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Number of items: 44.

Article

Thomas, B.D.H. (2012) John Evelyn's Project of Translation. Art in Print . (In press) (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2005) The Academy of Baccio Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2005) The academy of Bandinelli. Print Quarterly, XXII, 1, XXII (1). pp. 3-14. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2003) Finding Ovid through Raphael in the Schools of the Tombs. Art on the Line, 1 (2). pp. 1-11. ISSN 1478-6818. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (1999) Hercules and the Hydra: C. D. E. Fortnum, Arthur Evans and the Ashmolean Museum. Journal of the History of Collections , 11 (2). pp. 159-169. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (1999) The Fortnum Archive in the Ashmolean Museum. Journal of the History of Collections , 11 (2). pp. 253-268. (The full text of this publication is not available from this repository)

Book section

Thomas, B.D.H. (2012) Paul Coldwell: Passing through... In: Coldwell, Paul, ed. Paul Coldwell: A Layered Practice - Graphic Works 1993-2012. Studio 3 Gallery, University of Kent at Canterbury. ISBN 9781902671819. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 9781907975295. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2012) In Defence of Marginal Anarchy: Edgar Wind and the Congress for Cultural Freedom. In: Art History and the Cold War. Ashgate. ISBN ???. (In press) (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 9780754666547. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2007) Casa Vasari: writing and decorating the artist’s house. In: Hendrix, H., ed. Writers’ Houses and the Making of Memory. Routledge, pp. 139-148. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2003) “The art consists of hiding the art”: Castiglione and Raphael. In: Braida, Antonella and Pieri, Giuliana, eds. Image and Word. Reflections of Art and Literature from the Middle Ages to the Present. Legenda/Oxford University Press, pp. 134-150. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2000) Artefici and Huomini Intendenti: Questions of Artistic Value in Sixteenth-Century Italy. In: Shepherd, Rupert and Neher, Gabriele, eds. Revaluing Renaissance Art. Ashgate Press, pp. 43-56. (The full text of this publication is not available from this repository)

Conference or workshop item

Thomas, B.D.H. (2008) Disegno. In: Renaissance Keywords, 19th September 2008, University of Birmingham. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2008) Noble or Commercial? The Early History of Mezzotint in Britain. In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2008) The Truest Poetry is the Most Feigning: Edgar Wind on Art and Morals during the Cold War. In: Cultural Memory:Forgetting to Remember/Remembering to Forget, KIASH conference, 10th-13th September 2008, University of Kent. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2008) The Locations of Art in the Mezzotints of Wallerant Vaillant. In: Early Modern Prints Symposium and Study Day, 2nd April 2008, Courtauld Institute Research Forum. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2008) The Paradox of Mezzotint. In: Centre for Medieval and Early Modern Studies, 24th January 2008, University of Kent. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2006) The Many Faces of Lucas van Leyden and Other Stories: Some Historiographical Reflections on the Pictorum aliquot celebrium Germaniae inferioris effigies of Domenicus Lampsonius. In: Courtauld Institute Research Seminar, 16th May 2006, Courtald Institute. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2006) Framing Giambologna’s Rape of a Sabine. In: Renaissance Society of America Annual Conference, 22nd-25th March 2006, San Francisco. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2005) Casa Vasari: writing and decorating the artist’s house. In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference, 11th-15th May 2005, Rome. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2005) The Academy of Baccio Bandinelli by Enea Vico. In: Renaissance Society of America Annual Conference, 7-9th April 2005, University of Cambridge. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2005) Parallel Lives: Dante, Michelangelo and the Reception of the Medici Chapel Sculpture. In: Conception: Reception, 31st Annual Conference of the Association of Art Historians, 31st March - 2nd April 2005, University of Bristol. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2004) Tracing the Course of Forms: John Obadiah Westwood. In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference, 2-4th April 2004, University of Kent. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2003) The Dissemination of Disegno: Baccio Bandinelli and Anton Francesco Doni. In: The Business of Prints in Rome, 24th-25th March 2003, University of Edinburgh. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2002) Finding Ovid through Raphael in the Schools of the Tombs. In: Monkeying about with Antiquity, AHRB Centre for Cultural Analysis, Theory and History, 17th May 2002, University of Leeds. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2002) Edgar Wind and Leonardo da Vinci. In: University of Oxford, Renaissance History Seminar, 4th February 2002, University of Oxford. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2000) The Renaissance artist’s sense of history. In: 30th International Congress of the History of Art, 3rd-8th September 2000, National Portrait Gallery, London. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2000) “A beautiful and rare invention”: Gian Girolamo Savoldo’s so-called portrait of Gaston de Foix. In: University of Oxford, Oxford Brookes University and Ashmolean Museum Art History Seminar, 26th January 2000, Oxford. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (1999) Artefici and huomini intendenti: questions of artistic value in sixteenth-century Italy. In: Images and Values, Association of Art Historian’s 25th Annual Conference, 9-11th April 1999, University of Southampton. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (1996) “The Spaniard’s Peccadillo”: The Interrelation of Painting and Sculpture in Sixteenth-Century Italy. In: University of Oxford, Renaissance History Seminar, 16th February 1996, University of Oxford. (The full text of this publication is not available from this repository)

Book

Thomas, B.D.H. (2008) The Paradox of Mezzotint, exhibition catalogue. Canterbury ISBN 978-1-902671-55-0. (The full text of this publication is not available from this repository)

Show / exhibition

Blackburn, John and Thomas, B.D.H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2008) The Paradox of Mezzotint. The Paradox of Mezzotint, 12th April - 11th June 2008/2nd July-31st October 2008, Museum of Canterbury/Strang Print Room, University College London. Prints. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2006) Van Dyck pinxit/After Van Dyck. Van Dyck pinxit/After Van Dyck, May-November 2006, Museum of Canterbury. Prints. (The full text of this publication is not available from this repository)

Other

Thomas, B.D.H. (2005) Enea Vico, The Academy of Baccio Bandinelli. National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (2004) ‘Wind, Edgar Marcel (1900-1971). Oxford University Press, Oxford Dictionary of National Biography. (The full text of this publication is not available from this repository)

Thomas, B.D.H. and Clayton, Timothy (2000) George Clarke Print Collection, Worcester College, Oxford, 2000. Worcester College Oxford, http://prints.worc.ox.ac.uk/. (The full text of this publication is not available from this repository)

Thomas, B.D.H. (1999) Calendar of the Fortnum Papers at the Ashmolean Museum, 1999. National Art Library. (The full text of this publication is not available from this repository)

Edited book

Thomas, B.D.H., ed. (2012) Double Take: The Art of Printmaking. Studio 3 Gallery ISBN 978-1-902671-75-8. (The full text of this publication is not available from this repository)

Thomas, B.D.H., ed. (2008) The Art of Comedy, exhibition catalogue. Canterbury ISBN 978-1-902671-56-7. (The full text of this publication is not available from this repository)

Thomas, B.D.H., ed. (2007) Dreams and Nightmares, exhibition catalogue. Canterbury ISBN 978-1-902671-48-2. (The full text of this publication is not available from this repository)

Thomas, B.D.H., ed. (2006) The Awakening, exhibition catalogue. Canterbury ISBN 978-1-902671-44-4. (The full text of this publication is not available from this repository)

Thomas, B.D.H. and Wilson, Timothy, eds. (1999) C. D. E. Fortnum and the collecting and study of applied arts and sculpture in Victorian England. Ashmolean Publications/Oxford University Press (The full text of this publication is not available from this repository)

This list was generated on Wed Apr 16 19:04:20 2014 BST.