Items where division is "Faculties > Humanities > School of Arts > Film"

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Number of items at this level: 48.

C

Church Gibson, Pamela and Jeffers McDonald, Tamar E. L. (2012) Costume and Adaptation. In: Cartmell, Deborah, ed. A Companion to Literature, Film and Adaptation. Blackwell Companions to Literature and Culture . Wiley-Blackwell, Oxford, pp. 295-311. ISBN 9781444334975 . The full text of this publication is not available from this repository.

Cinquegrani, Maurizio (2010) The Cinematic Production of Iconic Spaces in Early Films of London. In: Koeck, Richard and Roberts, Les, eds. The City and the Moving Image: Urban Projections. Palgrave Macmillan, pp. 169-182. ISBN 9780230243385. Access to this publication is restricted.
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Cinquegrani, Maurizio (2011) Empire and the City: Early Films of London. . Tate Britain Online article. The full text of this publication is not available from this repository.

Cinquegrani, Maurizio (2009) The Nexus of the Empire: Early Actuality Films of London at the Turn of the Twentieth Century. Journal of British Cinema and Television, 6 (2). pp. 207-219. ISSN 1743-4521. Access to this publication is restricted.
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Cinquegrani, Maurizio (2010) Travel Cinematography and the Indian City: The Imperial Spectacle of Geography at the End of the Long Nineteenth Century. Nineteenth-Century Contexts, 32 (1). pp. 65-78. ISSN 0890-5495. Access to this publication is restricted.
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Cinquegrani, Maurizio (2011) ‘A fit of absence of mind’?: Empire and Urban Life. Early Popular Visual Culture, 9 (4). pp. 325-336. ISSN 1746-0654 . Access to this publication is restricted.
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Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. The full text of this publication is not available from this repository.

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 13-978-0-9553309-0-2. The full text of this publication is not available from this repository.

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. The full text of this publication is not available from this repository.

Cowie, Elizabeth (2012) Citizenship, agency and subjectivity: art, documentary, and politics. Other. Manchester Univeristy Press, Manchester (Unpublished) The full text of this publication is not available from this repository.

Cowie, Elizabeth (2011) Documentary Space, Place, and Landscape. Media Fields Journal (3). pp. 1-21. ISSN 2159-7553.
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Cowie, Elizabeth (2011) Recording Reality, desiring the real. Visible Evidence . University of Minnesota press, Minnesota, USA, 296 pp. ISBN 9780816645497. The full text of this publication is not available from this repository.

Cowie, Elizabeth (2012) Road Race. In: Corkish, Alan and Chell, Edward and Taylor, Andrew, eds. In the Company of Ghosts: The Poetics of the Motorway. Erbacce press, Liverpool, pp. 41-46. ISBN 9781907878428. The full text of this publication is not available from this repository.

F

Frey, M. (2013) The Critical Question: Sight and Sound’s Postwar Consolidation of Liberal Taste. Screen . ISSN 0036-9543. (In press) The full text of this publication is not available from this repository.

Frey, M. (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique . (In press) The full text of this publication is not available from this repository.

Frey, M. (2013) Postwall German Cinema: History, Film History, and Cinephilia. Film Europa . Berghahn, 228 pp. ISBN 9780857459473 . (In press) The full text of this publication is not available from this repository.

Frey, Mattias (2010) “Cultural Problems of Classical Film Theory: Béla Balázs, 'Universal Language' and the Birth of National Cinema.”. Screen, 51 (4). pp. 324-340. ISSN 0036-9543. The full text of this publication is not available from this repository.

