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Number of items: 30.

Article

Stanfield, Peter (2013) Intent to Speed: Cyclical Production, Topicality and the 1950s Hot Rod Movie. New Review of Film and Television Studies, 11 (1). pp. 34-55. ISSN 1740-0309. (Access to this publication is restricted)
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Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (Full text available)
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Briggs, Joe Bob and Hoberman, J. and Love, D. and Lucas, T. and Sconce, J. and Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not available from this repository)

Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Stanfield, Peter (2008) Notes Toward a History of the Edinburgh International Film Festival, 1969-77. Film International, 6 (4). pp. 62-71. ISSN 1651-6826. (The full text of this publication is not available from this repository)

Stanfield, Peter (2005) ‘A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films’. Film Studies: An International Review (7). pp. 66-82. ISSN 1469-0314. (The full text of this publication is not available from this repository)

Stanfield, Peter (2003) ‘The Last Scene of the Titanic: Vernacular American Phonograph Recordings’. Interdisciplinary Literary Studies, 5 (1). pp. 21-33. ISSN 1524-8429. (The full text of this publication is not available from this repository)

Stanfield, Peter (2002) ‘An Excursion into the Lower Depths: Hollywood, St. Louis Blues, and Urban Primitivism.’. Cinema Journal, 41 (2). pp. 84-108. ISSN 0009-7101. (The full text of this publication is not available from this repository)

Stanfield, Peter (1997) ‘“An Octoroon in the Kindling”: American Vernacular & Blackface Minstrelsy in 1930s Hollywood.’. Journal of American Studies, 31 (3). pp. 407-438. ISSN 0021-8758. (The full text of this publication is not available from this repository)

Stanfield, Peter (1992) ‘Heritage Design: The Harley-Davidson Motor Company.’. Journal of Design History, 5 (2). pp. 141-155. ISSN 0952-4649. (The full text of this publication is not available from this repository)

Stanfield, Peter (1987) ‘The Western 1909-14: A Cast of Villains.’. Film History, 1 (2). pp. 97-112. ISSN 0892-2160. (The full text of this publication is not available from this repository)

Book section

Stanfield, Peter (2012) “‘Got-to-See’: Trends in Social Problem Pictures and the Postwar Cycles of Juvenile Delinquency Movies”. In: Lucia, Cynthia and Grundmann, Roy and Simon, Art, eds. The Wiley-Blackwell History of American Film. Wiley-Blackwell, Chichester, pp. 220-241. ISBN 9781405179843. (The full text of this publication is not available from this repository)

Stanfield, Peter (2011) “From the Barroom: American Song, Saloon Culture, Stack O’Lee and Wild Bill, or ‘Did you touch my hat?’”. In: Kalinak, Kathryn, ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series . Routledge, New York, pp. 183-202. ISBN 9780415882262. (Access to this publication is restricted)
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Stanfield, Peter (2011) “Punks! Topicality and the 1950s Gangster Bio-Pic Cycle”. In: Bolton, Kingsley and Olsson, Jan, eds. Media, Popular Culture and the American Century. National Library of Sweden, pp. 185-215. ISBN 9780861966981. (Full text available)
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Stanfield, Peter (2007) ‘A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films’. In: Krutnik, Frank and Neale, Steve and Neve, Brian and Stanfield, Peter, eds. “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press. ISBN 0-8135-4198-3 . (The full text of this publication is not available from this repository)

Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not available from this repository)

Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1845203305. (The full text of this publication is not available from this repository)

Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1845203305. (The full text of this publication is not available from this repository)

Stanfield, Peter (2002) ‘“Film Noir Like You’ve Never Seen”: Jim Thompson Adaptations and Cycles of Neo Noir’. In: Neale, Stephen, ed. Genre and Contemporary Hollywood. British Film Institute, pp. 251-268. ISBN 0-8517-08870. (The full text of this publication is not available from this repository)

Stanfield, Peter (2001) ‘“Extremely Dangerous Material”: Hollywood and the Ballad of Frankie and Johnny’. In: Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. University of Minnesota Press, pp. 442-465. ISBN 0-166-3239-1. (The full text of this publication is not available from this repository)

Stanfield, Peter (2000) ‘From the Vulgar to the Refined: American Vernacular & Blackface Minstrelsy in Showboat (1936)’. In: Marshall, Bill and Stillwell, Robynn, eds. Musicals: Hollywood and Beyond. Intellect Press, pp. 147-156. ISBN 1-84150-003-8. (The full text of this publication is not available from this repository)

Stanfield, Peter (1998) ‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’. In: Buscombe, Edward and Pearson, Roberta, eds. Back in the Saddle Again: New Essays on the Western. British Film Institute, pp. 96-117. ISBN 0-85170661-4. (The full text of this publication is not available from this repository)

Stanfield, Peter (1996) ‘Country Music & the 1939 Western: From Hillbillies to Cowboys’. In: Cameron, Ian and Pye, Douglas, eds. The Movie Book of the Western. Studio Vista, pp. 22-33. ISBN 0-289-80140-0. (The full text of this publication is not available from this repository)

Monograph

Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Other. Rutgers University Press, New Jersey (The full text of this publication is not available from this repository)

Book

Stanfield, Peter (2005) Body & soul: jazz and blues in American film, 1927-63. Urbana: University of Illinois Press, 213 pp. ISBN 0252 029 941. (The full text of this publication is not available from this repository)

Stanfield, Peter (2002) Horse opera: the strange history of the singing cowboy. Urbana: University of Illinois Press, 177 pp. ISBN 0252027337. (The full text of this publication is not available from this repository)

Stanfield, Peter (2001) Hollywood, westerns and the 1930s: the lost trail. University of Exeter Press, 258 pp. ISBN 085989 6943. (The full text of this publication is not available from this repository)

Edited book

Stanfield, Peter and Krutnik, Frank and Neale, Steve and Neve, Brian, eds. (2007) “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press, 362 pp. ISBN 0-8135-4198-3 . (The full text of this publication is not available from this repository)

Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. (2005) Mob Culture: Hidden Histories of American the Gangster Film. Berg, 320 pp. ISBN 1845203305. (The full text of this publication is not available from this repository)

Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. (2005) Mob culture: hidden histories of the American gangster film. New York: Rutgers University Press ISBN 0-8135-3557-3. (The full text of this publication is not available from this repository)

This list was generated on Sat Oct 25 06:38:30 2014 BST.