Items where division is "Faculties > Humanities > School of Arts"

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Number of items at this level: 1123.

Shaughnessy, Robert, ed. (2006) A.C. Bradley, Shakespearean Tragedy, 4th Edition. Basingstoke and New York: Palgrave (The full text of this publication is not available from this repository)

Chodzko, Adam, ed. (2007) Adam Chodzko. Museo d'Arte Moderna di Bologna and Skira, 125 pp. ISBN 9788861305663. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola, ed. (2013) Affective Performance and Cognitive Science: Body, Brain and Being. Bloomsbury Methuen Drama . Bloomsbury, London, 304 pp. ISBN 9781408185773. (In press) (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki, ed. (2006) Antigone. Student editions . Methuen Bloomsbury, London ISBN 9780413776044. (Access to this publication is restricted)
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Pooke, Grant F., ed. (2008) Appreciating Art: An Expert Companion. Penguin Viking ISBN 978-0-670-07284-2. (The full text of this publication is not available from this repository)

Boenisch, Peter M and Allsopp, Ric, eds. (2003) Bodiescapes. Performance Research. Routledge, 144 pp. ISBN 0-415-32131-X . (The full text of this publication is not available from this repository)

Cowie, Elizabeth, ed. (1978) British Film Institute Production Board Catalogue 1977-78. British Film Institute, 94 pp. ISBN 085170 087 X. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. and Wilson, Timothy, eds. (1999) C. D. E. Fortnum and the collecting and study of applied arts and sculpture in Victorian England. Ashmolean Publications/Oxford University Press (The full text of this publication is not available from this repository)

UNSPECIFIED (1992) CARRINGTON,LEONORA - PAINTINGS, DRAWINGS AND SCULPTURES, 1940-1990. Burlington Magazine, 134 (1068). pp. 200-201. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Grantley, Darryll and Roberts, P., eds. (1996) Christopher Marlowe and English Renaissance Culture. Scolar, 281 pp. ISBN 1859282601. (The full text of this publication is not available from this repository)

Smith, Murray and Neale, Steve, eds. (1998) Contemporary Hollywood Cinema. Routledge, 338 pp. ISBN 978-0415170109. (The full text of this publication is not available from this repository)

Allain, Paul and Ziolkowski, Grzegorz, eds. (2005) Contemporary theatre review: Polish theatre after 1989: Beyond Borders. Routledge, part of the Taylor & Francis Group ISBN 1048 6801. (The full text of this publication is not available from this repository)

UNSPECIFIED (1992) DUBOIS,PHILIPPE L 'ACTE PHOTOGRAPHIQUE'. History of Photography, 16 (2). pp. 176-177. ISSN 0308-7298. (The full text of this publication is not available from this repository)

Thomas, Ben D. H., ed. (2007) Dreams and Nightmares, exhibition catalogue. Canterbury ISBN 978-1-902671-48-2. (The full text of this publication is not available from this repository)

Smith, Murray, ed. (1997) Film Theory and Philosophy. Oxford: Clarendon Press, 474 pp. ISBN 978-0198159889. (The full text of this publication is not available from this repository)

Shaughnessy, Robert, ed. (2004) Four Renaissance Comedies: The Old Wives Tale, The Shoemakers Holiday, The Alchemist, A New Way to Pay Old Debts. Basingstoke and New York: Palgrave (The full text of this publication is not available from this repository)

Shaughnessy, Robert, ed. (2004) Four Renaissance comedies. Palgrave ISBN 0 333 97366 6. (The full text of this publication is not available from this repository)

Holmes, Su and Redmond, Sean, eds. (2006) Framing Celebrity: New Directions in Celebrity Culture. Routledge (The full text of this publication is not available from this repository)

Allain, Paul, ed. (2009) Grotowski's Empty Room: A Challenge to the Theatre. Enactments . University of Chicago Press, 224 pp. ISBN 9781906497231. (The full text of this publication is not available from this repository)

Camilleri, Frank, ed. (2003) ICARUS 4. Icarus GHE, Malta, 24 pp. (The full text of this publication is not available from this repository)

Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. (2005) Mob Culture: Hidden Histories of American the Gangster Film. Berg, 320 pp. ISBN 1845203305. (The full text of this publication is not available from this repository)

Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. (2005) Mob culture: hidden histories of the American gangster film. New York: Rutgers University Press ISBN 0-8135-3557-3. (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki, ed. (2008) Oedipus the King. Student editions . Bloomsbury Methuen Drama, London ISBN 9780713686760. (Access to this publication is restricted)
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Banu, Georges and Ziolkowski, Grzegorz and Allain, Paul, eds. (2009) Peter Brook, With Grotowski: Theatre is Just a Form. Grotowski Institute, Wroclaw, 118 pp. ISBN 978 83 92363590 . (The full text of this publication is not available from this repository)

Choi, Jinhee and Carroll, Noel, eds. (2005) Philosophy of Film and Motion Pictures. Blackwell (The full text of this publication is not available from this repository)

Grantley, Darryll, ed. (1987) Pilgrimage 87: A Souvenir Programme. Yorick Books, 20 pp. ISBN 094771006X. (The full text of this publication is not available from this repository)

Barnard, Clio H., ed. (2007) Road Race and Dark Glass Catalogue. Herbert Read Gallery (The full text of this publication is not available from this repository)

Casaliggi, Carmen and March-Russell, Paul, eds. (2007) Ruskin in perspective: contemporary essays. Cambridge Scholars, Newcastle, 252 pp. ISBN 9781847182845. (The full text of this publication is not available from this repository)

Grant, Catherine A. and Kuhn, Annette, eds. (2006) Screening World Cinema: A Screen Reader. Routledge (The full text of this publication is not available from this repository)

Deacy, Christopher and Vollmer, Ulrich, eds. (2011) Seeing Beyond Death: Images of the Afterlife in Theology and Film. Schüren Verlag, Marburg, 202 pp. ISBN 9783894727420. (Access to this publication is restricted)
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Chedgzoy, Kate and Greenhalgh, Susanne and Shaughnessy, Robert, eds. (2007) Shakespeare and Childhood. Cambridge University Press, Cambridge, 296 pp. ISBN 9780521871259. (The full text of this publication is not available from this repository)

Shaughnessy, Robert, ed. (2000) Shakespeare in Performance: Contemporary Critical Essays. Basingstoke and New York: Palgrave (The full text of this publication is not available from this repository)

Shaughnessy, Robert, ed. (1998) Shakespeare on Film: Contemporary Critical Essays. Basingstoke and New York: Palgrave (The full text of this publication is not available from this repository)

Holmes, Su and Redmond, Sean, eds. (2007) Stardom and Celebrity: A Reader. Sage Publications Ltd, London, 400 pp. ISBN 9781412923200. (The full text of this publication is not available from this repository)

Thomas, Ben D. H., ed. (2008) The Art of Comedy, exhibition catalogue. Canterbury ISBN 978-1-902671-56-7. (The full text of this publication is not available from this repository)

Thomas, Ben D. H., ed. (2006) The Awakening, exhibition catalogue. Canterbury ISBN 978-1-902671-44-4. (The full text of this publication is not available from this repository)

Grantley, Darryll and Taunton, Nina, eds. (2000) The Body in Late Medieval and Early Modern Culture. Ashgate, 253 pp. ISBN 0754601153. (The full text of this publication is not available from this repository)

Shaughnessy, Robert, ed. (2007) The Cambridge Companion to Shakespeare and Popular Culture. Cambridge Companions to Literature . Cambridge University Press, Cambridge, 304 pp. ISBN 9780521844291. (The full text of this publication is not available from this repository)

Hallas, Roger and Guerin, Frances, eds. (2007) The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, 252 pp. ISBN 978-1-905674-19-0. (The full text of this publication is not available from this repository)

Camilleri, Frank, ed. (2004) The Second Phase. Icarus Performance Project, Malta, 32 pp. (The full text of this publication is not available from this repository)

Smith, Murray and Wartenburg, Thomas, eds. (2006) The journal of aesthetics and art criticism: Film as Philosophy. Blackwell ISBN 0021-8529. (The full text of this publication is not available from this repository)

Boenisch, Peter M and Keim, Katharina and Braunmuller, Robert, eds. (2003) Theater ohne Grenzen. Munchen: Utz, 504 pp. ISBN 3-8316-0237-9 . (The full text of this publication is not available from this repository)

Smith, Murray and Wartenburg, Thomas, eds. (2006) Thinking Through Cinema. Blackwell ISBN 978-1-4051-5411-6. (The full text of this publication is not available from this repository)

Holmes, Su and Jermyn, Deborah, eds. (2004) Understanding Reality Television. Routledge (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L., ed. (2010) Virgin Territory: Representing Sexual Innocence in Film. Wayne State University Press, 296 pp. ISBN 978-0814333181 . (The full text of this publication is not available from this repository)

Banu, Georges and Ziolkowski, Grzegorz and Allain, Paul, eds. (2009) With Grotowski. Theatre is Just a Form. Grotowski Institute, 120 pp. ISBN 978-83-923635-9-0. (The full text of this publication is not available from this repository)

Stanfield, Peter and Krutnik, Frank and Neale, Steve and Neve, Brian, eds. (2007) “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press, 362 pp. ISBN 0-8135-4198-3 . (The full text of this publication is not available from this repository)

Adler, Gerald (2013) Energising the Building Edge: Siegfried Ebeling, Bauhaus Bioconstructivist. In: Morrow, Ruth and Abdelmonem, Mohamed Gamal, eds. Peripheries: Edge Conditions in Architecture. Critiques: Critical Studies in Architectural Humanities, 8 . Routledge, Abingdon. ISBN 9780415640299. (The full text of this publication is not available from this repository)

Adler, Gerald (2012) Little Boxes. In: Adler, Gerald and Brittain-Catlin, Timothy and Fontana-Giusti, Gordana, eds. Scale : Imagination, Perception and Practice in Architecture. Critiques: Critical Studies in Architectural Humanities . Routledge, Abingdon, pp. 182-193. ISBN 9780415687119. (The full text of this publication is not available from this repository)

Adler, Gerald (2012) Twentieth Century Architects: Robert Maguire & Keith Murray. RIBA Publishing (20th Century Architects Series), 212 pp. ISBN 9781859461655. (The full text of this publication is not available from this repository)

Agbaje, Bola (2009) Troppo Lontano! Performance type: Live play Tramedautore Festival, September 2009, Piccolo Teatro, Teatro d'Europa, Milano. Performance . (Unpublished) (The full text of this publication is not available from this repository)

Allain, Paul (1992) 'Polishing up on the Classics'. The Stage . (The full text of this publication is not available from this repository)

Allain, Paul (1991) A Love Letter from Britain. Teatr . (The full text of this publication is not available from this repository)

Allain, Paul (2002) After Grotowski. Total Theatre, 14 (1). (The full text of this publication is not available from this repository)

Allain, Paul (2002) After Grotowski - the next Generation. New Theatre Quarterly, 28 (1). pp. 59-66. ISSN 0-521-01314-3. (The full text of this publication is not available from this repository)

Allain, Paul (1995) Coming Home: The New Ecology of The Gardzienice Theatre Association of Poland. Drama Review, 39 (1). pp. 93-121. (The full text of this publication is not available from this repository)

Allain, Paul (2007) Destarsi Con One Breath Left. In: The Workcenter of Jerzy Grotowski and Thomas Richards Visioni. Bulzoni. (The full text of this publication is not available from this repository)

Allain, Paul (2008) Destarsi con One breath left. In: Opere e sentieri. Vol. 3: Testimonianze e riflessioni sull'arte come veicolo. Bulzoni, pp. 129-140. ISBN 9788878702967. (The full text of this publication is not available from this repository)

Allain, Paul (1998) Gardzienice Polish Theatre in Transition. Harwood Academic Press ISBN 90-5702-105-6 . (The full text of this publication is not available from this repository)

Allain, Paul (1993) Gardzienice in the Suzuki Empire. Polityka . (The full text of this publication is not available from this repository)

Allain, Paul (2002) Gardzienice's Performance of Otherness. In: Studies in Language, Literature and Cultural Mythology in Poland: Investigating The Other. Edwin Mellen Press, pp. 99-114. ISBN ISBN 0-7734-7054-9 . (The full text of this publication is not available from this repository)

Allain, Paul (1992) Gardzienice: At the Cultural Crossroads. New Theatre Quarterly . ISSN 0-521-60328-5. (The full text of this publication is not available from this repository)

Allain, Paul (1989) Gardzienice: a Practical Account. Music Theatre Dance Journal (1). pp. 29-33. (The full text of this publication is not available from this repository)

Allain, Paul (2007) Goat Theatre Macbeth. Contemporary Theatre Review, 17 (2). pp. 255-258. (The full text of this publication is not available from this repository)

Allain, Paul (2005) Grotowski’s ghosts. Contemporary Theatre Review . pp. 46-59. ISSN 1048 6801. (The full text of this publication is not available from this repository)

Allain, Paul (1999) Interview with Piotr Borowski: Artistic Director of Studium Teatralne, Warsaw. CUNY, New York, Slavic and East European Performance PP15-23. (The full text of this publication is not available from this repository)

Allain, Paul (2002) Japanese theatre and the international stage. Review of: Japanese theatre and the international stage by UNSPECIFIED. New Theatre Quarterly, 18 (70). p. 197. ISSN 0266-464X . (The full text of this publication is not available from this repository)

Allain, Paul (2007) Macbeth. Review of: Macbeth by Kozla, P. and Wielga, K.. Didaskalia, 7 . p. 89. ISSN 1233-0477. (The full text of this publication is not available from this repository)

Allain, Paul (1991) Modesty and Vigour. Plays and Players . (The full text of this publication is not available from this repository)

Allain, Paul (1994) Movement Directing. Total Theatre, 6 (4). (The full text of this publication is not available from this repository)

Allain, Paul (2000) New sites for Shakespeare: Theatre, the audience, and Asia. Review of: New sites for Shakespeare: Theatre, the audience, and Asia by UNSPECIFIED. New Theatre Quarterly, 16 (64). 391-392 . ISSN 0266-464X . (The full text of this publication is not available from this repository)

Allain, Paul (1999) Obituary of Jerzy Grotowski. The Independent. (The full text of this publication is not available from this repository)

Allain, Paul (2010) On Ensembles. In: Ensemble Theatre, 16th September 2010, University of Huddersfield. (The full text of this publication is not available from this repository)

