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Number of items: 6.


Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film . ISSN 1748-3727. (Full text available)

Brooks, Helen E.M. (2011) Early eighteenth-century performance historiography: Problems and possibilities. Studies in Theatre and Performance, 31 (1). pp. 33-45. (Access to this publication is restricted)

Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601. (Full text available)

Brooks, Helen E.M. (2008) 'Your sincere friend and humble servant': Evidence of managerial aspirations in Susannah Cibber's letters. Studies in Theatre and Performance, 28 (2). pp. 147-159. (Access to this publication is restricted)
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Book section

Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. Oxford University Press. ISBN 9780199600304. (In press) (Full text available)

Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 9781443801737. (The full text of this publication is not available from this repository)

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