Items where division is "Faculties > Humanities > School of European Culture and Languages > Hispanic Studies"

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Number of items at this level: 38.

L

Lázaro-Reboll, Antonio (2005) Bigas Luna. Jamón jamón. Review of: Bigas Luna. Jamón jamón by Evans, P.W.. Hispanic Research Journal, 6 (2). pp. 189-190. ISSN 14682737. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2004) Contemporary Spanish Cultural Studies. Review of: Contemporary Spanish Cultural Studies, edited by Barry Jordan and Rikki Morgan-Tamosunas (London: Arnold, 2000) by Jordan , Barry and Morgan-Tamosunas, Rikki. Bulletin of Hispanic Studies, 81 . pp. 611-612. ISSN 1475-3839 . (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2004) Counter-Rational Reason: Goya's Instrumental Negotiations of Flesh and World. History of European Ideas, 30 (1). pp. 109-119. ISSN 0191-6599. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2014) Daring cycles: the Towers–Franco collaboration, 1968–70. New Review of Film and Television Studies, 11 (1). pp. 92-110. ISSN 1740-0309. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2002) Exploitation in the Cinema of Franco and Klimovsky. In: Godsland, Shelley and White, Anne, eds. Cultura Popular. Studies in Spanish and Latin American Popular Culture. Peter Lang, UK, pp. 83-95. ISBN 3 906766 96 9. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2012) Film Noir, the Thriller, and Horror (Chapter 9). In: Labanyi, Jo and Pavlovic, Tatjana, eds. A Companion to Spanish Cinema. Wiley-Blackwell, Oxford, pp. 259-290. ISBN ISBN: 978-1-4051-9438-9. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2005) La noche de Walpurgis / Shadow of the Werewolf. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 129-138. ISBN 1-904764-44-4. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2006) Los "Otros". Etnicidad y “raza” en el cine español contemporáneo. Review of: Los "Otros". Etnicidad y “raza” en el cine español contemporáneo by Santaolalla, Isabel. Vida Hispánica, 33 (Spring). p. 45. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2002) Masculinidades genéricas: tomas criminales en La semana del asesino (1971). Dossiers feministes, 6 . pp. 171-186. ISSN 1139-1219. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2004) Screening “Chicho”: The Horror Ventures of Narciso Ibáñez Serrador. In: Lázaro Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 152-168. ISBN 9780719062834. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2000) Spanish Cinema. The Auteurist Tradition. Review of: Spanish Cinema. The Auteurist Tradition (Oxford: Oxford University Press, 1999) in Scope, May 2000 (e-journal). by Peter , William Evans. Scope (e-journal) . na-na. ISSN 1465 -9166. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2012) Spanish Horror Film. Edinburgh University Press, Edinburgh, 256 pp. ISBN 9780748636389. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2012) Strategic Auteurism (Chapter 6). In: Labanyi, Jo and Pavlovic, Tatjana, eds. A Companion to Spanish Cinema. Wiley-Blackwell, Oxford, pp. 152-190. ISBN 978-1-4051-9438-9. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2005) Torrente : El brazo tonto de la ley e Torrente 2: Misión en Marbella / Torrente: The Dumb Arm of the Law and Torrente 2: Mission in Marbella. In: Mira, A., ed. The Cinema of Spain and Portugal. 24 Frames S. . Wallflower Press, London and New York, pp. 219-227. ISBN 1-904764-44-4. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2007) Transnational Reception of El espinazo del diablo (Guillermo del Toro, 2001. Hispanic Research Journal, 8 (1). pp. 39-51. ISSN 1468-2737. (Access to this publication is restricted)
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Lázaro-Reboll, Antonio (2008) ‘Now Playing Everywhere’: Spanish Horror Film in the Marketplace. In: Beck, Jay and Rodriguez Ortega, Vicente, eds. Contemporary Spanish Cinema and Genre. Manchester University Press, Manchester, pp. 65-83. ISBN 9780719077753. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio (2009) “Perversa América Latina”: the reception of Latin American exploitation cinemas in Spanish subcultures. In: Ruetalo, Victoria and Tierney, Dolores, eds. Latsploitation, Exploitation Cinemas and Latin America. Routledge Advances in Film Studies . Routledge, London, pp. 37-54. ISBN 9780415993869. (The full text of this publication is not available from this repository)

Lázaro-Reboll, Antonio and Willis, Andy (2004) Introduction: film studies, Spanish cinema and questions of the popular. In: Lázaro Reboll, Antonio and Willis, Andy, eds. Spanish Popular Cinema. Inside Popular Film . Manchester University Press, Manchester, pp. 1-23. ISBN 9780719062834. (The full text of this publication is not available from this repository)

R

Roser-i-Puig, M. (2013) Experiments in dialogic poetics: J.V.Foix and Joan Ponç's La pell de la pell (1970). Catalan Review . ISSN 0213-5949. (Unpublished) (The full text of this publication is not available from this repository)

Rowlandson, W. (2005) Cabrera infante's `tres tristes tigres': The trapping effect of the signifier over subject and text. Review of: Cabrera infante's `tres tristes tigres': The trapping effect of the signifier over subject and text by Hart, S.M.. Modern Language Review, 100 (1). pp. 240-242. ISSN 0026-7937 . (The full text of this publication is not available from this repository)

