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Number of items: 41.
| Laera, Margherita (2019) Review: The Routledge Companion to Adaptation. Review of: The Routledge Companion to Adaptation by Cutchins, Dennis and Krebs, Katja and Voigts, Eckart. Contemporary Theatre Review, . ISSN 1048-6801. (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2018) Emma Dante and Fausto Paravidino: Families, National Identity, and International Audiences. In: Delgado, Maria and Rebellato, Dan and Lease, Bryce, eds. Contemporary European Playwrights. Routledge. (In press) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2018) Review: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005. Review of: Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970–2005 by Ioannidou, Eleftheria. American Journal of Philology, . ISSN 0002-9475. (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2018) Theatre & Translation. Red Globe Press (Submitted) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2018) Performing Heteroglossia: The 'Translating Theatre' Project in London. Modern Drama, 61 (3). ISSN 0026-7694. E-ISSN 1712-5286. (doi:https://doi.org/10.3138/md.s0917) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2018) Royal Court: International (Review). Review of: Royal Court: International by UNSPECIFIED. Modern Drama, 60 (2). 0-0. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita, ed. (2017) Black Tenderness: The Passion of Mary Stuart. Cue Press, Imola ISBN 978-88-99737-24-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita, ed. (2017) Gliwice Hamlet : Rehearsal of Touch Through The Pane. Cue Press, Imola (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita, ed. (2017) The Snakes. Cue Press, Imola (In press) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2017) A Theatre Of/For Europe : Giorgio Strehler and the Dream of a United Continent. In: Finburgh, Clare and Boenisch, Peter M and Shepherd, Simon, eds. Great Stage Directors, vol. 6: Littlewood, Planchon, Strehler. Bloomsbury Methuen Drama. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2016) A Theatre of/for Europe: Giorgio Strehler and the Dream of a United Continent. In: Quorum, 30 November 2016, Queen Mary, University of London. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2016) Rethinking 'Foreignisation' Through Practice as Research. In: European Theatre Perspectives: Exploring Channels for Cross-Cultural Engagement in Performance, 7-9 November 2016, University of Wroclaw, Poland. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2016) How to Get Your Hands Dirty: Old and New Models of 'Militant' Theatre Criticism in Italy. In: Radosavljevic, Duška, ed. Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, pp. 99-117. ISBN 978-1-4725-7709-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2016) Translating Theatre: ‘Foreignisation’ on Stage. Practice as Research Portfolio. The Gate Theatre, Notting Hill. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2016) Dealing with the Past: Three Oresteias. In: International Federation for Theatre Research, Annual Conference 2016, 13-17 June 2016, University of Stockholm, Sweden. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2015) On Killing Children: Greek Tragedies on British Stages in 2015. Critical Stages, . ISSN 2409-7411. E-ISSN 2409-7411. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2015) Subverting the 'Classics': Adaptation and Resistance. In: London Theatre Seminar, 19 Nov 2015. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2015) Texts and Scores as Places of Interaction. In: Centre for Research in the Arts, Social Sciences and Humanities (CRASSH), 26 Oct 2015, University of Cambridge. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2015) 55 Entries on Italian Actors. In: Williams, Simon, ed. The Cambridge Encyclopedia of Stage Actors and Acting. Cambridge University Press, Cambridge. ISBN 978-0-521-76954-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Radosavljevic, Duška (2014) Theatre as an Intellectual Concertina: Simon Stephens in Conversation with Duska Radosavljevic. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Bloomsbury, pp. 255-268. ISBN 978-1-4081-8472-1. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita, ed. (2014) Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, 296 pp. ISBN 978-1-4725-3316-6. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2014) 'Expert' Dramaturgies: Helgard Haug of Remini Protokoll in Conversation with Margherita Laera. In: Laera, Margherita, ed. Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen Drama, pp. 241-254. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita, ed. (2014) Interviews section. Journal of Adaptation in Film and Performance, 7.2 . ISSN 1753-6421. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2013) Reaching Athens: Community, Democracy and Other Mythologies in Adaptations of Greek Tragedy. New Comparative Criticism . Peter Lang, 333 pp. ISBN 978-3-0343-0807-6. (Full text available) |
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| Laera, Margherita (2013) Making Lear Dreaming. Singapore, Affects and Transnational Encounters: An Interview with Ong Keng Sen. In: From Identity to Mondialisation: TheatreWorks 25. Didier Millet, Singapore. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2012) Staging and Performing Translation: Text and Theatre Practice edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella. Review of: Staging and Performing Translation: Text and Theatre Practice by Baines, Roger and Marinetti, Cristina and Perteghella, Manuela. Contemporary Theatre Review, 22 (2). pp. 281-282. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2012.669600) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2011) Reaching Athens: Performing Participation and Community in Rimini Protokoll's Prometheus in Athens. Performance Research, 16 (4). pp. 46-51. ISSN 1352-8165. (doi:https://doi.org/10.1080/13528165.2011.606049) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
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| Laera, Margherita (2011) Theatre Translation as Collaboration: Aleks Sierz, Natalie Abrahami, Martin Crimp, Zoë Svendsen, Colin Teevan and J. Michael Walton discuss Translation for the Stage. Contemporary Theatre Review, 21 (2). pp. 213-225. ISSN 1048-6801. (doi:https://doi.org/10.1080/10486801.2011.561490) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2011) 'I'll Roughen It Up a Bit': Multiple-Authored Theatre Translations. In: Invisible Presences, 18-20 April 2011, Queen's University Belfast. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Fugard, Athol (2011) Il Guidatore del Treno. Performance type: Live play Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2011) Translating African Plays: Ethics, ‘Foreignisation’ and Collaboration. Practics as Research Portfolio. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2010) Comedy, Tragedy, and 'Universal Structures': Socìetas Raffaello Sanzio's Inferno, Purgatorio, Paradiso. TheatreForum, . pp. 3-15. ISSN 1060-5320. (Full text available) |
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| Kacimi, Mohamed (2010) Epistola alle Corinzie. Performance type: Live play Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2010) The Wedding at Cana. Charta Art Books, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2009) Mark Ravenhill's Shoot/Get Treasure/Repeat: A Treasure Hunt in London. TheatreForum, 35 . pp. 3-9. ISSN 1060-5320. (Full text available) |
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| Laera, Margherita (2009) Noi, gli eroi. Ubulibri, Milan. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2009) The Blue Planet. Teatro Romolo Valli, Reggio Emilia. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Greenaway, Peter and Laera, Margherita (2009) The Blue Planet. UNSPECIFIED. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Greenaway, Peter (2009) Le Nozze di Cana. Performance type: Live play Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Laera, Margherita (2009) Oedipus at the National Theatre: Celebrities and the Otherness of Tragedy. Review of: Oedipus Rex, dir. Jonathan Kent, National Theatre, London, 2008 by Kent, Jonathan. Western European Stages, (21.2). pp. 73-74. ISSN 1050-1991. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
| Agbaje, Bola (2009) Troppo Lontano! Performance type: Live play Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano. Performance. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