Allain, Paul (1990) On the Border of Europe and Asia. Zycie Warszawa . (The full text of this publication is not available from this repository)

Allain, Paul (1991) Rep Paralysed by Spending Cuts. The Stage . (The full text of this publication is not available from this repository)

Allain, Paul (2010) Review about Tadeusz Kantor. Review of: Review about Tadeusz Kantor by UNSPECIFIED. New Theatre Quarterly, 26 (103). p. 301. ISSN 0266-464x. (The full text of this publication is not available from this repository)

Allain, Paul (2004) Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present. Review of: Review of Daniel Meyer-Dinkgraffe, Approaches to Acting Past and Present by Meyer-Dinkgrafe, Daniel. New Theatre Quarterly, 20 (1). p. 95. (The full text of this publication is not available from this repository)

Allain, Paul (2002) Review of Dymphna's Callery's Through the Body. Review of: Review of Dymphna's Callery's Through the Body by Callery, Dymphna. New Theatre Quarterly, 18 (4). 0-0. ISSN 0 521-52405-9 . (The full text of this publication is not available from this repository)

Allain, Paul (2004) Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003. Review of: Review of Edward Braun, A Concise History of Polish Theater from the Eleventh to the Twentieth Centuries, Lampeter: Edwin Mellen Press, 2003 by Braun, Edward. Theatre Research International . pp. 84-85. (The full text of this publication is not available from this repository)

Allain, Paul (1989) Review of Gardzienice's Avvakum. Review of: Gardzienice's Avvakum by UNSPECIFIED. Event South West Magazine . 0-0. (The full text of this publication is not available from this repository)

Allain, Paul (1997) Review of Harold B. Segel "Pinocchio's progeny". Review of: Harold B. Segel "Pinocchio's progeny" by UNSPECIFIED. New Theatre Quarterly, 13 (49). pp. 95-96. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Allain, Paul (2005) Review of Hidden Territories, Wlodzimierz Staniewski with Alison Hodge. Theatre Research International . 0-0. (The full text of this publication is not available from this repository)

Allain, Paul (1998) Review of Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989". Review of: Kathleen M. Cioffi "Alternative theatre in Poland 1954-1989" by UNSPECIFIED. New Theatre Quarterly, 8 (55). pp. 292-293. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Allain, Paul (2007) Review of Krzysztof Miklaszewski, Encounters with Kantor. Review of: Review of Krzysztof Miklaszewski, Encounters with Kantor by Miklaszewski, Krzysztof. Contemporary Theatre Review, 17 (1). pp. 115-116. ISSN 1048 6801. (The full text of this publication is not available from this repository)

Allain, Paul (1997) Review of Michael Huxley and Noel Witts,eds. "Twentieth century performance reader". Review of: Michael Huxley and Noel Witts,eds. "Twentieth century performance reader" by UNSPECIFIED. New Theatre Quarterly, 13 (52). p. 399. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Allain, Paul (2001) Review of Modern Czech Theatre. Review of: Review of Modern Czech Theatre by UNSPECIFIED. New Theatre Quarterly, 17 (3). 0-0. (The full text of this publication is not available from this repository)

Allain, Paul (2005) Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present. Review of: Review of Samuel L Leiter, Frozen Moments: Writings on Kabuki 1966-2001 and Faye Chunfang Fei’s Chinese Theories of Theater and Performance from Confucius to the Present by Leiter, Samuel and Chunfang Fei, Faye. New Theatre Quarterly, 21 (2). p. 199. (The full text of this publication is not available from this repository)

Allain, Paul (1990) Review of two performances by Scena Plastyczna of Lublin. Review of: Review of two performances by Scena Plastyczna of Lublin by UNSPECIFIED. Performance Research . 0-0. ISSN 1352-8165. (The full text of this publication is not available from this repository)

Allain, Paul (2006) Routledge companion to Theatre and Performance. Routledge, 244 pp. ISBN 0415 25721 2. (The full text of this publication is not available from this repository)

Allain, Paul (2000) Suzuki Training- an introductory file. Arts Archives, The Fifth Series, Exeter CD-ROM and Video. (The full text of this publication is not available from this repository)

Allain, Paul (1998) Suzuki Training: An Update. Drama Review, 42 (1). pp. 66-89. (The full text of this publication is not available from this repository)

Allain, Paul (2000) The Cambridge Companion To Chekhov. Cambridge University Press ISBN 0-521-58917-7. (The full text of this publication is not available from this repository)

Allain, Paul (2002) The Gardzienice Theatre Association. In: Acting (Re)Considered (2nd ed.). Routledge. (The full text of this publication is not available from this repository)

Allain, Paul (1999) The Grammar Of The Feet. Total Theatre . (The full text of this publication is not available from this repository)

Allain, Paul (2004) The Intercultural Training of Tadashi Suzuki. Rome, Training/Dino Audino Editore pp 138-143. (The full text of this publication is not available from this repository)

Allain, Paul (2006) The Nature And Culture Of Performance. In: A Performance Cosmology: testimony from the Future, Evidence of. Routledge. (The full text of this publication is not available from this repository)

Allain, Paul (2009) The Theatre Practice of Tadashi Suzuki A CRITICAL STUDY WITH DVD EXAMPLES. A&C Black Publishers Ltd, 224 pp. ISBN 9781408116432. (The full text of this publication is not available from this repository)

Allain, Paul (2002) The art of stillness - The theatre practice of Tadashi Suzuki. Palgrave, 214 pp. ISBN 0 -413 76960-7. (The full text of this publication is not available from this repository)

Allain, Paul (1990) Theatre in Poland. Performance Magazine . (The full text of this publication is not available from this repository)

Allain, Paul (1990) Two articles on contemporary Polish theatre. Plays International . (The full text of this publication is not available from this repository)

Allain, Paul (2006) Waking with one breath left. In: Attisani, Antonio, ed. Tracing Roads Across. EU funded. (The full text of this publication is not available from this repository)

Allain, Paul (2002) ‘Sztuka bezruchu’, (‘The art of stillness’- edited extracts from the book of this name). Didaskalia Gazeta Teatralne, Didaskalia Gazeta Teatralne pp62-67. (The full text of this publication is not available from this repository)

Allain, Paul and Barbe, F.A. (2009) On the Shoulders of Tradition, East and West: a Conversation between Paul Allain and Frances Barbe. Studies in Theatre and Performance , 29 (2). pp. 149-159. (The full text of this publication is not available from this repository)

Allain, Paul and Ziolkowski, Grzegorz (2005) Polish Theatre After 1989: Beyond Borders. Contemporary Theatre Review . (The full text of this publication is not available from this repository)

Allain, Paul (2012) Andrei Droznin's Physical Actor Training. Routledge Tay;or and Francis DVD and Booklet. 0415682975 (ISBN). (The full text of this publication is not available from this repository)

Allain, Paul (2008) British Grotowski Project. Three year AHRC funded practical and theoretical project with multiple outcomes. Project. (The full text of this publication is not available from this repository)

Allain, Paul (2008) Review of Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart. Review of: Jerzy Grotowski by James Slowiak and Jairo Cuesta and Etienne Decroux, by Thomas Leabhart by Slowiak, James and Cuesta, Jairo and Leabhart, Thomas. Contemporary Theatre Review, 18 (1). pp. 115-117. ISSN 1048-6801. (Access to this publication is restricted)
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Allain, Paul (2013) Ways of Hearing. In: Wisniewski, Tomasz, ed. A Between Almanach for the Year 2013. Maski Press, Gdansk/Sopot, 2013. ISBN 9788364088131. (The full text of this publication is not available from this repository)

Anderson, Graham (1999) Lucian's dialogues: Performance, nature, and techniques of humor. Classical Review, 49 (1). pp. 32-33. ISSN 0009-840X. (The full text of this publication is not available from this repository)

Anderson, Graham (1999) Symmachus, 'Lettres', vol III, Books-VI-VIII. Classical Review, 49 (2). p. 578. ISSN 0009-840X. (The full text of this publication is not available from this repository)

Anderson, Michael (1999) Classical Greek theatre: New views of an old subject. Review of: Classical Greek Theatre: New Views Of an Old Subject. By Clifford Ashby. Iowa City: University of Iowa Press, 1999. Pp. xix + 191 + illus. by Ashby, Clifford. Theatre Research International, 24 (3). p. 293. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1995) Dying Acts -Death in Ancient Greek and Modern Irish Tragic Drama - Macintosh,F. Review of: Dying Acts: Death in Ancient Greek and Modern Irish Tragic Drama. By Fiona Macintosh. Cork: Cork University Press, 1994. Pp. xx + 212. by Macintosh, Fiona. Theatre Research International, 20 (3). p. 282. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1996) Greek tragic theatre- Rehm,R. Review of: Greek tragic theatre by Rehm, Rush. Theatre Research International, 21 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1999) The Cambridge companion to Greek tragedy. Review of: Reviews The Cambridge Companion to Greek Tragedy. Edited by P. E. Easterling. Cambridge: Cambridge University Press, 1997. Pp. xvii + 392 + illus. by Easterling, P.E.. Theatre Research International, 24 (1). pp. 109-110. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Anderson, Michael (1995) The Law of Writ and the Liberty + Elizabethan Theatre and the Commedian-Dellarte. Theatre Research International, 20 (3). pp. 189-199. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Bann, Stephen (1998) A grand design: The art of the Victoria and Albert Museum. Burlington Magazine, 140 (1139). pp. 153-154. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Bann, Stephen (1994) History and its Images - Art and the International of the Past - HASKELL,F. Oxford Art Journal, 17 (1). pp. 98-102. ISSN 0142-6540. (The full text of this publication is not available from this repository)

Bann, Stephen (1995) The Landscape Approach of Lassus,Bernard .2. Journal of Garden History, 15 (2). pp. 67-106. ISSN 0144-5170. (The full text of this publication is not available from this repository)

Barbe, F.A. (2006) Chimaera. Chimaera, 2006-2006, UK Tour. Live Performance. (The full text of this publication is not available from this repository)

Barbe, F.A. (2010) Deep Training and the Portfolio Approach. In: TaPRA, 9th-11th September 2010, University of Glamorgan. (The full text of this publication is not available from this repository)

Barbe, F.A. (2003) Fine bone china. Fine Bone China, March 2003-September 2003, UK Tour. Live performance. (The full text of this publication is not available from this repository)

Barbe, F.A. (2009) From Studio To Stage. DVD. (The full text of this publication is not available from this repository)

Barbe, F.A. (2003) Palpitation. Performance type: Other Palpitation, September 2003-September 2003, London/University of Kent, Canterbury. Live performance. (The full text of this publication is not available from this repository)

Barbe, F.A. (2008) Swampsong. Performance type: Other . Solo dance work. (Unpublished) (The full text of this publication is not available from this repository)

Barbe, F.A. (2007) The Sensation of Butoh and Suzuki. In: SUNY, May 2007, Brockport, USA. (The full text of this publication is not available from this repository)

Barbe, F.A. (2006) The way of Butoh and contemporary choreography. University of Kent DVD, text. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2010) The Arbor. Artangel Media Feature film. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Dark Glass. Mobile Phone Film - 8 minutes. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Tate Modern. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. . (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Curzon Cinema Soho. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. . (The full text of this publication is not available from this repository)

Barnard, Clio H. (2008) Dark Glass. Dark Glass, February 2008, Museum of Modern Art, New York. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, May 2007, Site Gallery Sheffield. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, November 2007, Museo Reina Sofia, Madrid. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, October 2007, Cinema Lux, Normandy, France. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, July 2007, Galway Arts Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone.. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Dark Glass. Dark Glass, November 2006, Bristol Encounters Film Festival. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, September 2007, Media Art Friesland Netherlands. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2007) Dark Glass. Dark Glass, February 2007, Ikon Gallery Birmingham. Number of pieces: 1. Single screen multiplatform/download/video streaming/DVD. Mobile phone. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Dartford Crossing. Film. (Unpublished) (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Erith. DVD. (Unpublished) (The full text of this publication is not available from this repository)

Barnard, Clio H. (2007) Exchange. Arts Council /Film Council Moving Image Initiative. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2007) Exhibition Catalogue - Clio Barnard, Road Race:Dark Glass. Other. Herbert Read Gallery, Canterbury (The full text of this publication is not available from this repository)

Barnard, Clio H. (2002) Flood. Film. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2001) Lambeth Marsh. Film. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2008) Plotlands - a site specific performance work incorporating film. , Friday 4 July 2008, Whitstable Biennale. Mixed. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, January 2008, ICA Short Film Festival, Institute of Contemporary Arts. Number of pieces: 1. 16mm. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2008) Random Acts of Intimacy. Random Acts of Intimacy, April 2008, Britspotting, British Irish Film Festival, Berlin. Number of pieces: 1. 16mm. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2004) Road race. Hopscotch Films Film. (The full text of this publication is not available from this repository)

Barnard, Clio H. (2006) Solo Show - Exhibition of Road Race and Dark Glass. Solo Exhibition - Road Race and Dark Glass, October-November 2006, Herbert Read Gallery, Canterbury. Number of pieces: 2. screen film/video installation Super 16mm and DV, Single screen multiplatform /download/ video streaming/DVD. Mobile phone. (The full text of this publication is not available from this repository)

Baugh, Christopher (2000) English court theatre 1558-1642. Theatre Research International, 25 (1). pp. 87-88. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Baugh, Christopher (1999) Enter the whole army: A pictorial study of Shakespearean stagings, 1576-1616. Theatre Research International, 24 (3). pp. 293-294. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Baugh, Christopher (2003) Our divine Shakespeare, fitly illustrated – staging Shakespeare, 1660-1900. In: Martineau, Jane, ed. Shakespeare in Art. Ferrara & London: Merrell, pp. 29-39. ISBN 1 85894 229 2. (The full text of this publication is not available from this repository)

Baugh, Christopher (2006) Scenography and technology, 1737-1843. In: Moody, Jane and O'Quinn, Daniel, eds. The Cambridge Companion to British Theatre 1737-1843. Cambridge University Press. (Unpublished) (The full text of this publication is not available from this repository)

Baugh, Christopher (2004) Stage Design from Loutherbourg to Poel. In: Donohue, Joseph, ed. The Cambridge History of British Theatre, vol. II. Cambridge University Press, pp. 309-330. ISBN 0 521 65068 2. (The full text of this publication is not available from this repository)