G

Guerin, F.J. (2012) Dislocations: videograms of a revolution and the search for images. In: Ginsberg, Terri and Mensch, Andrea, eds. A Companion to German Cinema. CNCZ - The Wiley-Blackwell Companions to National Cinemas . Wiley-Blackwell, New York, pp. 483-506. ISBN 9781405194365.
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Guerin, F.J. (2012) A Generation Later and Still Unrepresentable? Fassbinder and the Red Army Fraction. In: A Companion to Rainer Werner Fassbinder. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell, New York, pp. 441-460. ISBN 9781405191630. Access to this publication is restricted.
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Guerin, Frances (2011) The Placement of Shadows: What’s inside William Kentridge’s Black Box/Chambre Noire? In: Rhodes, John David and Gorfinkel, Elena, eds. Taking Place: Location and the Moving Image. University of Minnesota Press, Minneapolis, pp. 233-254. ISBN 9780816665174 . Access to this publication is restricted.
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Guerin, Frances (2011) Through Amateur Eyes: Film and Photography in Nazi Germany. University of Minnesota Press, Minneapolis, 352 pp. ISBN 9780816670062. Access to this publication is restricted.
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J

Jeffers McDonald, Tamar E. L. (2011) Against Male Elegance. In: Modemuseum, ., ed. Symposium 2 - Seam & Star: Male Elegance. Modemuseum, Antwerp, Antwerp, Belgium. ISBN 9789079269044.
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Jeffers McDonald, Tamar E. L. (2013) Bringing Up Baby: generic hybridity and Dirty Dancing. In: Tzioumakis, Yannis and Lincoln, Sian, eds. The Time of Our Lives: Dirty Dancing and Popular Culture. Wayne State University Press, Detroit. ISBN 9780814336243. The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2013) Doris Day Confidential: Hollywood, Sex and Stardom. I B Tauris, London, 256 pp. ISBN 9781848855816. (In press) The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2010) Hollywood Catwalk: Exploring Costume and Transformation in American Film. I B Tauris, London, 256 pp. ISBN 9781848850408. (Submitted) The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2008) Homme-com: engendering change in contemporary romantic comedy. In: Abbot, Stacey and Jermyn, Deborah, eds. Falling in Love Again: Romantic Comedy in Contemporary Cinema. I B Tauris, London, pp. 146-159. ISBN 9781845117719 .
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Jeffers McDonald, Tamar E. L. (2011) Mad Men and Career Women. In: Stoddart, Scott.F., ed. Analyzing Mad Men: Critical Essays on the AMC Series. McFarland & Co., Jefferson, North Carolina, USA, pp. 117-135. ISBN 9780786447381.
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Jeffers McDonald, Tamar E. L. (2009) Mother’s Day: Taking the mother out of motherhood in The Thrill of it All. In: Addison, Heather and Goodwin-Kelly, Mary-Kate and Roth, Elaine, eds. Motherhood Misconceived: Representing the Maternal in US Films. State University of New York Press, New York, pp. 29-42. ISBN 9781438428123.
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Jeffers McDonald, Tamar E. L. (2010) Performances of desire and inexperience: Doris Day’s fluctuating filmic virginity. In: Jeffers McDonald, Tamar E. L., ed. Virgin Territory: Representing Sexual Innocence in Film. Contemporary Approaches to Film and Television Series . Wayne State University Press, Detroit, USA, pp. 103-122. ISBN 9780814333181. The full text of this publication is not available from this repository.

Jeffers McDonald, Tamar E. L. (2012) The View from the Man Cave: Comedy in the Contemporary 'Homme-com' cycle. In: Horton, Andrew and Rapf, Joanne E., eds. A Companion to Film Comedy. John Wiley & Sons, Chichester, West Sussex, pp. 217-235. ISBN 9781444338591 . The full text of this publication is not available from this repository.

P

Pitts, V. (2010) Beat. Pitts Productions HD.
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Pitts, V.T (2011) Technologies of Culture: Digital Feature Filmmaking in New Zealand. New Cinemas: Journal of Contemporary Film, 9 (1). pp. 3-17. ISSN 1474-2756.
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S

Sayad, Cecilia (2013) Performing Authorship: Self-inscription and Corporeality in the Cinema. Tauris World Cinema Series . I.B. Tauris, 288 pp. ISBN 9781780760056. (In press) The full text of this publication is not available from this repository.

