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Number of items: 54.

Article

Shaughnessy, R.M. (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2000) Shakespearean Utopias. Shakespeare Survey (54). pp. 233-243. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production (9). pp. 22-37. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly (15). pp. 264-271. (The full text of this publication is not available from this repository)

Book section

Shaughnessy, R.M. (2007) "I do, I will": Hal, Falstaff and the Performative. In: Henderson, Diana E., ed. Alternative Shakespeares 3. New accents . Routledge, Abingdon, pp. 14-33. ISBN 9780415423335. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 9780230001893. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1 4051 1104 6. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not available from this repository)

Conference or workshop item

Shaughnessy, R.M. (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference, August 2008, The Shakespeare Institute. (Unpublished) (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium, April 2008, Queen's University Belfast. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare, November 2006, University of Michigan. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2006) Our Shakespeares. In: Shakespeare on Film, May 2006, Royal Holloway, University of London. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2006) Our Shakespeares. In: Shakespeare on Television seminar, April 2006, Shakespeare Association of America Annual Conference, Philadelphia. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference, September 2005, University of Newcastle. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute, March 2005, The Shakespeare Institute. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin, February 2005, Trinity College, Dublin. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance, November 2004, University of Notre Dame. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference, April 2004, New Orleans. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar, November 2003, University of London. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe, May 2002, Shakespeare’s Globe. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 2001, Anglia Polytechnic University. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School, August 2001, Royal Shakespeare Company Summer School. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2001) Shakespeare versus Performance. In: London Shakespeare Seminar, April 2001, University of London. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar, February 2001, University of London. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1999) Shakespeare Goes Pop. In: Millennium Shakespeares, November 1999, Hofstra University. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1998) Shakespearean Utopias. In: The Shakespeare Institute, February 1998, The Shakespeare Institute. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 1997, Anglia Polytechnic University. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference, May 1997, Seoul University. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference, August 1996, The Shakespeare Institute. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945, July 1994, Leicester University. (The full text of this publication is not available from this repository)

Book

Shaughnessy, N. and Shaughnessy, R.M. and Caines, M. and Goring, P. (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0 333 77937 1. (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not available from this repository)

Shaughnessy, R.M. (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not available from this repository)

Edited book

Shaughnessy, Nicola and Shaughnessy, R.M., eds. (2008) Lives of Shakespearian actors, Part I: David Garrick, Charles Macklin and Margaret Woffington by their contemporaries. Lives of Shakespearian Actors, 3 . Pickering and Chatto, London, 330 pp. ISBN 9781851968534. (The full text of this publication is not available from this repository)

Chedgzoy, Kate and Greenhalgh, Susanne and Shaughnessy, R.M., eds. (2007) Shakespeare and Childhood. Cambridge University Press, Cambridge, 296 pp. ISBN 9780521871259. (The full text of this publication is not available from this repository)

Shaughnessy, R.M., ed. (2007) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature . Cambridge University Press, Cambridge, 304 pp. ISBN 9780521844291. (The full text of this publication is not available from this repository)

Shaughnessy, R.M., ed. (2006) A.C. Bradley, Shakespearean Tragedy, 4th Edition. Basingstoke and New York: Palgrave (The full text of this publication is not available from this repository)

Shaughnessy, R.M., ed. (2004) Four Renaissance Comedies: The Old Wives Tale, The Shoemakers Holiday, The Alchemist, A New Way to Pay Old Debts. Basingstoke and New York: Palgrave (The full text of this publication is not available from this repository)

Shaughnessy, R.M., ed. (2004) Four Renaissance comedies. Palgrave ISBN 0 333 97366 6. (The full text of this publication is not available from this repository)

Shaughnessy, R.M., ed. (2000) Shakespeare in Performance: Contemporary Critical Essays. Basingstoke and New York: Palgrave (The full text of this publication is not available from this repository)

Shaughnessy, R.M., ed. (1998) Shakespeare on Film: Contemporary Critical Essays. Basingstoke and New York: Palgrave (The full text of this publication is not available from this repository)

Internet publication

Shaughnessy, R.M. (1998) Eugene O’Neill and American Drama to 1945. . (The full text of this publication is not available from this repository)

Review

Shaughnessy, R.M. (2007) The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich. Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Symington, R.. Theatre Research International, 32 (2). pp. 216-217. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

This list was generated on Fri Jun 6 15:24:22 2014 BST.