Browse by Person (creator, editor, contributor, etc.)
 | Up a level |
Number of items: 7.
Book section
| Jeffers McDonald, Tamar (2016) The New Hollywood, 1981–1999. In: McLean, Adrienne L., ed. Costume, Makeup, and Hair. Rutgers University Press, New Jersey, USA. ISBN 978-0-8135-7151-5. E-ISBN 978-0-8135-7297-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
Book
| Jeffers McDonald, Tamar (2015) When Harry Met Sally... Palgrave Macmillan/BFI, London, 96 pp. ISBN 978-1-84457-907-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) |
Thesis
| Heller, Sabine (2018) The creative and technical contribution of female and male below-the-line practitioners to the collaborative process in the American 3D animation feature film industry: a production studies approach. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
![[img]](https://kar.kent.ac.uk/style/images/fileicons/application_pdf.png)
|
| Flint-Nicol, Katerina (2018) Men, Manors and Monsters: The Hoodie Horror and the Cinema of Alterity. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
|
| Polley, Sarah Jayne (2017) Embracing Star Couples: Contextualising Star Images in Hollywood's Studio Era. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
|
| Lanckman, Lies (2016) Norma Shearer, the Happily Married Divorcee: Marriage, Modernity and Movie Magazines. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) |
|
| Kamm, Frances Alice (2015) 'A Mirror Image of Ourself'? The Technological Uncanny and the Representation of the Body in Early and Digital Cinema. Doctor of Philosophy (PhD) thesis, University of Kent. (Full text available) |
|
