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Group by: Item Type | Date | No Grouping
Number of items: 20.

2018

McCartney, Neil Lorn (2018) Identity Crisis: Film and The Fractured Self. Doctor of Philosophy (PhD) thesis, University of Kent,. (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided)
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2014

Choi, Jinhee and Frey, Mattias, eds. (2014) Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, 255 pp. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Frey, Mattias (2014) The Ethics of Extreme Cinema. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 145-162. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee and Frey, Mattias (2014) Introduction. In: Choi, Jinhee and Frey, Mattias, eds. Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. Routledge, New York, pp. 1-14. ISBN 978-0-415-82125-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2010

Choi, Jinhee (2010) The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press, 260 pp. ISBN 978-0-8195-6939-4. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2008

Choi, Jinhee (2008) Am I Your Sidekick? Contemporary Korean Gangster Cinema, ‘Beat’ and ‘Friend’. Post Script, 27 (3). pp. 116-131. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2008) Sentimentality and the Cinema of the Extreme. Jump Cut, (50). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2006

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism, 64 (1). pp. 165-172. ISSN 0021-8529. (doi:https://doi.org/10.1111/j.0021-8529.2006.00238.x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2006) Naturalizing Hollywood: Against the Naturalistic Account of the Filmic Communication. Film Studies: An International Review, (8). pp. 149-153. ISSN 1469-0314. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2005

Choi, Jinhee (2005) National Cinema, the Very Idea. In: Choi, Jinhee and Carroll, Noel, eds. Philosophy of Film and Motion Pictures. Blackwell, pp. 310-319. ISBN 978-1-4051-2027-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2005) Leaving It up to the Imagination: POV shots and Imagining from Inside. Journal of Aesthetics and Art Criticism, 63 (1). pp. 17-25. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee and Carroll, Noel, eds. (2005) Philosophy of Film and Motion Pictures. Blackwell (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2005) Shocking Corridors: Girls’ High School Horror Series and Female Sexuality. In: ACSS. pp. 318-321. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2004

Choi, Jinhee (2004) Preface to The Cinema of Japan and Korea. In: Bowyer, Justin, ed. The Cinema of Japan and Korea. Wallflower Press. ISBN 978-1-904764-11-3. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2004) Is the Balcony Closed? Philosophy of Film sans Film. Aesthetics Newsletter, 23 (3). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2003

Choi, Jinhee (2003) All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics, 43 (1). pp. 308-321. ISSN 0007-0904. (doi:https://doi.org/10.1093/bjaesthetics/43.3.308) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

Choi, Jinhee (2003) Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism, 61 (2). pp. 149-157. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2002

Choi, Jinhee (2002) Chunhyang, Chunhyang, Chunhyang: Poetics of Im Kwon Taek. Asian Cinema, 13 (1). pp. 57-66. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

2001

Choi, Jinhee (2001) A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism, 59 (3). pp. 317-319. ISSN 0021-8529. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided)

This list was generated on Thu May 2 03:39:16 2019 BST.