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Number of items: 7.

Guerin, F.J. (2012) Dislocations: videograms of a revolution and the search for images. In: Ginsberg, Terri and Mensch, Andrea, eds. A Companion to German Cinema. CNCZ - The Wiley-Blackwell Companions to National Cinemas . Wiley-Blackwell, New York, pp. 483-506. ISBN 9781405194365.

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Guerin, F.J. (2012) A Generation Later and Still Unrepresentable? Fassbinder and the Red Army Fraction. In: A Companion to Rainer Werner Fassbinder. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, New York, pp. 441-460. ISBN 9781405191630. Access to this publication is restricted.

Kear, J.A. (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, F.J. and Hallas, R., eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 9781905674206. The full text of this publication is not available from this repository.

Hallas, R. and Guerin, F.J., eds. (2007) The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, 252 pp. ISBN 978-1-905674-19-0. The full text of this publication is not available from this repository.

Guerin, F.J. (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 0816642869. The full text of this publication is not available from this repository.

Guerin, F.J. (2004) The energy of disappearing: problems of recycling Nazi amateur film footage. Screening the Past (17). 0-0. ISSN 1328-9756. The full text of this publication is not available from this repository.

Guerin, F.J. (2002) Reframing the photographer and his photographs. Film and History, 32 (1). pp. 43-54. ISSN 1548-9922. The full text of this publication is not available from this repository.

This list was generated on Tue May 21 09:59:45 2013 BST.