Sayad, Cecilia (2013) Standup Auteur. In: A Companion to Woody Allen. WBCF - Wiley-Blackwell Companions to Film Directors . Wiley-Blackwell. ISBN 9781444337235. (In press) The full text of this publication is not available from this repository.

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge, London and New York, pp. 39-51. ISBN 10:0-415-77166-8. The full text of this publication is not available from this repository.

Smith, Murray (2009) Double Trouble: On Film, Fiction, and Narrative. StoryWorlds: A Journal of Narrative Studies, 1 (1). pp. 1-23. ISSN 2156-7204. The full text of this publication is not available from this repository.

Smith, Murray (2011) Just What Is It That Makes Tony Soprano Such an Appealing, Attractive Murderer? In: Jones, Ward and Vice, Samantha, eds. Ethics at the Cinema. Oxford University Press, Oxford, pp. 66-90. ISBN 9780195320398 (hbk); 9780195320404 (pbk). The full text of this publication is not available from this repository.

Smith, Murray (2011) Triangulating Aesthetic Experience. In: Shimamura, Arthur P. and Palmer, Stephen E., eds. Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press, New York, pp. 80-102. ISBN 9780199732142 . The full text of this publication is not available from this repository.

Stanfield, P. (2011) “From the Barroom: American Song, Saloon Culture, Stack O’Lee and Wild Bill, or ‘Did you touch my hat?’”. In: Kalinak, Kathryn, ed. Music in the Western: Notes from the Frontier. Routledge Music and Screen Media Series . Routledge, New York, pp. 183-202. ISBN 9780415882262. Access to this publication is restricted.
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Stanfield, P. (2012) “‘Got-to-See’: Trends in Social Problem Pictures and the Postwar Cycles of Juvenile Delinquency Movies”. In: Lucia, Cynthia and Grundmann, Roy and Simon, Art, eds. The Wiley-Blackwell History of American Film. Wiley-Blackwell, Chichester, pp. 220-241. ISBN 9781405179843. The full text of this publication is not available from this repository.

Stanfield, P. (2013) Intent to Speed: Cyclical Production, Topicality and the 1950s Hot Rod Movie. New Review of Film and Television Studies, 11 (1). pp. 34-55. ISSN 1740-0309. Access to this publication is restricted.
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W

Wood, A. (2013) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video . ISSN 0742-4671. (In press) The full text of this publication is not available from this repository.

Wood, A. (2011) Digital afx: digital dressing and affective shifts in Sin City and 300. New Review of Film and Television Studies, 9 (3). pp. 283-295. ISSN 1740-0309.
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Wood, A. (2008) Encounter at the Interface: Distributed Attention and Digital Embodiments. Quarterly Review of Film and Video, 25 (3). pp. 219-229. ISSN 1050-9208. Access to this publication is restricted.
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Wood, A. (2013) Inception’s Timespaces. In: North, D. and Rehak, R. and Duffy, M.S., eds. Special Effects: New Histories, Theories, Contexts. BFI: Palgrave Macmillan. ISBN n/a. (In press) The full text of this publication is not available from this repository.

Wood, A. (2012) Recursive space: play and creating space. Games and Culture, 7 (1). pp. 87-105. ISSN 1555-4120. (In press)
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Wood, A. (2013) Sonic Times in Inception and Watchmen. In: Vernalis, C. and Richardson, J. and Herzog, A., eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press. ISBN n/a. (In press) The full text of this publication is not available from this repository.

Wood, A. (2012) Where Codes Collide: the Emergent Ecology of Avatar. Animation: An Interdisciplinary Journal, 7 (3). pp. 309-322. ISSN 1746-8477 . The full text of this publication is not available from this repository.

This list was generated on Wed May 22 10:19:17 2013 BST.
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