Rowlandson, William (2012) Blazing Cane: Sugar Communities, Class, and State Formation in Cuba, 1868-1959. Review of: Blazing Cane: Sugar Communities, Class, and State Formation in Cuba, 1868-1959 by McGillivray, Gillian. Bulletin of Hispanic Studies, 89 (2). pp. 215-216. ISSN 1475-3839 . (The full text of this publication is not available from this repository)

Rowlandson, William (2013) Che Guevara: His Revolutionary Legacy. Review of: Che Guevara: His Revolutionary Legacy by Besancenot, Olivier and Lowy, Michael. Bulletin of latin American Research, 32 (1). pp. 115-117. ISSN 0261-3050. (The full text of this publication is not available from this repository)

Rowlandson, William (2009) El lector de tabaquerıa: historia de una tradicion cubana. Review of: El lector de tabaquerıa: historia de una tradicion cubana by Tinajero, Araceli. Bulletin of Spanish Studies, 86 (5). pp. 715-716. ISSN 1475-3820. (The full text of this publication is not available from this repository)

Rowlandson, William (2011) Hero, lover, demon, fool: fictional appropriations of Che Guevara. Journal of Romance Studies, 11 (2). pp. 61-74. ISSN 1473-3536. (The full text of this publication is not available from this repository)

Rowlandson, William (2012) Hidden Powers of State in the Cuban Imagination. Review of: Hidden Powers of State in the Cuban Imagination by Routon, Kenneth. Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America, 89 (6). pp. 975-977. ISSN 1475-3820. (The full text of this publication is not available from this repository)

Rowlandson, William (2008) José Martí y la novela de la cultura cubana. Review of: José Martí y la novela de la cultura cubana by Cairo, Ana. Bulletin of Spanish Studies, 85 (2). pp. 263-265. ISSN 1475-3820. (The full text of this publication is not available from this repository)

Rowlandson, William (2011) Magical Realism and the Postcolonial Novel: Between Faith and Irreverence. Review of: Magical Realism and the Postcolonial Novel: Between Faith and Irreverence by Warnes, Christopher. Modern Language Review, 106 (Part 1). pp. 216-217. ISSN 0026-7937. (The full text of this publication is not available from this repository)

Rowlandson, William (2008) The Origins of the Cuban Revolution Reconsidered. Review of: The Origins of the Cuban Revolution Reconsidered by Farber, Samuel. Bulletin of Spanish Studies, 85 (3). pp. 402-403. ISSN 1475-3820. (The full text of this publication is not available from this repository)

Rowlandson, William (2010) Political Violence and the Construction of National Identity in Latin America. Review of: Political Violence and the Construction of National Identity in Latin America by Fowler, Will and Lambert, Peter. Bulletin of Spanish Studies, 87 (3). pp. 429-430. ISSN 1475-3820. (The full text of this publication is not available from this repository)

Rowlandson, William (2010) 'Un mito es una imagen participada': Che Guevara in Lezama Lima's La expresión americana. Bulletin of Hispanic Studies, 87 (1). pp. 71-88. ISSN 1475-3839 . (The full text of this publication is not available from this repository)

S

Sobrevilla Perea, Natalia (2011) The Caudillo of the Andes: Andrés de Santa Cruz. New Approaches to the Americas . Cambridge University Press, 256 pp. ISBN 9780521719964. (The full text of this publication is not available from this repository)

Sobrevilla Perea, Natalia (2011) Colored by the Past: The Birth of the Armed Forces in Republican Peru. Estudios Interdisciplinarios de America Latina, 22 (1). pp. 57-79. ISSN 0792-7061. (The full text of this publication is not available from this repository)

Sobrevilla Perea, Natalia (2010) The Enduring power of Patronage in Peruvian elections: Quispicanchis 1860. The Americas, 67 (1). pp. 31-55. ISSN 0003-1615. (The full text of this publication is not available from this repository)

Sobrevilla Perea, Natalia (2011) From Europe to the Andes and back: Becoming 'Los Ayacuchos'. European History Quarterly, 41 (3). pp. 472-488. ISSN 0265-6914. (The full text of this publication is not available from this repository)

T

Triana, Nuria (2008) Auteurism and commerce in contemporary Spanish cinema: directores mediaticos. Screen, 49 (3). pp. 259-276. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Triana, Nuria (2013) Building Latin American Cinema in Europe: Cine en Construcción/ Cinéma en construction. In: Dennison, S., ed. Transnational Film Financing. Tamesis. (In press) (The full text of this publication is not available from this repository)

Triana, Nuria (2012) El otro lado de la cama (Martínez-Lázaro, 2002) – Remixed Transition. In: Shaw, L. and Stone, R. and Biddle, I., eds. Screening Songs in Hispanic and Lusophone Cinema. Manchester University Press, Manchester. ISBN 9780719083808 . (The full text of this publication is not available from this repository)

Triana, Nuria (2011) Ficxixón and Seminci: Two Spanish Film Festivals at the end of the Festivals Era. Journal of Spanish Cultural Studies, 12 (2). pp. 217-236. ISSN 1463-6204. (The full text of this publication is not available from this repository)

This list was generated on Sat Apr 19 05:31:31 2014 BST.