Baugh, Christopher (1996) The stage designs of Inigo Jones: The European context - Peacock,J. Review of: The stage designs of Inigo Jones: The European context by Peacock, John. Theatre Research International, 21 (2). pp. 175-176. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Baugh, Christopher (2005) Theatre, Performance and Technology: the Development of Scenography in the Twentieth Century. Palgrave Macmillan, 272 pp. ISBN 1 4039 1696. (The full text of this publication is not available from this repository)

Blackburn, John and Thomas, Ben D. H. and Hopkinson, Martin (2012) John Blackburn: And God Cryed, Studio 3 Gallery, 24 September - 14 December 2012. John Blackburn: And God Cryed, 24 September - 14 December 2012, Studio 3 Gallery, Jarman Building, School of Arts, Canterbury.. Exhibition with exhibition catalogue. ISBN 978-1-902671-79-6. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2001) "Alienation" and "Theater als Medium der Moderne? ". In: "Theater als Paradigma der Moderne", 14-16th June 2001, Mainz. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2008) 'How to do things with Text: Text-Regie als Mise-en-Sens'. In: Conference 'Orbis Pictus - Theatrum Mundi', 25th October 2008, University of Amsterdam. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2012) Acts of Spectating: The Dramaturgy of the Audience's Experience in Contemporary Theatre. Critical Stages, 8 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2006) Aesthetic art to aisthetic act. Theatre, media, intermedial performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance. Amsterdam: Rodopi, pp. 103-116. ISBN 90-420-1629-9. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2004) Alienating Realities. Hygiene Heute and the Politics of Sonic Conspiracy. 3xT Tidsskrift for teori og teater (15 & 16). pp. 40-49. ISSN 0807-6316 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) Archaeology/Alienation in Contemporary Performance. In: Fédération Internationale du Recherche Théâtrale, 3rd July 2002, Amsterdam. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Book Review No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany. Review of: No Beauty for Me There Were Human Life is Rare: On Jan Lauwers’ Theatrework with Needcompany by Stalpaert, Christel and Le Roy, Frederick and Bousset, Sigrid. Contemporary Theatre Review, 19 (1). pp. 115-116. ISSN ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2007) Book Review: Mary Luckhurst, Dramaturgy: A Revolution in Theatre. Review of: Dramaturgy: A Revolution in Theatre by Luckhurst, Mary. Theatre Research International, 32 (2). p. 207. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2005) Book Review: Simon Shepherd and Mick Wallis, “Drama/ Theatre/ Performance”,. Review of: “Drama/ Theatre/ Performance” by Shepherd, Simon and Wallis , Mick. Theatre Research International, 30 (3). pp. 306-307. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Co-convenor, with Una Bauer, Working Group Directors/Collectives. In: TaPRA Conference 2009, 5th-7th September 2009, Plymouth, UK. (The full text of this publication is not available from this repository)

Boenisch, Peter M (1999) Contributions to Dictionnaire de la Danse. In: Le Moal, Philippe, ed. Dictionnaire de la Danse. Larousse. ISBN ISBN 2-03-511318-0 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2000) Contributions to Lexikon der Kultur der Gegenwart,. In: Schnell, Ralf, ed. Lexikon der Kultur der Gegenwart. Stuttgart: Metzler . ISBN 3-476-01622-6 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2010) Curator of Panel “Dramaturgy Abroad and Back: Transnational Reflections on a modern Western theatre paradigm” and Introductory Paper “Dramaturgic Research in Theatre Studies: Exploring Potentials and Methodologies”. In: IFTR World Congress 2010 “Cultures of Modernity”, 25th-31st July 2010, Munich. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Curator “Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies” (Symposium). In: Re/Placing Shakespeare: On Ivo van Hove’s Roman Tragedies Symposium, 21st November 2009, Barbican, London. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2006) Decreation Inc. William Forsythe’s exploration of ‘behaviour without intention’. In: Symposium "The Changing Body in Training and Performance", 8th January 2006, University of Exeter, School of Performing Arts. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2007) Decreation inc.: William Forsythe’s equations of bodies before the name. Contemporary Theatre Review, 17 (1). pp. 15-27. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) Der Darsteller auf der Bühne: Klangkörper <> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater. In: Bayerdörfer, Hans-Peter, ed. Stimmen - Töne - Klänge. Tübingen. Gunter Narr, pp. 139-152. ISBN 3-8233-5230-X . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) Der Körper als Zeichen!? In: Klein, Gabriele and Zipprich, Christa, eds. Tanz.Theorie.Text. Jahrbuch Tanzforschung 12. Münster u.a.: Lit , pp. 383-395. ISBN 3825859010. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) Der Körper als Zeichen!? Zur Analyse von Körper- und Bewegungsdarstellungen. Fanzdrama, 62 (1). pp. 18-21. ISSN 0932-8688 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2006) Deutsches Theater according to Michael Thalheimer: A Postcard from Berlin. In: Tapra Theatre and Performance Research Association, 7-9th September 2006, London. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2000) Die Entdeckung der Korporealität (nicht nur) im Musiktheater. In: 5. Kongress der Gesellschaft für Theaterwissenschaft, 30th October 2000, Munich. (The full text of this publication is not available from this repository)

Boenisch, Peter M (1998) Die Idee vom Körper als Tastatur. Mimekunst, Kunst der Stille: Vor 100 Jahren wurde der Theatermeister Etienne Decroux geboren. Süddeutsche Zeitung/SZ am Wochenende (18-19). ISSN 0174-4917 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2010) Dramaturgy as Relational Process: On the Act of Spectating. In: 10. Kongress der Gesellschaft für Theaterwissenschaft “Theater & Subjektkonstitution”, 28th-31st October 2010, University of Mainz. (Unpublished) (The full text of this publication is not available from this repository)

Boenisch, Peter M (1999) ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: Dance Theatre: An International Investigation, 12th September 1999, Manchester. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2003) ElectrONic bodies. Corpo-realities in contemporary dance performance. Moving Bodies. Performance Research, 8 (4). 33 -41. ISSN 0-415-32133-6. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2004) Ent-Körpern, Ent-Schreiben, Ent-Schöpfen. Wie sich die Tanztheorie von Forsythe's 'Decreation' zur Dekonstruktion der Diskurse über das Ballett verleiten ließ. BalletTanz . pp. 56-61. ISSN 3617559948. (The full text of this publication is not available from this repository)

Boenisch, Peter M (1998) Etienne Decroux' Körpertheater und die Theaterästhetik der Neunziger Jahre. In: 4. Kongress der Gesellschaft für Theaterwissenschaft, 31st October 1998, Berlin. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2008) Exploring the Classics: Michael Thalheimer's Regie beyond the Text 1. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2008) Exposing The Classics: Michael Thalheimer’s Regie beyond the Text. Contemporary Theatre Review, 18 (1). pp. 30-43. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2010) Frank Castorf and the Berlin Volksbühne: The Humiliated and Insulted (2001). In: Bay--Cheng, Sarah and Kattenbelt, Chiel and Lavender, Andy and Nelson, Robin, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, 187,196-202. ISBN 978 90 8964 255 4. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2008) Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur'. In: • Guest Lecture, 'Theater-Politik und Bühnen-Business: Hinter den Kulissen der englischen 'theatre industry' - Strukturen und Modelle jenseits der Subventionskultur', 17th December 2008, Ludwig-Maximilians-Universität München. (The full text of this publication is not available from this repository)

Boenisch, Peter M (1997) I doubt not I, but she will stoop in time: Frauenfiguren in Tamburlaine und The Spanish Tragedy. ZAA. Zeitschrift für Anglistik und Amerikanistik, XLV . pp. 325-338. ISSN 0044-2305 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2003) In\Between.Realities. In: Working Group Meeting "Theatre and Intermediality", 3rd April 2003, CSSD London. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf. In: Intermediale Dramaturgie, zum Beispiel Guy Cassiers und Frank Castorf, 5th October 2009, Institut Schauspiel, Universität für Musik und darstellende Kunst, Graz/Austria. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2006) Intermediality and the Classics: Updating the “old media” of theatre. In: 15th World Congress International Federation of Theatre Research, 7th-12th August 2006, Helsinki. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2000) Intermediality in Contemporary Theatre. In: Fédération Internationale du Recherche Théâtrale, 19th September 2000, Lyon. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Invited Lecture, Critical Encounters 3: Encountering the Intermedial. In: Critical Encounters 3: Encountering the Intermedial, 9th May 2009, Tramway, Glasgow. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2008) Invited Panel Member, Conference ‘Theatre Studies Today and Tomorrow’. In: Theatre Studies Today and Tomorrow , 12th March 2008, University of Surrey. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Invited Panel contribution "Visions of Dance Studies". In: Tanzkongress, 8th November 2009, Hamburg. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Invited Research Seminar, ‘(Re-)Devising Classics in Contemporary Theatre’. In: (Re-)Devising Classics in Contemporary Theatre, 6th May 2009, University of Lancaster. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Keynote, Symposium 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries'. In: 'Mapping Performance: Intercultural Spaces, Negotiable Boundaries Symposium, 3rd June 2009, Royal Holloway. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2004) Komik ist Konsumterror. 20 Jahre gegen das genussvolle Einverständnis: Forced Entertainment 1984 - 2004. In: Kongress "Komik - Ästhetik, Theorien, Vermittlungsstrategien", 7th International Congress of the German Society for Theatre Studies, 5th November 2004, Vienna. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2005) Komik und Konsumzwang: Zwischen Jux und Jucken – Komische Gesten bei Forced Entertainment. Maske und Kothurn. Vierteljahresschrift zur Theater-, Film- und Medienwissenschaft, 51 (4). pp. 335-345. ISSN 3-205-77434-5 . (The full text of this publication is not available from this repository)

Boenisch, Peter M Make World: Archaeology as Alienation in Contemporary Performance. . Projekte/Kirchner Internet Article. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2006) Mediation Unfinished. Choreographing Intermediality in Contemporary Dance Performance. In: Kattenbelt, Chiel and Chapple, Freda, eds. Intermediality in Theatre and Performance, Amsterdam and New York. Rodopi, pp. 151-166. ISBN 90-420-1629-9 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2007) Multisensuality and Postdramatic Mise-en-Scène: The ro:theater's Proust-Project. In: Suguiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities/Real Fictions: Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Publishing, pp. 121-134. ISBN 9781847181381. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2008) Other People Live: Rimini Protokoll and their Theatre of Experts - an interview. Contemporary Theatre Review, 18 (1). pp. 107-113. ISSN 1477-2264 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Panelist, Plenary Discussion ‚Jacques Rancière Study Day. In: Royal Holloway/TAPRA Working Group ‘Performance, Identity, Community’, 28th February 2009, London. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2005) Postdramatic Mise-en-scène: The ro:theater’s Proust-Project. In: IFTR-Conference “Fictional/Real in Contemporary Theatre”, 18th November 2007, Jagiellonian University, Krakow, Poland. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2003) Realität - Fiktion - Alienation. Hygiene Heute und die Politik der Grenzverschiebung im Performancetheater. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen. München: Utz , pp. 456-464. ISBN 3831602379. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) Research Seminar, Forschungsprojekt SaM Sound and Movement. In: Forschungsprojekt SaM Sound and Movement, 16th March 2009, Institut für Theaterwissenschaft, LMU München. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2004) See and be SCENE: Reflecting the Presentation and Perception of Restoration Theatre. In: "The Long Restoration: Leviathan to Licensing Act", Conference, 15th September 2004, Loughborough University. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2013) Spectres of Subjectivity: On the Fetish of Identity in (Post-) Postdramatic Choreography. In: Jurs-Munby, Karen and Carroll, Jerome and Giles, Steve, eds. Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance. Bloomsbury Methuen Drama, London / New Delhi / New York / Sydney. ISBN 9781408184868. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2001) Synthesized Dreams Of Moving Men: ElectrONic Bodies, Movement, and Meaning in the works of DV8 Physical Theatre. In: MoMentUm I Conference Manchester, Manchester. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2007) Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik. In: Klein, Gabriele and Brandstetter, Gabriele, eds. Bewegung in Übertragung, Bielefeld. Transcript, pp. 29-45. ISBN 3-89942-558-8 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) Tanz als Leben, oder: Die Erotik des Balanceakts auf der Nabelschnur. Das expressive Ballett-Theater des Jirí Kylián. In: Staatsballett, Bayerisches, ed. Porträt Jirí Kylián. München. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2000) Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater. In: Jeschke, Claudia and Bayerdörfer, Hans-Peter, eds. Bewegung im Blick. Berlin: Vorwerk 8. Theatralia, Documenta Choreologica, pp. 16-29. ISBN 3930916223 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (1999) The Body and Beyond. Theatre Semiotics in the Age of Virtual Reality. In: 5th Performance Studies Conference 1999 "Here Be Drag-ons", 12th April 1999, Aberystwyth. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2009) The naked tragedy of being human: Recent productions of Shakespeare in German Theatre. In: 2009 British Shakespeare Association conference, 13th September 2009, King's College London and the Globe Theatre. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2003) Theater als Medium der Moderne? Zum Verhältnis von Medientechnologien und Bühne im 20. Jahrhundert. In: Balme, Christopher and Fischer-Lichte, Erika and Gratzel, Stephan, eds. Theater als Paradigma der Moderne? Positionen zwischen historischer Avantgarde und Medienzeitalter. Mainzer Forschungen zu Drama und Theater 28. Tübingen: Francke 2003, pp. 447-456. ISBN 3-7720-2796-2 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) Theater der Sensationen. In: 6. Kongress der Gesellschaft für Theaterwissenschaft, 2nd November 2002, Hildesheim. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2004) Theater der Sensationen. Performance als Wahrnehmungs-Labor. In: Matzke, Annemarie and Kurzenberger, Hajo, eds. TheorieTheaterPraxis. Berlin: Theater der Zeit, pp. 261-268. ISBN 3934344291. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2001) Theatre and Media Studies: Bridging the Gap. In: Working Group Session "Theatre and Intermediality", 31st August 2001, Utrecht. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2010) Thomas Ostermeier: mission neo(n)realism and a theatre of actors and authors. In: Delgado, Maria M. and Rebellato, Dan, eds. Contemporary European Theatre Directors. Routledge, pp. 339-359. ISBN 978-0-415-46251-8. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2010) Towards a Theatre of Encounter and Experience: Reflexive Dramaturgies and Classic Texts. Contemporary Theatre Review, 20 (2). pp. 162-172. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2001) Training Intelligence: Give Us Dance Academies! Ballett International - Tanz Aktuell (8-9). pp. 52-53. ISSN 0947-0484 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2001) Transforming Performance in the Internet Culture. In: Fédération Internationale du Recherche Théâtrale, 9th July 2001, Sydney. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2010) Zeitläufte: Zur Choreografie und Wahrnehmung von Zeitlichkeit im Tanztheater der Gegenwart. In: Symposium “TIME CODES: Zeichen der Flüchtigkeit – Zeichen der Zeit”, DANCE 2010-Festival, 8th November 2010, Munich. (Unpublished) (The full text of this publication is not available from this repository)

