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Number of items: 8.
| Williams, James S. (2004) Debates 1960-2004: The Exercise Was Beneficial, Monsieur Daney. In: Temple, Michael and Witt, Michael, eds. The French Cinema Book. British Film Institute, London, pp. 265-272. ISBN 978-1-84457-011-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Williams, James S. (2004) “O heave! O heave away, heave! O heave!”: working through the author in Claire Denis’s Beau Travail. Journal of European Studies, 34 (1-2). pp. 44-59. ISSN 0047-2441. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Williams, James S. and Temple, Michael and Witt, Michael, eds. (2003) For Ever Godard. Black Dog Publishing, London, 461 pp. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Williams, James S. and Temple, Michael and Witt, Michael (2003) Introduction: For Ever Godard. In: Williams, James S. and Temple, Michael and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 14-16. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Williams, James S. (2003) Music, Love, and the Cinematic Event. In: Temple, Michael and Williams, James S. and Witt, Michael, eds. For Ever Godard. Black Dog Publishing, London, pp. 288-311. ISBN 1-901033-69-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Williams, James S. (2001) For Our Eyes Only: Body and Sexuality in Reverse Motion in the films of Jean Cocteau. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 77-106. ISBN 1-85973-570-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Williams, James S. and Hughes, Alex, eds. (2001) Gender and French Cinema. Berg, Oxford and New York, 256 pp. ISBN 1-85973-570-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Williams, James S. and Hughes, Andrea (2001) Gender and French Cinema: Introduction. In: Williams, James S. and Hughes, Andrea, eds. Gender and French Cinema. Berg, Oxford and New York, pp. 1-18. ISBN 1-85973-570-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
