intellect. ISBN 1841500798 . (The full text of this publication is not available from this repository)

Wood, A. (2005) Vectorial dynamics: transtextuality and complexity in the Matrix. In: Gillis, Stacy, ed. The Matrix. Wallflower Press. ISBN 1904764320. (The full text of this publication is not available from this repository)

Wood, A. (2004) The Expansion of Narrative Space: Titanic and CGI Technology. In: Street, Sarah and Bergfelder, Tim, eds. Titanic as Myth and Memory: Representations in Visual and Literary Culture. I.B.Tauris, pp. 225-234. ISBN 1850434328. (The full text of this publication is not available from this repository)

Wood, A. (2004) The collapse of reality and illusion in The Matrix. In: Tasker, Yvonne, ed. The Action Reader. Routledge, pp. 119-129. ISBN 0415235073. (The full text of this publication is not available from this repository)

Wood, A. (2001) Fresh Kill: Information Technologies as Sites of Resistance. In: Munt, Sally, ed. Technospaces: inside the new media. Continuum, pp. 161-174. ISBN 0826450032. (The full text of this publication is not available from this repository)

Wood, A. (1998) "You ever fuck a mutant?" Technology, Gender and Identity in Total Recall. In: Ainley, Rosa, ed. New Frontiers of Space, Bodies and Gender. Routledge, pp. 191-202. ISBN 0415154901. (The full text of this publication is not available from this repository)

Monograph

Hodges, S.D. and Roberts, G. and Papaspiliopoulos, O. and Sentana, E. and Bingham, N.H. and Cox, D.R. and Nicolato, E. and Venardos, E. and Critchley, F. and Davis, M.H.A. and Tompkins, R. and Benth, F.E. and Karlsen, K.H. and Reikvam, K. and Brockwell, P.J. and Davis, R.A. and Christensen, B.J. and Dellaportas, P. and McCoy, E.J. and Stephens, D.A. and Diebold, F.X. and Fruhwirth-Schnatter, S. and Genon-Catalot, V. and Laredo, C. and Granger, C.W.J. and Griffin, J.E. and Steel, M.F.J. and Hobson, D. and Jensen, J.L. and Jones, M.C. and Lawrance, A.J. and Ledford, A.W. and Leonenko, N.N. and Levendorskii, S. and Mandelbrot, B.B. and Meddahi, N. and Pitt, M.K. and Priestley, M.B. and Renault, E. and Rosinski, J. and Sato, K. and Taylor, S.J. and Tong, H. and Yang, H. and Veretennikov, A.Y. and Walker, S.G. and Werker, B.J.M. and Wood, A. (2001) Non-Gaussian Ornstein-Uhlenbeck-based Models and Some of their Uses in Financial Economics - Discussion. Discussion paper. BLACKWELL PUBLISHING LTD 10.1111/1467-9868.00282. (The full text of this publication is not available from this repository)

Conference or workshop item

Wood, A. (2010) Resolving the Posthuman. In: The Posthuman Subject, 2nd-3rd July 2010, University of Surrey. (The full text of this publication is not available from this repository)

Wood, A. (2010) Making the Dark Knight. In: MeCCSa Conference 2010, 6th-8th January 2010, London School of Economics. (The full text of this publication is not available from this repository)

Wood, A. (2007) Digital Intermediates and Digital Expressive Practice. In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA. (The full text of this publication is not available from this repository)

Book

Wood, A. (2007) Digital Encounters. Routledge, Taylor and Francis Group, 200 pp. ISBN 9780415410663. (The full text of this publication is not available from this repository)

Wood, A. (2002) Technoscience in contemporary American films: beyond science fiction. Manchester University Press, 240 pp. ISBN 0719057736. (The full text of this publication is not available from this repository)

This list was generated on Sat Apr 19 23:09:35 2014 BST.