Boenisch, Peter M (2003) coMEDIA electrONica. Performing intermediality in contemporary theatre. Theatre Research International , 28 (1). pp. 34-45. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) körPERformance 1.0. Theorie und analyse von Körper- und Bewegungsdarstellungen im zeitgenössischen theater. München: ePodium ISBN 3-9807394-6-5. (The full text of this publication is not available from this repository)

Boenisch, Peter M (2002) www dot theatre dot. Alice Croft, or: Transforming Performance in the Internet Culture. Body, Space and Technology, 2 (2). ISSN 1470-9120 . (The full text of this publication is not available from this repository)

Boenisch, Peter M and Balme, Christopher (2001) Re-Play. Wiederholung der Welt - Welten der Wiederholung im zeitgenössischen britischen Drama. In: Felix, Jurgen and Kiefer, Bernd and Marschall, Susanne and Stiglegger, Marcus, eds. Die Wiederholung. Marburg: Schüren, pp. 269-284. ISBN 3-89472-334-3 . (The full text of this publication is not available from this repository)

Boenisch, Peter M and Orozco, Lourdes (2010) Editorial: Border Collisions - Contemporary Flemish Theatre. Contemporary Theatre Review, 20 (4). pp. 397-404. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Boenisch, Peter M and Orozco, Lourdes (2010) Working Group “Directing & Dramaturgy”. In: TapRA 2010 Conference, 9th-11th September 2010, University of Glamorgan. (Unpublished) (The full text of this publication is not available from this repository)

Boenisch, Peter M and Stalpaert, Christel (2010) Jan Fabres Affirmationsfalle: Von der (Un-) Möglichkeit politischen Theaters im Zeitalter der Toleranz. In: Forschungszentrum, Sound and Movement, ed. Spielart Festival Reloaded. Henschel, Berlin, pp. 62-88. ISBN 978-3-89487-661-6. (The full text of this publication is not available from this repository)

Bolaki, Stella (2014) The Cultural Work of Disability and Illness Memoirs: Schizophrenia as Collaborative Life Narrative. In: Bolt, David, ed. Changing Social Attitudes to Disability: Perspectives from Historical, Cultural, and Educational Studies. Routledge, London, pp. 89-98. ISBN 978-0415732499. (The full text of this publication is not available from this repository)

Briggs, Joe Bob and Hoberman, J. and Love, D. and Lucas, T. and Sconce, J. and Stanfield, Peter (2008) Cult Film: A Critical Symposium. Cineaste, 34 (1). pp. 43-50. ISSN 0009-7004. (The full text of this publication is not available from this repository)

Brooks, Helen E.M. (2011) Early eighteenth-century performance historiography: Problems and possibilities. Studies in Theatre and Performance, 31 (1). pp. 33-45. (Access to this publication is restricted)
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Brooks, Helen E.M. (2011) Negotiating Marriage and Professional Autonomy in the Careers of Eighteenth-Century Actresses. Eighteenth-Century Life, 35 (2). pp. 39-75. ISSN 0098-2601. (Full text available)
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Brooks, Helen E.M. (2012) 'One entire nation of actors and actresses' - Reconsidering the Relationship of Public and Private Theatricals. Nineteenth-Century Theatre and Film . ISSN 1748-3727. (Full text available)
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Brooks, Helen E.M. (2014) Theorizing the Woman Performer. In: Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook of the Georgian Theatre 1737-1832. Oxford University Press. ISBN 9780199600304. (In press) (Full text available)
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Brooks, Helen E.M. (2009) Women and Theatre Management in the Eighteenth Century. In: Engel, L., ed. The Public's Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars Publishing, pp. 73-97. ISBN 9781443801737. (The full text of this publication is not available from this repository)

Brooks, Helen E.M. (2008) 'Your sincere friend and humble servant': Evidence of managerial aspirations in Susannah Cibber's letters. Studies in Theatre and Performance, 28 (2). pp. 147-159. (Access to this publication is restricted)
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Camilleri, Frank (2008) Collective Improvisation: The Practice and Vision of Ingemar Lindh. TDR - The Drama Review, 52 (4). pp. 82-97. ISSN 1054-2043 . (Full text available)
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Camilleri, Frank (2006) Dramaturgy of a Performance Process. Icarus Performance Project, Malta, 72 pp. ISBN 99932-0-418-8 . (The full text of this publication is not available from this repository)

Camilleri, Frank (2008) Exploring the Liminal: Engaging the Space between Training and Performance Process. In: Wooding, Bruce, ed. International Theatre Movement Conference: At the Moscow Art Theatre School. Central School of Speech and Drama, London, pp. 27-30. (The full text of this publication is not available from this repository)

Camilleri, Frank (2008) Hospitality and the Ethics of Improvisation in the Work of Ingemar Lindh. New Theatre Quarterly, 24 (3). pp. 246-259. ISSN 0-521-60328-5. (Full text available)
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Camilleri, Frank (2009) Of Pounds of Flesh and Trojan Horses: Performer Training in the Twenty-first Century. Performance Research, 14 (2). pp. 26-34. ISSN 1352-8165. (Full text available)
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Camilleri, Frank (2010) Tekhnē Sessions: investigating dynamic aliveness in the actor's work. Theatre, Dance & Performance Training, 1 (2). pp. 157-171. (Full text available)
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Camilleri, Frank (2008) 'To Push the Actor-Training to its Extreme': Training Process in Ingemar Lindh's Practice of Collective Improvisation. Contemporary Theatre Review, 18 (4). pp. 425-441. ISSN 1048-6801. (Full text available)
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Camilleri, Frank (2003) ‘I can still feel his eyes on me’, an interview by Elzbieta Stelmaszczyk. Pogranicza, 42 . pp. 29-43. (The full text of this publication is not available from this repository)

Camilleri, Frank and Schranz, John J (1996) Id-Descartes: Identity of a Dramaturgy. GHE, Malta (The full text of this publication is not available from this repository)

Cardinal, Roger (1992) DALI - A BIOGRAPHY - ETHERINGTONSMITH,M. Times Literary Supplement (4681). p. 15. ISSN 0307-661X. (The full text of this publication is not available from this repository)

Cardinal, Roger (1996) Duchamp: Passim : A Marchel Duchamp Anthology - Hill,A. Review of: Duchamp: Passim : A Marchel Duchamp Anthology by Hill, Anthony. Burlington Magazine, 138 (1117). p. 261. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Cardinal, Roger (1992) KAHLO,FRIDA - THE PAINTINGS - HERRERA,H. Times Literary Supplement (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not available from this repository)

Cardinal, Roger (1992) KAHLO,FRIDA - TORMENT AND TRIUMPH IN HER LIFE AND ART - DRUCKER,M. Times Literary Supplement (4663). p. 15. ISSN 0307-661X. (The full text of this publication is not available from this repository)

Cardinal, Roger (1994) Rosso,Medardo. Burlington Magazine, 136 (1094). pp. 329-330. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Cardinal, Roger (1992) SAVINIO,ALBERTO. Times Literary Supplement (4638). p. 19. ISSN 0307-661X. (The full text of this publication is not available from this repository)

Cardinal, Roger (1992) TEXTUAL SPACES - THE POETRY OF REVERDY,PIERRE - ROTHWELL,A. French Studies, 46 (3). pp. 357-358. ISSN 0016-1128. (The full text of this publication is not available from this repository)

Cardinal, Roger (1992) THE DOUBLE CIPHER - ENCOUNTER BETWEEN WORD AND IMAGE IN BONNEFOY, TARDIEU AND MICHAUX - WILLIAMS,AV. French Studies, 46 (2). pp. 229-230. ISSN 0016-1128. (The full text of this publication is not available from this repository)

Cardinal, Roger (1995) The Collages of Schwitters,Kurt - Tradition and Innovation - Dietrich,D. Art Bulletin, 77 (2). pp. 336-337. ISSN 0004-3079. (The full text of this publication is not available from this repository)

Cardinal, Roger (1999) The hidden goddess: Isis in the work of Victor Hugo. French Studies, 53 (3). pp. 341-342. ISSN 0016-1128. (The full text of this publication is not available from this repository)

Cardwell, Sarah E. (2003) About time: theorizing adaptation, temporality, and tense. Literature Film Quarterly, 31 (2). pp. 82-92. ISSN 0090-4260. (The full text of this publication is not available from this repository)

Cardwell, Sarah E. (2002) Adaptation revisited: television and the classic novel. Manchester University Press, 232 pp. ISBN 0719060451. (The full text of this publication is not available from this repository)

Cardwell, Sarah E. (2005) Andrew Davies. Manchester University Press, 227 pp. ISBN 0719064910. (The full text of this publication is not available from this repository)

Cardwell, Sarah E. (2007) Is Quality Television Any Good? Generic Distinctions, Evaluations and the Troubling Matter of Critical Judgement. In: McCabe, Janet and Akass, Kim, eds. Quality TV: Contemporary American Television and Beyond. IB Tauris, pp. 19-34. ISBN 9781845115111. (The full text of this publication is not available from this repository)

Cardwell, Sarah E. (2006) Time. Manchester University Press (Submitted) (The full text of this publication is not available from this repository)

Carver, Gavin P. (2000) A Midsummer Night’s Dream. A Midsummer Night’s Dream, June 2000, University of Kent. (The full text of this publication is not available from this repository)

Carver, Gavin P. (2002) Carnival. In: Donnell, Alison, ed. Companion to Black British Culture. Routledge, pp. 65-67. (The full text of this publication is not available from this repository)

Carver, Gavin P. (1996) Computer Aided Scenography: some observations on procedures and concepts. Studies in Theatre Production (14). pp. 20-33. (The full text of this publication is not available from this repository)

Carver, Gavin P. (2001) Computer visualisation for the theatre. Focal Press ISBN 0240516176. (The full text of this publication is not available from this repository)

Carver, Gavin P. (2001) John Fox. In: Bull, John, ed. Dictionary of Literary Biography Vol 245 British and Irish Dramatists Since World War II. London: Bruccoli Clark Layman, pp. 157-166. (The full text of this publication is not available from this repository)

Carver, Gavin P. (1995) Light the Night, the theory and practice of a community celebration. Studies in Theatre Production, 12 (1). pp. 82-98. (The full text of this publication is not available from this repository)

Carver, Gavin P. (2000) The effervescent Carnival: Performance, context, and mediation at Notting-Hill. New Theatre Quarterly, 16 (61). pp. 34-49. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Carver, Gavin P. and Baugh, Christopher and Fergusson, C (1998) Exhibition of digital reconstructions of Adolphe Appia's speculative designs for the Ring Cycle (Wagner). World Congress of the International Federation of Theatre Research, 1998, University of Kent. (The full text of this publication is not available from this repository)

Carver, Gavin P. and Beardon, C (2003) New visions in performance. In: Carver, Gavin P., ed. New Visions in Performance. Swets & Zeitlinger, pp. 167-182. ISBN 9026519664. (The full text of this publication is not available from this repository)

Carver, Gavin P. and Presdee, Mike (2000) The Carnival of Crime. In: Presdee, Mike, ed. Cultural Criminology and the Carnival of Crime. Routledge. (The full text of this publication is not available from this repository)

Chodzko, Adam (2007) "Then" - Solo Exhibition. Then, 16th November 2007 - 13th January 2008, Dublin City Gallery The Hugh Lane and various sites across Dublin. Number of pieces: 4. Mixed media. (The full text of this publication is not available from this repository)

Chodzko, Adam (2007) Aernout Mik File Note. Other. Camden Arts Centre, ISBN: 1900470683 (The full text of this publication is not available from this repository)

Chodzko, Adam (2003) Better Scenery. Billboards and photographs. (The full text of this publication is not available from this repository)

Chodzko, Adam (2007) Beyond The Country - Group Exhibition. Beyond The Country, 26th October 2007 - 3rd February 2008, Glucksman Gallery, Cork. Number of pieces: 1. Photography. (The full text of this publication is not available from this repository)

Chodzko, Adam (2007) Breaking Step - Group Exhibition. Breaking Step, 24th March - 10th June 2007, Museum of Contemporary Art, Belgrade. Number of pieces: 10. Mixed media. (The full text of this publication is not available from this repository)

Chodzko, Adam (2003) Cell-a. Single-screen slide projection of 81 x 35mm B&W images. (The full text of this publication is not available from this repository)

Chodzko, Adam (2007) Gallery Exchange - Group Exhibition. Gallery Exchange, 22nd September - 20th October 2007, Neue Alte Brücke, Frankfurt. Number of pieces: 1. Mixed Media. (The full text of this publication is not available from this repository)

Chodzko, Adam (2007) Hole & M-path. Installation/Performance. (The full text of this publication is not available from this repository)

Chodzko, Adam (2001) Limbo Land. DVD Installation. (The full text of this publication is not available from this repository)

Chodzko, Adam (2007) MAMbo - Solo Exhibition. MAMbo - Solo Exhibition, December 2007 - February 2008, Museo d’Arte Moderna di Bologna, Bologna. Number of pieces: 3. Mixed media. (The full text of this publication is not available from this repository)

Chodzko, Adam (2008) Proxigean Tide. Proxigean Tide, 24/5/08-21/9/08, Tate St Ives. (The full text of this publication is not available from this repository)

Chodzko, Adam (2008) Pyramid. Folkestone Triennial ‘Tales of Time and Space’, 14/6/08-14/9/08, Folkestone. Video Installation. (The full text of this publication is not available from this repository)

Chodzko, Adam (2007) Solo Exhibition. Solo Exhibition, 26th January - 4th March 2007, Signal, Malmö, Sweden. Number of pieces: 4. Mixed media. (The full text of this publication is not available from this repository)

