Browse by Journal

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Number of items: 32.

A

Allain, Paul (2002) After Grotowski - the next Generation. New Theatre Quarterly, 28 (1). pp. 59-66. ISSN 0-521-01314-3. (doi:10.1017/s0266464x02000155) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2375)

Allain, Paul (1992) Gardzienice: At the Cultural Crossroads. New Theatre Quarterly, . ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2372)

Allain, Paul (2002) Japanese theatre and the international stage. Review of: Japanese theatre and the international stage by UNSPECIFIED. New Theatre Quarterly, 18 (70). p. 197. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2400)

Allain, Paul (2000) New sites for Shakespeare: Theatre, the audience, and Asia. Review of: New sites for Shakespeare: Theatre, the audience, and Asia by UNSPECIFIED. New Theatre Quarterly, 16 (64). pp. 391-392. ISSN 0266-464X. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2398)

Allain, Paul (2010) Review about Tadeusz Kantor. Review of: Review about Tadeusz Kantor by UNSPECIFIED. New Theatre Quarterly, 26 (103). p. 301. ISSN 0266-464X. (doi:10.1017/S0266464X10000552) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2394)

Allain, Paul (2004) Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present. Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present by Meyer-Dinkgrafe, Daniel. New Theatre Quarterly, 20 (1). p. 95. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2402)

Allain, Paul (2002) Review of Dymphna's Callery's Through the Body. Review of: Review of Dymphna's Callery's Through the Body by Callery, Dymphna. New Theatre Quarterly, 18 (4). 0-0. ISSN 0 521-52405-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2401)

Allain, Paul (1997) Review of Harold B. Segel "Pinocchio's progeny". Review of: Harold B. Segel "Pinocchio's progeny" by UNSPECIFIED. New Theatre Quarterly, 13 (49). pp. 95-96. ISSN 0266-464X. (doi:10.1017/S0266464X00010939) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2395)

Allain, Paul (1998) Review of Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989". Review of: Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989" by UNSPECIFIED. New Theatre Quarterly, 8 (55). pp. 292-293. ISSN 0266-464X. (doi:10.1017/S0266464X00012276) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2397)

Allain, Paul (1997) Review of Michael Huxley and Noel Witts,eds. "Twentieth century performance reader". Review of: Michael Huxley and Noel Witts,eds. "Twentieth century performance reader" by UNSPECIFIED. New Theatre Quarterly, 13 (52). p. 399. ISSN 0266-464X. (doi:10.1017/S0266464X00011623) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2396)

Allain, Paul (2001) Review of Modern Czech Theatre. Review of: Review of Modern Czech Theatre by UNSPECIFIED. New Theatre Quarterly, 17 (3). 0-0. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2399)

Allain, Paul (2005) Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present. Review of: Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present by Leiter, Samuel and Chunfang Fei, Faye. New Theatre Quarterly, 21 (2). p. 199. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2404)

B

Behan, Tom (2001) Dario Fo, the Commune, and the Battle for the Palazzina Liberty. New Theatre Quarterly, xvii (part 2). pp. 99-109. ISSN 0266-464X. (doi:10.1017/s0266464x00014524) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:1371)

Brooks, Helen E.M. (2012) Eighteenth-Century British Actresses and Strategies for Image Making Columbus. Review of: Eighteenth-Century British Actresses and Strategies for Image MakingColumbus by UNSPECIFIED. New Theatre Quarterly, 28 (2). pp. 206-207. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X1200036X) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65351)

Brooks, Helen E.M. (2013) Review of Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham. Review of: Transgressive Theatricality, Romanticism, and Mary Wollstonecraft Farnham by Plummer Crafton, Lisa. New Theatre Quarterly, 29 (3). p. 302. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X13000481) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65343)

Brooks, Helen E.M. (2011) Women's Romantic Theatre and Drama: History, Agency and Performativity. Review of: Women's Romantic Theatre and Drama: History, Agency and Performativity by UNSPECIFIED. New Theatre Quarterly, 27 (1). pp. 90-91. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X11000108) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:65350)

C

Camilleri, Frank (2008) Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh. New Theatre Quarterly, 24 (3). pp. 246-259. ISSN 0266-464X. E-ISSN 1474-0613. (doi:10.1017/S0266464X08000304) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:20307)

Camilleri, Frank (2011) Of Crossroads and Undercurrents: Ingemar Lindh's Practice of Collective Improvisation and Jerzy Grotowski. New Theatre Quarterly, 27 (4). pp. 299-312. ISSN 0266-464X. (doi:10.1017/S0266464X11000637) (KAR id:30483)

Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (doi:10.1017/S0266464X00013440) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:16244)

D

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (doi:10.1017/S0266464X00014068) (KAR id:16397)

Format: XML Word Processing Document (DOCX)

Davis, Jill (1999) Goodnight ladies ... On the 'Explicit Body in Performance'. New Theatre Quarterly, 15 (58). pp. 183-187. ISSN 0266-464X. (doi:10.1017/S0266464X00012860) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:17274)

Double, Oliver, Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (KAR id:1179)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (doi:10.1017/S0266464X00000555) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:44571)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (doi:doi: 10.1017/S0266464X06000613) (KAR id:1182)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464X. (doi:10.1017/S0266464X09000669) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:24938)

Double, Oliver (2017) Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy. New Theatre Quarterly, 33 (2). pp. 143-155. ISSN 0266-464X. (doi:10.1017/So266464X17000057) (KAR id:61550)

G

Grantley, Darryll (1992) Review of C. Bigsby Arthur Miller and Company. Review of: Arthur Miller and Company by Bigsby, Christopher. New Theatre Quarterly, (30). p. 197. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2698)

Grantley, Darryll (1992) Review of M. Baer Theatre and Disorder in Late Georgian London. Review of: Theatre and Disorder in Late Georgian London by Baer, Marc. New Theatre Quarterly, (31). p. 91. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2699)

Grantley, Darryll (1993) Review of P. Kolin (ed) Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism. Review of: Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism by Kolin, P. New Theatre Quarterly, (35). p. 301. ISSN 0-521-60328-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:2702)

R

Richardson, Catherine (2004) Theatres and Encyclopedias in Early Modern Europe. Review of: Theatres and Encyclopedias in Early Modern Europe by West, William N.. New Theatre Quarterly, 20 (80). p. 399. ISSN 0266-464X. (doi:10.2307/20477073) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6773)

S

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly, (15). pp. 264-271. (doi:10.1017/s0266464x0000333x) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:6412)

V

Vass-Rhee, Freya (2017) Book review: Clelia Falletti, Gabriele Sofia, and Victor Jacono, ed. Theatre and Cognitive Neuroscience. Review of: Theatre and Cognitive Neuroscience by UNSPECIFIED. New Theatre Quarterly, 33 (3). p. 300. ISSN 0266-464X. (doi:10.1017/S0266464X17000355) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:65756)

This list was generated on Fri May 10 22:57:33 2024 BST.