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Items where division is "Faculties > Humanities > School of Arts > Music and Audio Arts"

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Number of items at this level: 61.

Article

Herbert, Ruth (2005) Adults only: How understanding student & teacher presumptions can speed up the learning process. Music Teacher Magazine, 84 (9). (KAR id:77508)
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Herbert, Ruth (2006) Listen Up! Different ways of listening (or not) to music. Music Teacher Magazine, 85 (6). (KAR id:77506)
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Herbert, Ruth (2004) Mind your Language: How the right choice of words can improve communication and results. Music Teacher Magazine, 83 (1). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77539)

Herbert, Ruth (2014) Music and Me. Teach Primary Magazine, 4 (8). pp. 110-111. (KAR id:77462)
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Herbert, Ruth (2005) Practice makes Perfect: Techniques that can lead to improved motivation. Music Teacher Magazine, 84 (2). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77538)

Herbert, Ruth (2012) Private Lives. https://www.rhinegold.co.uk/rhinegold-publishing/magazines/music-teacher/, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77504)

Herbert, Ruth (2011) Reconsidering Music and Trance: Cross-cultural Differences and Crossdisciplinary Perspectives. Ethnomusicology Forum, 20 (2). pp. 201-227. ISSN 1741-1912. E-ISSN 1741-1920. (doi:10.1080/17411912.2011.592402) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73703)

Herbert, Ruth (2007) Surround Sound: The vital role of specialist music teachers in primary education. Music Teacher Magazine, 86 (8). (KAR id:77505)
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Herbert, Ruth (2013) An empirical study of normative dissociation in musical and non-musical everyday life experiences. Psychology of Music, 41 (3). pp. 372-394. ISSN 0305-7356. (doi:10.1177/0305735611430080) (KAR id:53395)
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Herbert, Ruth (2004) A popular approach: Bridging the divide between classical and popular piano. Music Teacher Magazine, 83 (6). (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77540)

Herbert, Ruth, Dibben, Nicola (2018) Making sense of music: meanings 10-18 year olds attach to experimenter-selected musical materials. Psychology of Music, 46 (3). pp. 375-391. ISSN 0305-7356. E-ISSN 1741-3087. (doi:10.1177/0305735617713118) (KAR id:61608)
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Pasoulas, Aki (2020) The Art and Science of Acoustic Ecology. ENT & Audiology News, . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77581)

Pasoulas, Aki (2020) Timescales and the Factors Influencing Time Perception. Organised Sound, 25 (2). pp. 221-231. ISSN 1355-7718. E-ISSN 1469-8153. (doi:10.1017/S1355771820000138) (KAR id:76262)
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Perks, Richard (2019) Fretless Architecture: Towards the Development of Original Techniques and Musical Notation Specific to the Fretless Electric Guitar. Music & Practice, 4 . ISSN 1893-9562. (doi:10.32063/0401) (KAR id:80747)
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Perks, Richard (2020) Strung Together: A Practical Exploration of Music-Cultural Hybridity, Interaction and Collaboration within a Limited Time Frame. Music & Practice, . ISSN 1893-9562. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80761)

Williams, Sean, B K (2016) Interpretation and performance practice in realising Stockhausen’s Studie II. Journal of the Royal Musical Association Volume 141, 2016 - Issue 2, 141 (2). pp. 445-481. ISSN 1471-6933. E-ISSN 1471-6933. (doi:10.1080/02690403.2016.1216059) (KAR id:79865)
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Book section

Herbert, Ruth (2019) Absorption and Openness to Experience : an Everyday Tale of Traits, States and Consciousness Transformation with Music. In: Herbert, Ruth and Clarke, David and Clarke, Eric, eds. Music and Consciousness II. Oxford University Press, Oxford, UK, 233 to 253. ISBN 978-0-19-880435-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61607)

Herbert, Ruth (2011) Consciousness and everyday Music Listening: Trancing, Dissociation and Absorption. In: Clarke, David and Clarke, Eric, eds. Music and Consciousness:Philosophical, Psychological and Cultural Perspectives. OUP, pp. 295-308. ISBN 978-0-19-955379-2. (doi:10.1093/acprof:oso/9780199553792.001.0001) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53400)

Herbert, Ruth (2014) DISSOCIATION. In: Thompson, William Forde, ed. Music in the Social and Behavioral Sciences: An Encyclopedia. SAGE, pp. 337-339. ISBN 978-1-4522-8303-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53401)

Herbert, Ruth (2017) Everyday Trancing and Musical Daydreams. In: Entrancement: Tales of Earth and Heaven. University of Wales Press, Cardiff. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61609)

Herbert, Ruth (2017) Multimodales Musikhören und Milton Ericksons ›gewöhnliche Alltagstrance‹. In: Geschichte und Gegenwart des musikalischen Hörens: Diskurse – Geschichte(n) – Poetiken. Rombach Verlag KG, Freiberg/Berlin/Wien, 133 -152. ISBN 978-3-7930-9878-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61604)

