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Number of items: 16.

Article

Grant, C.A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. The full text of this publication is not available from this repository.

Grant, C.A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. The full text of this publication is not available from this repository.

Grant, C.A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. The full text of this publication is not available from this repository.

Grant, C.A. (2000) Millennial debates - www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. The full text of this publication is not available from this repository.

Grant, C.A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. The full text of this publication is not available from this repository.

Grant, C.A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. The full text of this publication is not available from this repository.

Grant, C.A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. The full text of this publication is not available from this repository.

Grant, C.A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. The full text of this publication is not available from this repository.

Grant, C.A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. The full text of this publication is not available from this repository.

Book section

Grant, C.A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. The full text of this publication is not available from this repository.

Grant, C.A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, C.A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. The full text of this publication is not available from this repository.

Grant, C.A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1 901033 69 4. The full text of this publication is not available from this repository.

Grant, C.A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0826328253. The full text of this publication is not available from this repository.

Grant, C.A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. The full text of this publication is not available from this repository.

Book

Grant, C.A. (2007) Directing cinema: The new auteurism. Manchester University Press (Submitted) The full text of this publication is not available from this repository.

Edited book

Grant, C.A. and Kuhn, Annette, eds. (2006) Screening World Cinema: A Screen Reader. Routledge The full text of this publication is not available from this repository.

This list was generated on Wed Jun 19 15:12:47 2013 BST.