Choi, Jinhee (2001) A Reply to Gregory Currie on Documentaries. Journal of Aesthetics and Art Criticism, 59 (3). pp. 317-319. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Choi, Jinhee (2003) All the Right Responses: Fiction Films and Warranted Emotions. British Journal of Aesthetics, 43 (1). pp. 308-321. ISSN 0007-0904. (The full text of this publication is not available from this repository)

Choi, Jinhee (2008) Am I Your Sidekick? Contemporary Korean Gangster Cinema, ‘Beat’ and ‘Friend’. Post Script, 27 (3). pp. 116-131. (The full text of this publication is not available from this repository)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. In: Smith, Murray and Wartenberg, Thomas, eds. Thinking Through Cinema: Film as Philosophy. Blackwell, pp. 165-172. (The full text of this publication is not available from this repository)

Choi, Jinhee (2006) Apperception on Display: Structural Films and Philosophy. Journal of Aesthetics and Art Criticism, 64 (1). pp. 165-172. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Choi, Jinhee (2002) Chunhyang, Chunhyang, Chunhyang: Poetics of Im Kwon Taek. Asian Cinema, 13 (1). pp. 57-66. (The full text of this publication is not available from this repository)

Choi, Jinhee (2003) Fits and Startles: Cognitivism Revisited. Journal of Aesthetics and Art Criticism, 61 (2). pp. 149-157. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Choi, Jinhee (2004) Is the Balcony Closed? Philosophy of Film sans Film. Aesthetics Newsletter, 23 (3). (The full text of this publication is not available from this repository)

Choi, Jinhee (2005) Leaving It up to the Imagination: POV shots and Imagining from Inside. Journal of Aesthetics and Art Criticism, 63 (1). pp. 17-25. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Choi, Jinhee (2005) National Cinema, the Very Idea. In: Choi, Jinhee and Carroll, Noel, eds. Philosophy of Film and Motion Pictures. Blackwell, pp. 310-319. ISBN 9781405120272. (The full text of this publication is not available from this repository)

Choi, Jinhee (2006) Naturalizing Hollywood: Against the Naturalistic Account of the Filmic Communication. Film Studies: An International Review (8). pp. 149-153. ISSN 1469-0314. (The full text of this publication is not available from this repository)

Choi, Jinhee (2004) Preface to The Cinema of Japan and Korea. In: Bowyer, Justin, ed. The Cinema of Japan and Korea. Wallflower Press. ISBN 978-1904764113 . (The full text of this publication is not available from this repository)

Choi, Jinhee (2008) Sentimentality and the Cinema of the Extreme. Jump Cut (50). (The full text of this publication is not available from this repository)

Choi, Jinhee (2005) Shocking Corridors: Girls’ High School Horror Series and Female Sexuality. In: National, Transnational, and International: Chinese Cinema and Asian Cinema in the Context of Globalization—Centennial Celebration of Chinese Cinema, 6th-10th June 2005, Beijing and Shanghai, China. (The full text of this publication is not available from this repository)

Choi, Jinhee (2010) The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs. Wesleyan University Press, 260 pp. ISBN 978-0-8195-6939-4. (The full text of this publication is not available from this repository)

Clayton, Alex (2007) Music In The Style Of Jean Reoir. Cineaction, 66 . pp. 61-72. ISSN 0826-9866. (The full text of this publication is not available from this repository)

Clayton, Alex (2007) The Body In Hollywood Slapstick. McFarland and Co, Inc, 237 pp. ISBN 9780786430635. (The full text of this publication is not available from this repository)

Conyne, George R. (1992) Explaining American Politics - Williams,R. Journal of American Studies, 26 (2). p. 289. ISSN 0021-8758. (The full text of this publication is not available from this repository)

Conyne, George R. (1992) Public-Law and Democracy in the United-Kingdom and the United-States of America - Craig,P. Journal of American Studies, 26 (2). pp. 300-301. ISSN 0021-8758. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2005) 'Dokumentarische Kunst: das Reale begehren, der Wirklichkeit eine Stimme geben' (‘Desiring the Real, Voicing Reality in Documentry Art'). In: Gludovatz, Karin, ed. Auf den Spuren des Realen Kunst und Dokumentarismus. Museum Moderner Kunst Stiftung Ludwig, Wien, pp. 15-41. ISBN 3-902490-05-5. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1986) A Discussion of Coma. In: Brunsden, Charlotte, ed. Hollywood’s New Women. British Film Institute. ISBN 0-85710-155-8. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1995) A Tunisian Search for Independence - a review of The Silences of the Palace. Review of: The Silences of the Palace by Tlatli, Moufida. Women: A Cultural Review, 6 (1). pp. 124-128. ISSN 0957-4042. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2004) A commentary on Juan delGado’s video work, ‘Who are You Entertaining To?’. Aspect DVD Journal DVD. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2003) Cinematic dream-work of Ingmar Bergman’s Wild Strawberries. In: Sabbadini, Andrea, ed. The Couch and the Silver Screen. Psychoanalytic Analytic Reflections on European Cinema. Brenner-Routledge, pp. 181-201. ISBN 1-58391-952-X. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2010) Das Verhältnis von Unterhaltung und Erkenntnis. Schnitt, 58 (2). pp. 18-21. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2007) Documentary film as flashback and the 'real' of reality in the temporality of representation. In: Real Things: Matter, Materiality, Representation, 1880 to the Present Conference, 5th - 8th July 2007, University of York. (Unpublished) (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1997) Documenting Fictions. Continuum, Australian Journal of Media & Culture, 11 (1). pp. 54-66. ISSN 10304312. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1999) Fantasia. In: Evans, Jessica and Hall, Stuart, eds. Visual Culture, The Reader. Sage, pp. 356-378. ISBN 0 7619 6247 6. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2000) Figuracija/Razumevanje fetiöa. Filmsek Sveske, 2-3 . (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1995) Film - Zenska Tovarna Sanji. Vsebina (23). pp. 46-80. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1993) Film Noir and Women. In: Copjec, Joan, ed. Shades of Noir. Verso, pp. 121-166. ISBN 0-86091-625-1. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1989) Film in teorija v osemdesetih letih. Ekran, 14 (5/6). (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1993) From Fantasia. In: Easthope, Anthony, ed. Contemporary Film Theory. Longman, pp. 147-161. ISBN 0-582-09032-6. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1985) Het verschil in de film. Vrouwen in de films van Hawks. Het Tidschrift voor Vrouwen Studies (24). ISSN 0167-8361. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2001) Identifizierung mit dem Realen - Spektakel der Realität. In: Angerer, Marie-Luise and Krips, H., eds. Der Andere Schauplatz Psychoanalyse - Kultur - Medien. Vienna: Turia + Kant, pp. 151-180. ISBN 3-85132-287-8. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1996) Images of Women and Filmic Identification. In: Dakovic, Nevena and Derman, Denis and Ross, Karen, eds. Gender & Media. Med-Campus Project no A126 Publications, pp. 35-60. ISBN 975-96120-0-3. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1981) Introduction to Mary Kelly’s Post-Partum Document. M/F (5/6). pp. 115-123. ISSN 0141-948X. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2009) Introduction to Post-Partum Document. In: Frascina, Francis, ed. Modern Art Culture: a reader. Routledge, London, pp. 303-311. ISBN 9780415231510. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2009) On Documentary Sounds and Images in the Gallery. Screen, 50 (1). pp. 124-134. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2005) On Rear Window. In: Rutsky, R.L. and Geiger, Jeffrey, eds. Film Analysis: A Reader. W. W. Norton & Company, pp. 475-493. ISBN 0393979830. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2000) Perceiving Memory and Tales of the Other: the work of Milica Tomic. Camera Austria (72). pp. 14-16. ISSN 1015-1915. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1992) Pornography and Fantasy. In: Segal, Lynne and McIntosh, Mary, eds. Sex Exposed: Sexuality and the Pornography Debate. Virago, pp. 132-152. ISBN 1-85381-385-0. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2007) Possession, paranoia and the experience of art. In: Freud Museum Symposium: Observing Paranoia in Clinical Practice, Art and Anthropology, March 3rd, 10am - 5pm, 2007, Tavistock Clinic, London NW3. (Unpublished) (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1990) Psychoanalysis and Cinema: Film and Theory in the 1980's. In: Donald, James, ed. Psychoanalysis and Cultural Theory: Thresholds. Macmillan, pp. 104-138. ISBN 0-312052-324. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2007) Real time viewing of images of time past and present: documentary in the gallery 'becoming art'. In: Visible Evidence 14, 18th - 21st December 2007, Bochum, Germany. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1997) Representing the Woman: Psychoanalysis and Cinema. University of Minnesota Press, 397 pp. ISBN 033330576. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1980) Review article of The Song of the Shirt. Review of: The Song of the Shirt by Clayton, Sue and Curling, Jonathan. Camera Obscura (5). pp. 87-97. ISSN 0270-5346. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1987) Review article on Mary Kelly’s Interim. Review of: Interim by Kelly, Mary. New Formations (2). pp. 20-28. ISSN 0950-2378. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1990) Review of Psychoanalysis and Cinema. Review of: Psychoanalysis and Cinema by Kaplan, Anne E.. Times Higher Education Supplement . 0-0. ISSN 0049-3929. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2005) Seeing and hearing for ourselves: the spectacle of reality in the Holocaust Documentary. In: Haggith, Toby and Newman, Joanna, eds. The Holocaust and the Moving Image: Film and Television Representations Since 1933. Wallflower Press, pp. 182-188. ISBN 1-904764-51-7. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2007) Specters of the Real: Documentary Time and Art. Differences: A Journal of Feminist Cultural Studies, 18 (1). pp. 87-127. ISSN 1040-7391. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1998) Storytelling: classical Hollywood cinema and classical narrative. In: Neale, Steve and Smith, Murray, eds. Contemporary Hollywood Cinema. Routledge, pp. 178-190. ISBN 0-415-17010-9. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1986) Strategems of Identification. Oxford Literary Review, 8 (1/2). pp. 66-67. ISSN 0-9511080 0 X. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2001) The Enigma of the Message. Review of: Essays on Otherness by Laplanche, Jean. New Formations (43). pp. 148-150. ISSN 0950-2378. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1979) The Popular Film as Progressive Text - a discussion of Coma. M/F (3). pp. 59-82. ISSN 0141-948X. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1989) The Popular Film as a Progressive Text – a Discussion of Coma. In: Penley, Constance, ed. Feminism and Film Theory. Methuen. ISBN 0-415-90107-3. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1992) The Seductive Theories of Jean Laplanche: a new view of the drive, passivity and femininity. In: Stanton, Martin and Fletcher, John W. J., eds. Situating Laplanche. Institute of Contemporary Arts, pp. 121-136. ISBN 0-905263-68-5. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1999) The Spectacle of Actuality. In: Gaines, Jane and Renov, Michael, eds. Collecting Visible Evidence. University of Minnesota Press, pp. 19-45. ISBN 0-8166-3135-2/3136-0. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1997) The Spectacle of Reality and Documentary Film. Documentary Box (10). pp. 1-8. ISSN 1340-0832. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2003) The lived nightmare: trauma, anxiety, and the ethical aesthetics of horror. In: Schneider, Steven Jay and Shaw, Daniel, eds. Dark Thoughts: Philosophic Reflections on Cinematic Horror. Lanham, MD: Scarecrow Press, pp. 25-46. ISBN 0-8108-4792-2. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2010) Thinking Differently: on theory now and documentary art. Differences: A Journal of Feminist Cultural Studies, 21 (1). pp. 178-193. ISSN 1040-7391. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2000) Traumatic Memories of Remembering and Forgetting. In: Rossington, Michael and Whitehead, Anne, eds. Between the Psyche and the Polis: Refiguring history in literature and theory. Ashgate Publishing, pp. 191-204. ISBN 0 7546 0228 1. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2007) Ways of Seeing and Knowing: Documentary Film and the Surreal of Reality. In: Ten Brink, Joram, ed. Building Bridges: The Cinema of Jean Rouch. Wallflower Press, pp. 201-218. ISBN 978-1-905674-47-3. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2001) Woman as Sign. In: Andjelkovic, Branislava, ed. Feminist Visual Theories. Belgrade: Cenre For Contemporary Arts. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1993) Women, Representation and the Image. In: Alvarado, Manuel and Buscombe, Edward and Collins, Richard, eds. The Screen Education Reader: Cinema, Television, Culture. Macmillan, pp. 48-60. ISBN 0-2310-8111-1. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2000) Working Images: the representations of documentary film. In: Pollock, Griselda and Mainz, Valerie, eds. Work and the Image II. Ashgate Press, pp. 173-192. ISBN 0 7546 0233 8. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1991) Zenska Seksualnost. In: Bahovec, Eva D., ed. Zenska Seksualnost - Freud & Lacan. Analecta, pp. 146-169. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (1975) ‘Feminist Film Criticism - a reply’. Screen, 16 (1). pp. 134-139. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2006) ‘The Art of Paranoia’. In: Pajdic, Predrag and Pasolini, Antonio and Ryan, Paul, eds. Paranoia. Southend/Leeds/London, London, pp. 138-148. ISBN 13-978-0-9553309-0-2. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2007) ‘What do you see? Would you like to move on to another image? Yes’. In: Barnard, Clio H., ed. Road Race and Dark Glass Catalogue. Herbert Read Gallery. (The full text of this publication is not available from this repository)

Cowie, Elizabeth and Adams, Parveen (1990) The Woman in Question. Cambridge/MIT Press/October Books, 383 pp. (The full text of this publication is not available from this repository)

Cowie, Elizabeth (2010) ‘Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica (1994)'. In: Brown, Tom and Walters, James, eds. Film Moments. Palgrave/British Film Institute, London, pp. 140-143. ISBN 9781844573363. (The full text of this publication is not available from this repository)

Davis, Jill (1999) Goodnight ladies ... On the 'Explicit Body in Performance'. New Theatre Quarterly, 15 (58). pp. 183-187. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Double, Oliver (1996) Alternative comedy: from radicalism to commercialism. In: Merkin, Ros, ed. Popular Theatres? Liverpool John Moores University, Liverpool, pp. 127-139. ISBN 0 9527978 0 1. (The full text of this publication is not available from this repository)

Double, Oliver (2012) Britain Had Talent: A History of Variety Theatre. Palgrave Macmillan, Houndsmills, basingstoke, Hampshire, 288 pp. ISBN 9780230284593 (hbk) 9780230284609 (pbk). (The full text of this publication is not available from this repository)

