Browse by Person (creator, editor, contributor, etc.)

Up a level
Export as [feed] Atom [feed] RSS 1.0 [feed] RSS 2.0
Group by: Item Type | Date | No Grouping
Number of items: 47.

Article

Kear, J.A. (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly . (The full text of this publication is not available from this repository)

Kear, J.A. (2006) Cézanne's Cardplayers and the representation of the provençal peasantry. Art Bulletin . 0-0. (Submitted) (The full text of this publication is not available from this repository)

Kear, J.A. (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies, 6 . pp. 49-63. ISSN 14690314. (The full text of this publication is not available from this repository)

Kear, J.A. (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line . pp. 1-20. (The full text of this publication is not available from this repository)

Kear, J.A. (2002) Le Sang Provençal. Journal of European Studies . pp. 32-45. (The full text of this publication is not available from this repository)

Kear, J.A. (2002) Le Sang Provençal: Joachim Gasquet’s Cézanne. Journal of European Studies, 32 (125-6 Part 2-3). pp. 135-150. ISSN 0047 2441. (The full text of this publication is not available from this repository)

Kear, J.A. (1999) Manet's Modernism. Burlington Magazine . pp. 139-144. (The full text of this publication is not available from this repository)

Kear, J.A. and Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not available from this repository)

Kear, J.A. (1997) Seurat's Bathers at Asnières. Burlington Magazine . (The full text of this publication is not available from this repository)

Kear, J.A. (1996) Modernism Revisited. Oxford Art Journal, 19 (2). pp. 119-122. (The full text of this publication is not available from this repository)

Kear, J.A. (1996) Monet Re-viewed. Burlington Magazine . (The full text of this publication is not available from this repository)

Kear, J.A. (1996) Odd Man Out; Cézanne in Context. LQ . (The full text of this publication is not available from this repository)

Kear, J.A. (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not available from this repository)

Kear, J.A. (1995) Montage, Modernism and its Histories. Word & Image . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not available from this repository)

Kear, J.A. (1995) Travellin' Light. Wasafiri . ISSN 0269-0055. (The full text of this publication is not available from this repository)

Kear, J.A. (1994) Watching the Detectives. Art History . pp. 112-118. (The full text of this publication is not available from this repository)

Kear, J.A. (1991) Making Hay with Monet; Monets of the 90s. Art History . pp. 593-599. (The full text of this publication is not available from this repository)

Book section

Kear, J.A. (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, , 22 pages (9,800 words). ISBN not known yet. (In press) (Full text available)
[img] [img]

Kear, J.A. (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, J. and Whiteley, G., eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 9781443805322. (The full text of this publication is not available from this repository)

Kear, J.A. (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanor and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 9789042025219. (Access to this publication is restricted)
[img]

Kear, J.A. (2008) L'Origine del frammento ne Il capolavoro sconosciuto di Balzac. In: Cattani, Francesca and Meneghelli, Donata, eds. La Rappresentazione all specchio. Testo letterario e testo pittorico. Meltemi, Rome, pp. 55-68. ISBN 9788883536717. (Full text available)
[img]
Preview

Kear, J.A. (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, harold, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 9780415957427. (Full text available)
[img]
Preview

Kear, J.A. (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 9783039111022 . (The full text of this publication is not available from this repository)

Kear, J.A. (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, F.J. and Hallas, R., eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 9781905674206. (The full text of this publication is not available from this repository)

Kear, J.A. (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, V. and Lamarra, Maria and Federici, E., eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not available from this repository)

Kear, J.A. (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, E., ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not available from this repository)

Kear, J.A. (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not available from this repository)

Kear, J.A. (2003) The Spiral of Time: Memory, Temporality and Subjectivity in Chris Marker’s La Jetée’. In: Hughes, A. and Noble, A., eds. Phototextualities: Intersections of Photography and Narrative. University of New Mexico Press, New Mexico USA, 0-0. ISBN 0826328253. (The full text of this publication is not available from this repository)

Kear, J.A. (2002) In the spiral of time. In: Hughes, A. and Noble, A., eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not available from this repository)

Kear, J.A. (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not available from this repository)

Kear, J.A. (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, M., ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not available from this repository)

Kear, J.A. (1996) The Exposition Universelle of 1900. In: Banham, J., ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not available from this repository)

Conference or workshop item

Kear, J.A. (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not available from this repository)

Kear, J.A. (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not available from this repository)

Kear, J.A. (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not available from this repository)

Kear, J.A. (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not available from this repository)

Book

Kear, J.A. (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 9780233002347. (The full text of this publication is not available from this repository)

Kear, J.A. (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not available from this repository)

Kear, J.A. (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not available from this repository)

Other

Kear, J.A. (2002) Masters of Colour: From Derain to Kandinsky. Royal Academy. (The full text of this publication is not available from this repository)

Review

Kear, J.A. (1999) Manet's modernism or, the face of painting in the 1860s. Review of: Manet's Modernism: or, The Face of Painting in the 1860s by UNSPECIFIED. Burlington Magazine, 141 (1154). pp. 294-296. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, J.A. (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, J.A. (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, J.A. (1996) Early modernism - Butler,C. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (The full text of this publication is not available from this repository)

Kear, J.A. (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, J.A. (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not available from this repository)

Kear, J.A. (1995) Review of Nineteenth Century Painting: A Critical History. Review of: Nineteenth Century Painting: A Critical History by Eisenmann, S.F.. Apollo . pp. 60-61. (The full text of this publication is not available from this repository)

This list was generated on Sun Apr 20 09:42:04 2014 BST.