Herbert, Ruth (2019) Musical Daydreaming and Kinds of Consciousness. In: Kussner, M and Taruffi, L and Floridou, G, eds. Music and Imagery: Towards an interdisciplinary framework for research and applications. SEMPRE Studies in the Psychology of Music Series . Routledge, London. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77339)

Herbert, Ruth (2016) Sonic Subjectivities. In: Cobussen, Marcel and Meelberg, Vincent and Truax, Barry, eds. The Routledge Companion to Sounding Art. Routledge Music Companions . Routledge, New York, NY, pp. 223-234. ISBN 978138780613. E-ISBN 978-1-315-77056-7. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:61605)

Herbert, Ruth (2014) TRANCE. In: Thompson, William Forde, ed. Music in the Social and Behavioural Sciences: An Encyclopedia. SAGE, pp. 1142-1145. ISBN 978-1-4522-8303-6. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:53402)

Herbert, Ruth (2019) Young People’s Subjective Experiences of Music in Everyday Life: Psychological and Phenomenological Perspectives. In: Oxford Handbook of Phenomenological Ethnomusicology. Oxford University Press. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:73643)

Perks, Richard (2020) David Gilmour: Defining the 'Melodic' Guitarist. In: Morrison, Simon and Hart, Christopher, eds. Pink Floyd: Tear Down The Wall: An Interdisciplinary Interrogation of the Music and Significance of Pink Floyd. Routledge. (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80759)

Walduck, Jackie (2005) Collaborative arts practice and identity: the role of leadership. In: Odam, George and Bannan, Nicholas, eds. The Reflective Conservatoire: Studies in Music Education. Studies in Music Education . Ashgate, London, UK, pp. 301-331. ISBN 978-0-7546-5415-5. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:84350)

Conference or workshop item

Herbert, Ruth (2012) Conceptualising the Subjective Experience of Listening to Music in Everyday Life. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. . (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77503)

Herbert, Ruth (2013) Music and Dissociation: Experiences without valence? 'Observing' self and 'absent' self. In: 3rd International Conference on Music & Emotion : Jyväskylä, June 11-15, 2013, programme, abstracts, proceedings. 3rd International Conference on Music & Emotion (ICME3). . pp. 238-243. Department of Music, University of Jyväskylä, Finnish Centre of Excellence in Interdisciplinary Music Research, Finland ISBN 978-951-39-5250-1. (KAR id:73702)
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Herbert, Ruth (2012) Young People’s Use and Subjective Experience of Music Outside School. In: Proceedings of the 12th International Conference on Music Perception and Cognition and the 8th Triennial Conference of the European Society for the Cognitive Sciences of Music. . pp. 423-431. (KAR id:77502)
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Herbert, Ruth, Bagkeris, Manolis (2015) Tweens' and teens' engagement with music in daily life: Individual differences and psychological characteristics of subjective experience. In: Ginsborg, J., Lamont, A., Phillips, M., Bramley, S. (Eds.), Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Manchester, UK: Royal Northern College of Music. . (KAR id:77498)
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Neale-Widdison, Anna (2018) Music and Migration Workshop: national humanities festival Being Human 2018. In: Being Human. . (Unpublished) (Access to this publication is currently restricted. You may be able to access a copy if URLs are provided) (KAR id:83991)
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Neale-Widdison, Anna, Beard, Mary (2013) Anna Neale and Mary Beard visit Pompeii. In: Anna Neale and Mary Beard visit Pompeii, University of Cambridge Museums, 26 Apr 2013, Cambridge, UK. (KAR id:83998)
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Neale-Widdison, Anna, Turner, Suzanne (2013) Time travelling: an evening with Anna Neale Festival of Ideas 2013: University of Cambridge. In: Festival of Ideas 2013, 1 Nov 2013, Cambridge, UK. (Unpublished) (KAR id:83994)
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Pasoulas, Aki (2019) Hearing, Sight and a Host of Other Senses. In: SOUND/IMAGE19, 9-10 Nov 2019, London, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77210)

Pasoulas, Aki (2019) The Mapping of Senses in Irides. In: Rediscoveries XI, 14 Feb 2019, Aberdeen, UK. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77270)

Pasoulas, Aki (2019) Relocation of the visual, gustatory, olfactory and haptic environments into the aural space. In: Convergence 2019, 12 - 15 September 2019, Leicester. (Unpublished) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:76263)