Double, Oliver (2000) Characterization in stand-up comedy: From Ted Ray to Billy Connolly, via Bertolt Brecht. New Theatre Quarterly, 16 (64). pp. 315-323. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Double, Oliver (2014) Getting the Joke (2nd edition). Bloomsbury, London and New York, 518 pp. ISBN 978-1-4081-7460-9. (The full text of this publication is not available from this repository)

Double, Oliver (2005) Getting the joke. London: Methuen, 320 pp. ISBN 0-413-77476-7. (The full text of this publication is not available from this repository)

Double, Oliver (2007) Karl Valentin’s “Father and Son Discuss the War". Studies in Theatre and Performance, 27 (1). pp. 5-11. (The full text of this publication is not available from this repository)

Double, Oliver (1994) Laughing all the way to the bank? Alternative comedy in the provinces. New Theatre Quarterly, X (39). pp. 255-262. ISSN 0266-464X. (The full text of this publication is not available from this repository)

Double, Oliver (2012) Max Miller plays with Freud's obstacle: Innuendo and performance technique in variety comedy. Comedy Studies, 3 (1). pp. 93-104. ISSN 2040-610X. (The full text of this publication is not available from this repository)

Double, Oliver (2010) Not the Definitive Version: an Interview with Ross Noble. Comedy Studies, 1 (1). pp. 5-19. ISSN 2040-610X. (The full text of this publication is not available from this repository)

Double, Oliver (2007) Punk rock as popular theatre. New Theatre Quarterly, 23 (1). pp. 35-48. ISSN 0266-464X. (Full text available)
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Double, Oliver (2007) Saint Pancreas. Performance type: Other Saint Pancreas, 3/11/06, Horsebridge Arts Centre, Whitstable. DVD and Live Performance. (The full text of this publication is not available from this repository)

Double, Oliver (1997) Stand-Up! On Being a Comedian. Methuen Drama, London, 262 pp. ISBN 0 413 70320 7. (The full text of this publication is not available from this repository)

Double, Oliver (2000) Teaching Stand-Up Comedy. A Mission: Impossible? Studies in Theatre and Performance, 20 (1). pp. 14-23. (The full text of this publication is not available from this repository)

Double, Oliver (2009) Teddy Brown and the Art of Performing for the British Variety Stage. New Theatre Quarterly, 25 (4). pp. 379-390. ISSN 0266-464x. (The full text of this publication is not available from this repository)

Double, Oliver and Wilson, Michael (2006) Brecht and cabaret. In: Thomson, Peter and Sacks, Glendyr, eds. Cambridge Companion to Brecht, 2nd Edition. Cambridge University Press. ISBN 9780521673846. (The full text of this publication is not available from this repository)

Double, Oliver and Wilson, Michael (2008) '"I am a Poor, Skinny Man": Persona and physicality in the work of Karl Valentin'. Studies in Theatre and Performance, 28 (3). pp. 213-221. ISSN 1468-2761. (Access to this publication is restricted)
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Double, Oliver and Wilson, Michael (2004) Karl Valentin's illogical subversion: stand-up comedy and the alienation effect. New Theatre Quarterly, XX (3). pp. 203-215. ISSN 0-521-60328-5. (Full text available)
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Dunworth, F. (1993) Suffocating Mothers - Fantasies of Maternal Origins in Shakespeare Plays, 'Hamlet' to the 'Tempest' - Adelman, J. Theatre Research International, 18 (1). pp. 65-66. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Eyuboglu, S. (1991) The authorial text and postmodernism, hitchcock 'blackmail'. Screen, 32 (1). pp. 58-78. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Fox, J. (1998) A second life: German cinema's first decades. Review of: A second life: German cinema's first decades by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 139-140. ISSN 0143-9685. (The full text of this publication is not available from this repository)

Fox, J. (1998) Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe. Review of: Battles and sites of love. The history of cinema and film in eastern Westphalia and Lippe by UNSPECIFIED. Historical Journal of Film, Radio and Television, 18 (1). pp. 142-143. ISSN 0143-9685. (The full text of this publication is not available from this repository)

Frey, Mattias (2003) A Cinema of Disturbance: The Films of Michael Haneke in Context. Senses of Cinema (28). ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) A Persistent Allure: The Reception of Michael Haneke. In: Invited speaker, On Michael Haneke, 2nd June 2010, University of Sussex. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) Art and Artifice: German Films at the 60th Berlin International Film Festival. Senses of Cinema (55). ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Benny’s Video, Caché, and the Desubstantiated Image. Framework: The Journal of Cinema and Media, 47 (2). pp. 30-36. ISSN 0306-7661. (The full text of this publication is not available from this repository)

Frey, Mattias (2004) Border Zones: The Films of Ulrich Seidl. Senses of Cinema (32). ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2015) Der Ekel und das Kino. In: Invited Speaker, Angustia, 23 January 2015, Deutsches Filmmuseum Frankfurt. (Unpublished) (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Fidelio: Love, Adaptation, and Eyes Wide Shut. Literature/Film Quarterly, 34 (1). pp. 39-45. ISSN 0090-4260. (The full text of this publication is not available from this repository)

Frey, Mattias (2013) Filmkritik, with and without Italics: Kracauerism and Its Limits in Postwar German Film Criticism. New German Critique, 40 (3). pp. 85-110. ISSN 0094-033X. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) From Crisis Structure to Schadenfreude: Emotional Underpinnings of the New Documentary. In: Society of Cinema and Media Studies Annual Conference, 18th March 2010, Los Angeles . (The full text of this publication is not available from this repository)

Frey, Mattias (2008) Gazing Lessons: German Films at the 58th Berlin International Film Festival. Review of: 58th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (47). 0-0. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) Goodbye Germany: Emigration, Reality TV and Schadenfreude. Jump Cut (52). ISSN 0146-5546. (The full text of this publication is not available from this repository)

Frey, Mattias (2007) In/Flux: German Films at the 57th Berlin International Film Festival. Review of: German Films at the 57th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (43). 0-0. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2009) Insecure Times, Confident Localities: German Films at the 59th Berlin International Film Festival. Review of: 59th Berlin International Film Festival by UNSPECIFIED. Senses of Cinema (50). 0-0. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) London à la Mod: Fashion, Genre, and Historical Space in Performance. Quarterly Review of Film and Video, 23 (4). pp. 369-376. ISSN 1050-9208. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) Medien aus filmwissenschaftlicher Sicht. In: Masterclasses, 29th June-2nd July 2010, Universitat Passau. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) No(ir) Place to Go: Spatial Anxiety and Sartorial Intertextuality in Die Unberührbare. Cinema Journal, 45 (4). pp. 64-80. ISSN 0009-7101. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) Paris' Threat to German Film Criticism: Denounce and Recycle. In: European Network for Cinema and Media Studies Annual Conference, 25th June 2010, Istanbul. (The full text of this publication is not available from this repository)

Frey, Mattias (2014) The Permanent Crisis of Film Criticism: The Anxiety of Authority. Film Theory in Media History . Amsterdam University Press, Amsterdam, 232 pp. ISBN 9789089647177. (In press) (The full text of this publication is not available from this repository)

Frey, Mattias (2006) “Postmodernism” and “Guy Maddin". In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 291-296. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Re-Connecting the Body ‘in’ to the Body ‘of’ Pasolini with Porcile. In: Hart, Kylo, ed. Film and Sexual Politics: A Critical Reader. Cambridge Scholars Press, Newcastle, pp. 128-134. (The full text of this publication is not available from this repository)

Frey, Mattias (2015) The Recalcitrant Discipline. Film Studies, 12 . ISSN 1469-0314. (In press) (The full text of this publication is not available from this repository)

Frey, Mattias (2007) Review of Screening the Past: Memory and Nostalgia in Cinema. Review of: Screening the Past: Memory and Nostalgia in Cinema by Cook, Pam. Film International, 5 (5). pp. 87-89. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Review of: Graeme Harper and Andrew Moor, eds., Signs of Life: Medicine and Cinema. Review of: Signs of Life: Medicine and Cinema by Harper, Graeme and Moor, Andrew. Film International, 4 (2). pp. 78-81. (The full text of this publication is not available from this repository)

Frey, Mattias (2008) Review of: Jörn Ahrens und Stephan Braese, Hg., Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums. Review of: Im Zauber der Zeichen: Beiträge zu einer Kulturgeschichte des Mediums by Ahrens, Jorn and Braese, Stephan. MEDIENwissenschaft (2). pp. 145-147. (The full text of this publication is not available from this repository)

Frey, Mattias (2007) Review of: Rosalind Galt, The New European Cinema: Redrawing the Map. Review of: The New European Cinema: Redrawing the Map by Galt, Rosalind. Film International, 5 (1). pp. 70-71. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) Safe to Remember: the post-Wende Cinema of Retrospection. In: Invited Talk, 2nd November 2010, University of Cambridge. (The full text of this publication is not available from this repository)

Frey, Mattias (2006) Structuralism and Poststructuralism. In: Grant, Barry Keith, ed. Schirmer Encyclopedia of Film. Schirmer Press, Detroit, pp. 165-168. (The full text of this publication is not available from this repository)

Frey, Mattias (2002) Supermodernity, Capital, and Narcissus: The French Connection to Michael Haneke’s Benny’s Video. Cinetext . ISSN 1605-6035. (The full text of this publication is not available from this repository)

Frey, Mattias (2007) The End of Innocence: Scandinavian Films at the 30th Gothenburg International Film Festival. Review of: Scandinavian Films at the 30th Gothenburg International Film Festival by UNSPECIFIED. Senses of Cinema (43). 0-0. ISSN 1443-4059. (The full text of this publication is not available from this repository)

Frey, Mattias (2010) The Message and the Medium: Haneke's Film Theory and Digital Praxis. In: Price, Brian and Rhodes, John David, eds. On Michael Haneke. Wayne State University Press, Detroit, pp. 153-165. (The full text of this publication is not available from this repository)

Frey, Mattias (2007) Theorizing Cinema in Sebald and Sebald with Cinema. In: Patt, Lise, ed. Searching for Sebald: Photography After W.G. Sebald. Los Angeles: Institute of Cultural Inquiry Press, Los Angeles, pp. 226-241. (The full text of this publication is not available from this repository)

Friday, Jonathan (2002) Aesthetics and photography. Aldershot: Ashgate Press, 175 pp. ISBN 0754604284. (The full text of this publication is not available from this repository)

Friday, Jonathan (2005) Andre Bazin’s ontology of film and the photographic image. Journal of Aesthetics and Art Criticism, 63 (4). pp. 339-350. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Friday, Jonathan (2004) Art and Enlightenment: Aesthetics in the 18th Century. Imprint Academic, 212 pp. ISBN 0907845762. (The full text of this publication is not available from this repository)

Friday, Jonathan (2000) Demonic Curiosity and the Aesthetics of Documentary Photography. British Journal of Aesthetics, 40 (3). pp. 356-375. ISSN 00070904. (The full text of this publication is not available from this repository)

Friday, Jonathan (2002) Demonic Curiosity and the Aesthetics of Documentary Photography. In: Rubene, Mara, ed. Homo Aestheticus. Tapals, pp. 245-266. ISBN 9984720004. (The full text of this publication is not available from this repository)

Friday, Jonathan (1997) Digital Imaging, Photographic Representation and Aesthetics. Ends and Means, 2 (2). pp. 7-11. ISSN 1472-5819. (The full text of this publication is not available from this repository)

Friday, Jonathan (1998) Hume’s Sceptical Standard of Taste. Journal of the History of Philosophy, 36 (4). pp. 545-566. ISSN 0022-5053. (The full text of this publication is not available from this repository)

Friday, Jonathan (1999) Looking at Nature Through Photographs. Journal of Aesthetic Education, 33 (1). pp. 25-35. ISSN 0021-8510. (The full text of this publication is not available from this repository)

Friday, Jonathan (2004) Moral Equality and the Foundations of Liberal Moral Theory. Journal of Value Inquiry, 38 (1). pp. 61-74. ISSN 0022-5363. (The full text of this publication is not available from this repository)

Friday, Jonathan (2004) Moral Theory and the Improvement of Moral Thought. Journal of Moral Education, 33 (1). pp. 23-33. ISSN 0305-7240. (The full text of this publication is not available from this repository)

Friday, Jonathan (2004) Photography and Art – Responses to questions set by Artis Svece. Res Publica, 2 . ISSN 1691-2004. (The full text of this publication is not available from this repository)

Friday, Jonathan (2001) Photography and the representation of vision. Journal of Aesthetics and Art Criticism, 59 (4). pp. 351-362. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Friday, Jonathan (1999) Quem Tem Medo De Uma Sociedade On-line? Cadernos Da Escola Do Legislativo . pp. 39-51. (The full text of this publication is not available from this repository)

Friday, Jonathan (2005) Stillness becoming: Reflections on Bazin, Barthes, and Photographic Stillness. In: Green, David and Lowry, Joanna, eds. Stillness and Time: Photography and the Moving Image. Brighton: Photoworks. ISBN 1903796180. (The full text of this publication is not available from this repository)

Friday, Jonathan (2007) The Art Seminar. In: Elkins, James, ed. Photographic Theory. Routledge, pp. 129-204. ISBN 0415977835. (The full text of this publication is not available from this repository)

Friday, Jonathan (1996) Transparency and the Photographic Image. British Journal of Aesthetics, 36 (1). pp. 30-42. ISSN 00070904. (The full text of this publication is not available from this repository)

Friday, Jonathan (1998) Who’s Afraid of an On-line Society? Ends and Means, 3 (2). pp. 2-7. ISSN 1472-5819. (The full text of this publication is not available from this repository)

Fugard, Athol (2011) Il Guidatore del Treno. Performance type: Live play Tramedautore Festival, September 2011, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not available from this repository)

Garfield, Rachel (2009) A Particular Incoherence: the films of Vivienne Dick. In: O'Brian, Treasa, ed. Between Truth and Fiction: The Films of Vivienne Dick. Crawford Art Centre/Lux, London, pp. 39-48. ISBN 9780954856984. (Full text available)
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Goebbels, Heiner (2014) Aesthetic of Absence. Other. Routledge, London (Submitted) (The full text of this publication is not available from this repository)

