Items where division is "Faculties > Humanities > School of Arts > History and Philosophy of Art"

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Number of items at this level: 36.

Article

Hammer, Martin (2010) Found in Translation: Chaim Soutine and English Art. Modernist Cultures, 5 (2). pp. 218-242. ISSN 1753-8629 . (The full text of this publication is not available from this repository)

Hammer, Martin (2010) Francis Bacon and the Lefevre Gallery. Burlington Magazine, 152 (1286). pp. 307-312. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Hammer, Martin (2013) Mainly Nourishment: Echoes of Sickert in the Work of Francis Bacon and Lucian Freud. Visual Culture in Britain, 14 (1). pp. 87-100. ISSN 1471-4787. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2011) Depiction. Esthetica . (The full text of this publication is not available from this repository)

Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (Full text available)
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Newall, Michael (2010) Pictorial Resemblance. Journal of Aesthetics and Art Criticism, 68 (2). pp. 91-103. ISSN 0021-8529. (Full text available)
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Newall, Michael (2012) Seeing-in is a Transparency Effect (draft paper). (Unpublished) (Full text available)
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Thomas, Ben D. H. (2012) John Evelyn's Project of Translation. Art in Print . (In press) (The full text of this publication is not available from this repository)

Book section

Hammer, Martin (2012) Continuity and Contradiction in the Art of Francis Bacon. In: Arya, Rina, ed. Francis Bacon: Critical and Theoretical Perspectives. Pater Lang, pp. 121-168. ISBN 9783034308892 (pbk); 9783035303896 (eBook) . (The full text of this publication is not available from this repository)

Hammer, Martin (2012) Francis Bacon: Painting after Photography. In: British Art in the Cultural Field, 1939-69. Wiley-Blackwell, pp. 156-173. ISBN 9781118275849. (The full text of this publication is not available from this repository)

Kear, Jon (2013) A Judgment on Judgment: Milosevic On Trial. In: Rothermel, Dennis, ed. A Critique of Judgment on Film and Television. Palgrave, , 22 pages (9,800 words). ISBN not known yet. (In press) (Full text available)
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Kear, Jon (2008) L'Origine del frammento ne Il capolavoro sconosciuto di Balzac. In: Cattani, Francesca and Meneghelli, Donata, eds. La Rappresentazione all specchio. Testo letterario e testo pittorico. Meltemi, Rome, pp. 55-68. ISBN 9788883536717. (Full text available)
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Kear, Jon (2009) Spectres of the Past, Inhabitations of the Present’: Jochen Gerz’s Public Monuments'. In: Lamberti, Eleanora and Fortunati, Vita, eds. Memories and Representations of War: The Case of World War I and World War II. Textxet Studies in Comparative Literature . Rodopi, Netherlands, pp. 33-49. ISBN 9789042025219. (Access to this publication is restricted)
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Kear, Jon (2007) Une Chambre Mentale: Proust's Solitude. In: Hendrix, Harald, ed. Writers' Houses and the Making of Memory. Routledge, New York/Oxon, pp. 221-235. ISBN 9780415957427. (Full text available)
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Mikuriya, Junko Theresa (2013) In the Dark Places of Photography. In: Green, David, ed. In the Spirit of Creation: Readings in Art, Magic and the Occult. Mandrake, Oxford. ISBN NA. (Submitted) (The full text of this publication is not available from this repository)

Newall, Michael (2012) An Aesthetics of Transgressive Pornography. In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, Oxford, pp. 206-228. ISBN 9780199609581. (Full text available)
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Thomas, Ben D. H. (2012) Disegno: Superficial Line or Universal Design? In: MacCarthy, Ita, ed. Renaissance Keywords. Legenda Main . Oxford University Press/Legenda, Oxford, pp. 27-40. ISBN 9781907975295. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2012) In Defence of Marginal Anarchy: Edgar Wind and the Congress for Cultural Freedom. In: Art History and the Cold War. Ashgate. ISBN ???. (In press) (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 9780754666547. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2012) Paul Coldwell: Passing through... In: Coldwell, Paul, ed. Paul Coldwell: A Layered Practice - Graphic Works 1993-2012. Studio 3 Gallery, University of Kent at Canterbury. ISBN 9781902671819. (The full text of this publication is not available from this repository)

Book

Hammer, Martin (2012) Francis Bacon and Nazi Propaganda. Tate Publishing, 224 pp. ISBN 9781849760737. (The full text of this publication is not available from this repository)

Henry, Tom F. K. (2012) ‘“Gli gettò addosso il suo mantello”’ and ‘La casa di Luca Signorelli’, in ed. F. De Chirico, V. Garibaldi, T. Henry and F.F. Mancini, Luca Signorelli, exh. cat., Perugia (Galleria Nazionale), Orvieto (Museo dell’Opera del Duomo) and Città di Castello (Pinacoteca), 2012, pp. 143-151 (and cats. 8, 24, 26-29, 39, 53, 86 and 95-97). Silvana, Milan, 358 pp. ISBN no ISBN copy deposited at HPA. (Access to this publication is restricted)
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Henry, Tom F. K. (2012) The Life and Art of Luca Signorelli. Yale University Press, New Haven & London, 352 pp. ISBN 9780300179262. (Access to this publication is restricted)
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Henry, Tom F. K. and Joannides, Paul and González Mozo, Ana and Martín, Bruno (2012) Late Raphael. Museo Nacional del Prado and Musee du Louvre, Madrid and Paris, 382 pp. ISBN 9788484802372. (Access to this publication is restricted)
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Mikuriya, Junko Theresa (2013) The Spell of Photography: A Philosophical History since Plato. I.B. Tauris, London ISBN NA. (In press) (The full text of this publication is not available from this repository)

Newall, Michael (2010) What is a Picture? : Depiction, Realism, Abstraction. Palgrave Macmillan, Basingstoke, 248 pp. ISBN 9780230276550. (Full text available)
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Pooke, Grant F. (2010) Contemporary British Art: An Introduction. Routledge, 304 pp. ISBN 9780415389747. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2007) Francis Klingender 1907-1955: A Marxist Art Historian Out of Time. Gill Vista Marx Press, London, 316 pp. ISBN 9780955723902. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Callow, John and Powell, Jane (2011) The Art of Revolution: Illustrated by the Collection of the Marx Memorial Library. Evans Mitchell Books, 96 pp. ISBN 9781901268607. (The full text of this publication is not available from this repository)

Show / exhibition

Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not available from this repository)

Datasets / databases

Henry, Tom F. K. (2012) Archive. Italian Renaissance Documents Site. web publication. Located at: http://archive.casanovaumbria.eu. (The full text of this publication is not available from this repository)

Edited book

Thomas, Ben D. H., ed. (2012) Double Take: The Art of Printmaking. Studio 3 Gallery ISBN 978-1-902671-75-8. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M., eds. (2012) Fifty Key Texts in Art History. Routledge Key Guides . Routledge, 288 pp. ISBN 9780415487054. (The full text of this publication is not available from this repository)

Internet publication

Hammer, Martin (2012) ‘After Camden Town: Sickert’s Legacy since 1930’. . Tate Article. (The full text of this publication is not available from this repository)

Hammer, Martin (2012) Francis Bacon: Back to Degas. . Tate Papers Issue 17. Article. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2011) Sade, Entropy and the Neo-Baroque: Self Becoming in the Aesthetic of Michaȅl Aerts. . Deweer Gallery, Otegem, Belgium Text. (The full text of this publication is not available from this repository)

This list was generated on Sat Oct 25 02:26:17 2014 BST.