Perks, Richard (2019) The Expansion of Improvisatory Techniques and Sound-Palette Specific to the Fretless Electric Guitar. In: IGRC Conference: Improvisation and the Guitar, Hong Kong Academy for Performing Arts, 14-17 July 2019, Hong Kong. (KAR id:80749)
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Perks, Richard (2019) Fretless Architecture – Guest Lecture/Seminar. In: Istanbul Technical University – Guest Lecture Series, 08 Nov 2019, Istanbul, Turkey. (KAR id:80751)
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Perks, Richard (2016) Fretless Architecture: An Exploration of the Fretless Electric Guitar. In: IGRC Conference 2016, 18-23 Mar 2016, Surrey, UK. (KAR id:80755)
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Perks, Richard (2019) Strung Together: A Practical Exploration of Music-Cultural Hybridity, Interaction, and Collaboration. In: Hybrid Practices: Methodologies, Histories, and Performance, University of Malta, 13-15 Mar 2019, Malta. (KAR id:80754)
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Perks, Richard (2018) Strung Together: Interactions of Musical Cultures and Their Effects on Collaborative Creativity. In: ICMP Performance Research Conference, 19 Jun 2018, London, UK. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80758)

Perks, Richard, Williams, Tom (2020) Fleeting Moments: Inverted Taxonomies and Outlier Detection applied to Jazz Guitar Vocabulary. In: The 21st Century Guitar Conference. . (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:80760)

Show / exhibition

Neale-Widdison, Anna (2013) Songs from 'River Man' Up late in Pompeii: a night out in the Bay of Naples The British Museum. Up late in Pompeii: a night out in the Bay of Naples at The British Museum, 10 May 2013, The British Museum, London, UK. CD, Live performance. (KAR id:83997)
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Composition

Fretwell, Paul (2015) King's Cross. Taukay Edizioni Musicali Item format: CD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83821)

Performance

Perks, Richard (2015) Fretless Architecture: Rich Perks + vLookup Trio. Performance type: Musical event Fretless Architecture, 5 Nov 2015, Colchester, UK. Live Performance. (KAR id:80757)
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Perks, Richard (2019) Improweb MMXIX – for solo fretless electric guitar (+ effects) – composed by Perks, R. Performance type: Musical event Fretless Architecture, 08 Nov 2019, Istanbul, Turkey. Live Performance. (KAR id:80750)
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Perks, Richard (2016) Premier Performance: Divisions 2 – for solo fretless electric guitar | composed by Hall, A. Performance type: Musical event IGRC Conference 2016, 19 March 2016, Surrey, UK. Live Performance. (KAR id:80756)
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Perks, Richard (2019) Premier Performance: Improweb MMXIX – for solo fretless electric guitar | composed by Perks, R. Performance type: Musical event IGRC Conference: Improvisation and the Guitar, 14-17 July 2019, Hong Kong. Live Performance. (KAR id:80748)
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Perks, Richard (2017) Strung Together: A Night of World Music Improvisation. Performance type: Musical event Strung Together: A Night of World Music Improvisation, 17 Sep 2017, San Francisco, California, USA. Live Performance. (KAR id:80753)
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Perks, Richard (2019) vLookup Trio – Live Performance at Dutch Fretless Guitar Festival VIII. Performance type: Musical event 8th Dutch Fretless Guitar Festival, 11-12 May 2019, Amsterdam, Netherlands. Live Performance. (KAR id:80752)
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Audio

Herbert, Ruth (2002) After Death (Evgenii Bauer, music performed by Triptych). British Film Institute Item format: DVD. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77536)

Herbert, Ruth (2001) Oscar Wilde's Lady Windermere's Fan. British Film Institute Publications Item format: VHS. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:77537)

Neale-Widdison, Anna (2012) River Man. Half Full Glass Records/ Anna Neale Item format: CD, Digital. (KAR id:84000)
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Neale-Widdison, Anna (2018) Wide Sky. Half Full Glass Records/ Anna Neale Item format: CD, Vinyl, Digital. (KAR id:83999)
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Perks, Richard (2009) Imposition. Item format: CD. ASIN: B00VTIYDBY | Cat No: RP1982. (doi:ASIN: B00VTIYDBY | Cat No: RP1982) (KAR id:80762)
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Edited book

Perks, Richard and McGrath, John, eds. (2020) 21st Century Guitar – Evolutions and Augmentations. Bloomsbury Academic, London, UK (Submitted) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:83058)

Herbert, Ruth and Clarke, David and Clarke, Eric, eds. (2019) Music and Consciousness 2: Worlds, Practices, Modalities. Oxford University Press, UK ISBN 978-0-19-880435-2. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:63966)

Internet publication

Neale-Widdison, Anna (2019) What Good Is A Songwriter? . Songwriting Studies Project Blog. (KAR id:83993)
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Neale-Widdison, Anna (2019) Why do children love George Ezra's Shotgun? . BBC Website. (KAR id:83990)
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Review

Herbert, Ruth (2013) Review of Harris M. Berger, Stance: Ideas about Emotion, Style and Meaning for the Study of Expressive Culture. Review of: Harris M. Berger, Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture, Middletown, CT: Wesleyan University Press, 2010. by UNSPECIFIED. Volume! La revue des musiques populaires/The French journal of popular music studies, 10(1)., . pp. 301-303. (KAR id:77496)
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This list was generated on Mon Feb 15 21:27:15 2021 GMT.