Grant, Catherine A. (2006) 'Introduction' in Screening World Cinema: A Screen Reader. In: Grant, Catherine A. and Kuhn, Annette, eds. Screening World Cinema: A Screen Reader. Routledge. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2002) 'La función de "los autores": la adaptación cinematográfica transnacional de El lugar sin límites'. Revista Iberoamericana, LXVIII (199). pp. 253-268. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) Allegories of underdevelopment: Aesthetics and politics in modern Brazilian cinema. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2008) Auteur machines? Auteurism and the DVD. In: Bennett, James and Brown, Tom, eds. Film and Television After DVD. Routledge. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) Based on a true story: Latin American history at the movies. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2007) Directing cinema: The new auteurism. Manchester University Press (Submitted) (The full text of this publication is not available from this repository)

Grant, Catherine A. (2004) Home-Movies: The Curious Cinematic Collaboration of Anne-Marie Miéville and Jean-Luc Godard. In: Temple, Michael and Williams, James S and Witt, Michael, eds. For Ever Godard. London: Black Dog Publishing. ISBN 1 901033 69 4. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) Intimista Transformations: María Luisa Bemberg's First Feature Films. In: King, John and Whittaker, Sheila and Bosch, Rosa, eds. The Films of María Luisa Bemberg: An Argentine Passion. Verso. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) Millennial debates - www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) New Latin American cinema, Vol 1, Theory, practices and transcontinental articulation, Vol 2, Studies of national cinemas. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2002) Recognizing Billy Budd in Beau Travail: epistemology and hermeneutics of an auteurist “free” adaptation. Screen, 43 (1). pp. 57-73. ISSN 1460-2474. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2001) Secret Agents: Feminist Theories of Women’s Film Authorship. Feminist Theory, 2 (1). pp. 113-130. ISSN 1464-7001. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2003) Still moving images: Photographs of the disappeared in films about the Dirty War in Argentina. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities: Intersections of Photography and Narrative. Albuquerque: University of New Mexico Press, pp. 63-86. ISBN 0826328253. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) Tropical multiculturalism: A comparative history of race in Brazilian cinema and culture. Screen, 41 (3). pp. 339-347. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Catherine A. (2000) www.auteur.com? Screen, 41 (1). pp. 101-108. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Michael (1999) Bad girls and sick boys: Fantasies in contemporary art and culture. Review of: Bad girls and sick boys: Fantasies in contemporary art and culture by Kauffman, L.S. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1998) Crimes of the future (David Cronenberg, 'Crash'). Screen, 39 (2). pp. 180-185. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Grant, Michael (1999) Early cinema in Russia and its cultural reception. Review of: Early cinema in Russia and its cultural reception by Tsivisn , Y. Sight and Sound, 9 (2). p. 32. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1998) Fake, fact and fantasy: Children's interpretations of television reality. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1998) Meat is murder: An illustrated guide to cannibal culture. Review of: Meat is murder: An illustrated guide to cannibal culture by Mikita , Brottman. Sight and Sound, 8 (8). p. 29. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1999) The Eisenstein reader. Review of: The Eisenstein reader by Taylor , R. Sight and Sound, 9 (2). p. 30. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1999) The Western reader. Review of: The Western reader by Kitses, J. Sight and Sound, 9 (2). pp. 31-32. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1999) The erotic anime movie guide. Review of: The erotic anime movie guide by McCarthy, Helen and Clements, Jonathan. Sight and Sound, 9 (5). p. 33. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grant, Michael (1998) Video critical: Children, the environment and media power. Review of: Video Critical: Children, the Environment and Media Power by Gauntlett, D.. Sight and Sound, 8 (8). pp. 28-29. ISSN 0037-4806. (The full text of this publication is not available from this repository)

Grantley, Darryll (2008) 'Saints and Miracles'. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not available from this repository)

Grantley, Darryll (1996) '“What meanes this shew”: Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Grantley, Darryll and Robertson, Peter A., eds. Christopher Marlowe and English Renaissance Culture. Scolar. ISBN 1859282601 . (The full text of this publication is not available from this repository)

Grantley, Darryll (1993) American drama of the 20th-Century - Berkowitz, GM. Notes and Queries, 40 (4). pp. 571-572. ISSN 0029-3970. (The full text of this publication is not available from this repository)

Grantley, Darryll (2004) English dramatic interludes 1300-1580: a reference guide. Cambridge University Press, 427 pp. ISBN 0-521-03591-0. (The full text of this publication is not available from this repository)

Grantley, Darryll (1997) Festive drama - Twycross,M. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Grantley, Darryll (2008) London in Early Modern English Drama: Representing the Built Environment. Palgrave Macmillan ISBN 0230554296. (The full text of this publication is not available from this repository)

Grantley, Darryll (2008) London in English Drama 1500-1700. Cambridge University Press (The full text of this publication is not available from this repository)

Grantley, Darryll (2006) Morality and Interlude Drama. In: Brown, Peter, ed. A Companion to Medieval English Literature and Culture c.1350-c.1500. Blackwell, pp. 473-487. ISBN 9780631219736. (Submitted) (The full text of this publication is not available from this repository)

Grantley, Darryll (2003) Promise me my liberty: conventions of Roman Comedy and the representation of oppression and resistance in the Tudor Interlude July and Julian. EnterText, 3 (1). pp. 1-18. ISSN 1472 3085. (Full text available)
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Grantley, Darryll (1996) Records of early english drama - Shropshire - Somerset,JAB. Comparative Drama, 30 (2). pp. 282-285. ISSN 0010-4078. (The full text of this publication is not available from this repository)

Grantley, Darryll (2005) Review of Anne Lancashire London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Review of: London Civic Theatre: City Drama and Pageantry from Roman Times to 1558 by Lancashire, Anne. Early Theatre, 8 (1). pp. 122-125. (The full text of this publication is not available from this repository)

Grantley, Darryll (1986) Review of B. Dukore American Dramatists 1919-1945 and G Weales Odets: The Playwright. Review of: American Dramatists 1919-1945 and The Playwright by Dukore, B and Weales Odets, G. Speech and Drama, 35 (1). pp. 46-48. (The full text of this publication is not available from this repository)

Grantley, Darryll (1992) Review of C. Bigsby Arthur Miller and Company. Review of: Arthur Miller and Company by Bigsby, Christopher. New Theatre Quarterly (30). p. 197. ISSN 0-521-60328-5. (The full text of this publication is not available from this repository)

Grantley, Darryll (1987) Review of C. Davidson (ed) The Saint Play in Medieval Europe. Review of: The Saint Play in Medieval Europe by Davidson, C. Comparitive Drama, 21 (3). pp. 295-297. (The full text of this publication is not available from this repository)

Grantley, Darryll (1998) Review of Christopher Bigsby (ed) The Cambridge Companion to Arthur Miller. Review of: The Cambridge Companion to Arthur Miller by Bigsby, Christopher. Theatre Research International, 23 (2). p. 188. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Grantley, Darryll (1992) Review of D. George Records of Early English Drama: Lancashire in The Early Drama. Review of: Records of Early English Drama: Lancashire in The Early Drama by George, David. Art and Music Review, 15 (1). 0-0. (The full text of this publication is not available from this repository)

Grantley, Darryll (1990) Review of D. Gilman (ed) Everyman and Company. Review of: Everyman and Company by Gilman, D. Comparitive Drama, 24 (4). pp. 367-370. (The full text of this publication is not available from this repository)

Grantley, Darryll (1994) Review of D. Wilmeth and T Miller (eds) The Cambridge Guide to American Theatre. Review of: The Cambridge Guide to American Theatre by Wilmeth, Don B. and Miller, Tice L.. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Grantley, Darryll (1993) Review of G. M. Berkowitz American Drama of the Twentieth Century. Review of: American Drama of the Twentieth Century by Berkowitz, G.M.. Notes and Queries . pp. 571-572. ISSN 0029-3970. (The full text of this publication is not available from this repository)

Grantley, Darryll (2002) Review of Ian McAdam The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Fred B. Tromly Playing With Desire: Christopher Marlowe and the Art of Tantalization. Review of: The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe and Playing With Desire: Christopher Marlowe and the Art of Tantalization by McAdam, Ian and Tromly, Fred B.. Yearbook of English Studies (32). pp. 271-273. (The full text of this publication is not available from this repository)

Grantley, Darryll (1987) Review of J. Lahr The Orton Diaries. Review of: The Orton Diaries by Lahr, J. Speech and Drama, 36 (1). pp. 50-51. (The full text of this publication is not available from this repository)

Grantley, Darryll (1996) Review of J. Somerset Records of Early English Drama: Shropshire. Review of: Records of Early English Drama: Shropshire by Somerset, J. Alan B.. Comparitive Drama, 30 (2). pp. 282-285. (The full text of this publication is not available from this repository)

Grantley, Darryll (1988) Review of J. Wasson (ed) Records of Early English Drama: Devon. Review of: Records of Early English Drama: Devon by Wasson, J. Comparitive Drama, 21 (4). pp. 399-401. (The full text of this publication is not available from this repository)

Grantley, Darryll (1998) Review of James Stokes (ed) Records of Early English Drama: Somerset. Review of: Records of Early English Drama: Somerset by Stokes, James. Theatre Notebook, 23 (1). pp. 55-56. (The full text of this publication is not available from this repository)

Grantley, Darryll (2005) Review of Katie Normington Gender and Medieval Drama. Review of: Gender and Medieval Drama by Normington, Katie. Theatre Research International, 30 (3). pp. 298-299. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Grantley, Darryll (1996) Review of L. Muir The Biblical Drama of Medieval Europe. Review of: The Biblical Drama of Medieval Europe by Muir, Lynette R.. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Grantley, Darryll (2007) Review of Lucy Munro - The Children of the Queen’s Revels: A Jacobean Theatre Repertory. Review of: The Children of the Queen’s Revels: A Jacobean Theatre Repertory by Munro, Lucy. Shakespeare Studies (35). pp. 292-296. (The full text of this publication is not available from this repository)

Grantley, Darryll (1992) Review of M. Baer Theatre and Disorder in Late Georgian London. Review of: Theatre and Disorder in Late Georgian London by Baer, Marc. New Theatre Quarterly (31). p. 91. ISSN 0-521-60328-5. (The full text of this publication is not available from this repository)

Grantley, Darryll (1997) Review of M. Twycross (ed) Festive Drama. Review of: Festive Drama by Twycross, M. Theatre Research International, 22 (1). p. 74. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Grantley, Darryll (1993) Review of P. Kolin (ed) Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism. Review of: Confronting Tennessee Williams’s ‘A Streetcar Named Desire’: Essays in Critical Pluralism by Kolin, P. New Theatre Quarterly (35). p. 301. ISSN 0-521-60328-5. (The full text of this publication is not available from this repository)

Grantley, Darryll (1984) Review of R M Lumiansky and D Mills The Chester Mystery Cycle: Essays and Documents. Review of: The Chester Mystery Cycle: Essays and Documents by Lumiansky, R.M. and Mills, David. Theatre Notebook, 38 (3). pp. 146-147. ISSN 0040-5523. (The full text of this publication is not available from this repository)

Grantley, Darryll (1986) Review of R. Beadle and P. King (eds) York Mystery Plays: A Selection in Modern Spelling. Review of: York Mystery Plays: A Selection in Modern Spelling by Beadle, Richard and King, Pamela M.. Studies in the Age of Chaucer (8). pp. 164-166. (The full text of this publication is not available from this repository)

Grantley, Darryll (1988) Review of R. Boxhill Tennessee Williams and G McCarthy Edward Albee. Review of: Tennessee Williams and Edward Albee by Boxhill, R and McCarthy , G. Speech and Drama, 37 (1). pp. 57-58. (The full text of this publication is not available from this repository)

Grantley, Darryll (1994) Review of R. Engle and T. L. Miller (eds) The American Stage (Cambridge, C.U.P., 1993. Review of: The American Stage (Cambridge, C.U.P., 1993) by Engle, Ron and Miller, Tice L.. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Grantley, Darryll (1986) Review of T. Parr (ed) Coriolanus, D Male (ed) Dr Faustus, D Devlin (ed) The Winter’s Tale, and P Ranger (ed) She Stoops to Conquer. Review of: Coriolanus, Dr Faustus, The Winter's Tale and She Stoops To Conquer by Parr, T and Male, D and Devlin, D and Ranger, P. Speech and Drama, 35 (1). pp. 32-33. (The full text of this publication is not available from this repository)

Grantley, Darryll (1985) Sam Shepard Fool for Love, Arthur Miller The American Clock, David Mamet American Buffalo and Marsha Norman ’night Mother. Review of: Fool for Love, The American Clock, American Buffalo and 'night Mother by Shepard, S and Miller, A and Mamet, D and Norman, M. Speech and Drama, 34 (2). pp. 67-69. (The full text of this publication is not available from this repository)

Grantley, Darryll (1994) The American Stage - Social and Economic-Issues for the Colonial Period to the Present - Engle,R, Miller,TL. Theatre Research International, 19 (1). p. 79. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Grantley, Darryll (1994) The Cambridge Guid to American Theater - Wilmeth, DB. Theatre Research International, 19 (3). pp. 285-286. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Grantley, Darryll (1986) The National Theatre’s Production of The Mysteries: Some Observations. Theatre Notebook, 40 (2). (The full text of this publication is not available from this repository)

Grantley, Darryll (1984) The Source of the Digby Mary Magdalen. Notes and Queries, 31 (4). ISSN 0029-3970. (The full text of this publication is not available from this repository)

Grantley, Darryll (1986) The Winter’s Tale and Early Religious Drama. Comparative Drama, 20 (1). (The full text of this publication is not available from this repository)

Grantley, Darryll (1996) The biblical drama of medieval europe - Muir,LR. Theatre Research International, 21 (1). pp. 79-80. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Grantley, Darryll (2007) The social geography of London in Restoration comedy. . University of Kent, School of Drama, Film and Visual Arts, 32 pp. (Full text available)
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Grantley, Darryll (2000) Wit’s Pilgrimage: Drama and the Social Impact of Education in Early Modern England. Ashgate, 270 pp. ISBN 0754601676. (The full text of this publication is not available from this repository)

Grantley, Darryll (1993) ‘"What meanes this shew?": Theatricalism, Camp and Subversion in Doctor Faustus and The Jew of Malta’. In: Conference on Christopher Marlowe and English Renaissance Culture , 5th-7th July 1993, University of Kent, Canterbury. (The full text of this publication is not available from this repository)

Grantley, Darryll (2005) ‘Dramatic Representations of the Emerging Metropolis of London in the Sixteenth Century’. In: Medieval English Theatre Conference, 19th March 2005, University of Southampton. (The full text of this publication is not available from this repository)

Grantley, Darryll (1987) ‘Dramatizing Chaucer’. In: 22nd International Congress on Medieval Studies, 7th-10th May 1987, Western Michigan University. (The full text of this publication is not available from this repository)

Grantley, Darryll (1989) ‘La Madeleine dans la Poésie et Prose d’Angleterre aux 16ième et 17ième Siècles’. In: Colloque International: Le Visage de la Madeleine dans la Littérature et la Critique en Europe entre 1450 et 1650, October 1989, University of Grenoble. (The full text of this publication is not available from this repository)

Grantley, Darryll (1990) ‘Les Représentations de la Madeleine dans la Poésie et le Drame en Angleterre aux XVI et XVIIe Siècles’. In: Chocheyras, Jacques, ed. Visages de la Madeleine dans la Littérature Européenne (1500-1700). Univ Stendhal U.F.R. Lettres. (The full text of this publication is not available from this repository)

Grantley, Darryll (1995) ‘Marsha Norman’. In: Bloom, C., ed. American Drama. Macmillan. (The full text of this publication is not available from this repository)

Grantley, Darryll (1988) ‘Masques and Murderers: Dramatic Form and Ideology in Jacobean Revenge Tragedy and the Court Masque’. In: Bloom, C., ed. Jacobean Poetry and Prose. Macmillan. (The full text of this publication is not available from this repository)

Grantley, Darryll (2003) ‘Perilous Childhood in the Tudor Interlude’. In: Shakespeare’s Children/Children’s Shakespeare, 11th & 12th October 2003, University of Surrey, Roehampton. (The full text of this publication is not available from this repository)

Grantley, Darryll (1983) ‘Producing Miracles’. In: Neuss, P., ed. Aspects of Early English Drama. Brewer. (The full text of this publication is not available from this repository)

Grantley, Darryll (1995) ‘Richard Mulcaster: Education and the Elite Body’. In: Conference on Bodily Fictions, July 1995, Brunel University. (The full text of this publication is not available from this repository)

Grantley, Darryll (1994) ‘Saints’ Plays’. In: Beadle, Richard, ed. The Cambridge Companion to Medieval English Theatre. Cambridge University Press. (The full text of this publication is not available from this repository)

Grantley, Darryll (1996) ‘Schooling the Audience’. In: Shakespeare and Tudor Theatrical Traditions , 10th-11th September 1996, International Shakespeare Globe Centre, London. (The full text of this publication is not available from this repository)

Grantley, Darryll (2000) ‘The Upbringing of Youth in the Tudor Interlude’. In: Gender and Life Cycle in the Middle Ages, 21st-23rd January 2000, University of Kent, Canterbury. (The full text of this publication is not available from this repository)

Grantley, Darryll (1994) ‘The Winter’s Tale and Early Religious Drama’. In: Battenhouse, Roy W., ed. Shakespeare’s Christian Dimension. Indiana University Press. (The full text of this publication is not available from this repository)

Grantley, Darryll (2000) ‘“A bodie of presence”: Education and the elite body in the writings of Richard Mulcaster’. In: Grantley, Darryll and Taunton, Nina, eds. The Body in Late Medieval and Early Modern Culture. Ashgate. ISBN 0754601153. (The full text of this publication is not available from this repository)

Grantley, Darryll (2006) ‘“Secret Conclaves”: Deviant Space in Sixteenth-Century Drama’. In: Queer People conference, 27th-30th July 2006, Christ's College, Cambridge. (The full text of this publication is not available from this repository)

Grantley, Darryll (1996) ‘“The Ceremonialization of Secular Power in Medieval Scriptural and Hagiographical Drama’. In: Aspects of Medieval Drama, July 1996, University of Camerino, Italy. (The full text of this publication is not available from this repository)

Grantley, Darryll (1997) ‘“To Swell a Progress”: Retainers, Subordinates and the Ceremonialisation of Secular Power in Medieval Scriptural and Hagiographical Drama’. European Medieval Drama (1). (The full text of this publication is not available from this repository)

Greenaway, Peter (2009) Le Nozze di Cana. Performance type: Live play Veronese's The Wedding at Cana by Peter Greenaway, June to September 2009, San Giorgio Maggiore Refectory, Venice. Performance. (Unpublished) (The full text of this publication is not available from this repository)

Greenaway, Peter and Laera, Margherita (2009) The Blue Planet. Performance type: Live play The Blue Planet, August 2008 to October 2009, Zaragoza, Rome, Reggio Emilia, Santander, Milan. Performance. (The full text of this publication is not available from this repository)

Grieveson, Lee (1999) African American films through 1959: A comprehensive illustrated filmography. Review of: African American films through 1959: A comprehensive illustrated filmography by Richards, Larry. Journal of American Studies, 33 (3). pp. 550-551. ISSN 0021-8758. (The full text of this publication is not available from this repository)

Grieveson, Lee (2000) America on film: Hollywood and American history. Journal of American Studies, 34 . pp. 316-317. ISSN 0021-8758. (The full text of this publication is not available from this repository)

Grieveson, Lee (1999) America on film: Hollywood and American history. Review of: America on film: Hollywood and American history by Cameron, K.M.. Journal of American Studies, 33 (3). pp. 575-576. ISSN 0021-8758. (The full text of this publication is not available from this repository)

Grieveson, Lee (1997) Policing the cinema: 'Traffic in Souls' at Ellis Island, 1913. Screen, 38 (2). pp. 149-171. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Guerin, Frances (2005) A Culture of light: cinema and technology in 1920s Germany. University of Minnesota Press, Minneapolis, 314 pp. ISBN 0816642869. (The full text of this publication is not available from this repository)

Guerin, Frances (2010) Film as an Archive for Photography. Screening the Past, N/A (29). online-online. ISSN 1328-9756. (Full text available)
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Guerin, Frances (2008) Infinite Rotations in a Finite Frame. Cinema e Cie: International Film Studies Journal, N/A (8). pp. 119-134. ISSN 2035-5270. (Full text available)
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Guerin, Frances (2013) Memory through the Perpetrator's Lens. In: Rhetoric, Remembrance, and Visual Form: Sighting Memory. Routledge, New York, pp. 163-179. ISBN 0415744164. (Full text available)
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Guerin, Frances (2006) The Perpetrator in Focus. Law Text Culture, 10 (NA). pp. 167-192. ISSN 1332-9060.. (Full text available)
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Guerin, Frances (2009) Photographs that Forget. In: Technologies of Memory in the Arts. Palgrave Macmillan, New York, pp. 150-165. ISBN 0230575676. (Full text available)
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Guerin, Frances (2002) Reframing the photographer and his photographs. Film and History, 32 (1). pp. 43-54. ISSN 1548-9922. (The full text of this publication is not available from this repository)

Guerin, Frances (2004) The energy of disappearing: problems of recycling Nazi amateur film footage. Screening the Past (17). 0-0. ISSN 1328-9756. (The full text of this publication is not available from this repository)

Guerin, Frances (2014) The Truth is Always Grey. Undisclosed, 347 pp. (Submitted) (The full text of this publication is not available from this repository)

Guerin, Frances and Eisenberg, Daniel (2012) Archives and Images as Repositories of Time, Language, and Forms from the Past. The Moving Image, 12 (1). pp. 112-118. ISSN 1542-4235. (Full text available)
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Guerin, Frances and Hallas, Roger (2007) Introduction to The Image and the Witness. In: The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, London. ISBN ISBN-13: 978-1905674206. (Full text available)
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Hankey, A.T. (1991) Riccobaldo-of-ferrara and giotto, an update. Journal of the Warburg and Courtauld Institutes, 54 . p. 244. ISSN 0075-4390. (The full text of this publication is not available from this repository)

Hatton, Peter and Courtenay, Philip and Hadfield, Peter and Kearney, Jonathan (2006) E Space Lab Projects. . (The full text of this publication is not available from this repository)

Hatton, Peter and Murray, Val and Pilling, Lynn (2003) TEA - Boat Trip: Nothing But Flowers. TEA - Boat Trip: Nothing But Flowers, 14/10/03 - 2/8/06, The Lowry Centre. Number of pieces: 3. Live Event, Exhibition and DVD. (The full text of this publication is not available from this repository)

Hatton, Peter (2008) Eventful Places. In: Eventful Places, 24th August 2008, Kent Architecture Centre, Faculty of Arts and Architecture, University of Brighton. (Unpublished) (The full text of this publication is not available from this repository)

Hatton, Peter (2000) TEA. TEA, 2000, The Ferens Art Gallery, Hull. (The full text of this publication is not available from this repository)

Hatton, Peter (2000) TEA. TEA, 2000, Burnley, Blackburn, Accrington. (The full text of this publication is not available from this repository)

Hatton, Peter (2000) TEA. TEA, 2000, National Museum of Labour History, Manchester. (The full text of this publication is not available from this repository)

Hatton, Peter (2001) TEA. TEA, 2001, Piccadilly Gardens, Manchester. (The full text of this publication is not available from this repository)

Hatton, Peter (2002) TEA. TEA, 2002, Manchester and St Petersburg. (The full text of this publication is not available from this repository)

Hatton, Peter (2003) TEA. TEA, 2003, Urbis, Manchester. (The full text of this publication is not available from this repository)

Hatton, Peter TEA. TEA, April 2005, Platform Gallery, Vaasa, Finland. (The full text of this publication is not available from this repository)

Hatton, Peter (2007) TEA. TEA, 2006/7, University of Missouri, St. Louis, USA and other international venues. (The full text of this publication is not available from this repository)

Hatton, Peter (2006) TEA. TEA, January 2006, Barents Spektakel, Kirkenes, Norway. (The full text of this publication is not available from this repository)

Hatton, Peter (2007) TEA. TEA, August 2007 - March 2008, Widnes Waterfront, Widnes Cheshire. (The full text of this publication is not available from this repository)

Hatton, Peter (2008) TEA. TEA, January 2008 - ongoing, Bluecoat Arts Centre, Liverpool. (The full text of this publication is not available from this repository)

Hatton, Peter (2008) TEA. TEA, 16th June - 22nd June 2008, Urbis, Manchester. (The full text of this publication is not available from this repository)

Hatton, Peter (2004) TEA - Boat Trip: Nothing But Flowers Book and DVD. DVD and Book. (The full text of this publication is not available from this repository)

Hatton, Peter (2008) TEA on Intute. . (The full text of this publication is not available from this repository)

Hatton, Peter (2005) e-space lab. e-space lab, June 2005, The RENEW Rooms, Liverpool. (The full text of this publication is not available from this repository)

Hatton, Peter (2006) e-space lab. e-space lab, 24th-27th February 2006, Z Museum, Shanghai & Out of the Bluecoat Space, Liverpool. (The full text of this publication is not available from this repository)

Hatton, Peter (2006) e-space lab. e-space lab, 5th September - 5th November 2006, 6th Shanghai Biennale. Salon Vogue, Citic Square, Shanghai. (The full text of this publication is not available from this repository)

Hatton, Peter (2008) e-space lab. e-space lab, 5th March 2008, Fact, Liverpool. (The full text of this publication is not available from this repository)

Hatton, Peter (2008) e-space lab. e-space lab, July 2008, Bluecoat Arts Centre, Liverpool. (The full text of this publication is not available from this repository)

Hatton, Peter and Lyon, Dawn and Strangleman, Tim and Crow, Graham and Hurkett, Jenny and Arundell, C. and Murray, Val and Pilling, Lynn (2011) Living & Working on Sheppey/ Back and Forth on High Street Blue Town. Live Event, website and video. (Full text available)
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Hatton, Peter and Murray, Val and Pilling, Lynn (2010) Spinning A Yarn. Spinning A Yarn, 15th October to 12th December 2010, Whitworth Art Gallery (Manchester University), Platt Hall Gallery of Costume (Manchester City Art Gallery) and Royal Mills. Installation, Video and Artist's Book. (Full text available)
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Hiley, N. (2000) Cartoons in Canterbury. Times Literary Supplement (5096). p. 19. ISSN 0307-661X. (The full text of this publication is not available from this repository)

Holmes, Su (2006) (Re)visiting The Grove Family - ‘Neighbours to the Nation’ (1954-57): Television History and Approaches to Genre. New Review of Film and Television Studies, 4 (3). pp. 287-310. ISSN 1740-0309. (The full text of this publication is not available from this repository)

Holmes, Su (2006) It’s a Jungle Out There!: The Game of Fame in Celebrity Reality TV. In: Holmes, Su and Redmond, Sean, eds. Framing Celebrity: New Directions in Celebrity Culture. Routledge, pp. 45-66. (The full text of this publication is not available from this repository)

Holmes, Su (2004) Looking at the Wider Picture on the Small Screen: Reconsidering Television and Widescreen Cinema in the 1950s. Quarterly Review of Film and Video, 21 (2). pp. 131-147. (The full text of this publication is not available from this repository)

Holmes, Su (2007) Rules of the game: Quiz shows and American culture. Review of: Rules of the Game: Quiz Shows and American Culture by Hoerschelmann, O.. European Journal of Communication , 22 (2). pp. 241-243. ISSN 0267-3231 . (The full text of this publication is not available from this repository)

Holmes, Su (2004) The Only Place where “Success” Comes Before Work is in the Dictionary…?’: Conceptualising Fame in Reality TV. Media-Culture.org . (The full text of this publication is not available from this repository)

Holmes, Su (2005) The ‘Moron Factory?’: Debating ‘Ordinary’ People and Reality TV. Anglo Files: The Journal of English Teaching . pp. 12-19. (The full text of this publication is not available from this repository)

Holmes, Su (2006) The “Give-Away” Shows – Who is Really Paying?’: ‘Ordinary’ People and the Development of the British Quiz Show (1945-58). Journal of British Cinema and Television, 3 (2). pp. 284-303. (The full text of this publication is not available from this repository)

Holmes, Su (2006) ‘A Friendly Style of Presentation that the BBC had always found elusive’: The 1950’s Cinema Programme and the Construction of British Television History. In: Wheatley, Helen, ed. Re-viewing Television History: Critical Issues in Television History. I.B. Tauris & Co Ltd, London, pp. 67-81. ISBN 9781845111885. (The full text of this publication is not available from this repository)

Holmes, Su (2001) ‘As they Really Are and in Close-up’: Film Stars on 1950’s British Television. Screen, 42 (2). pp. 167-187. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Holmes, Su (2006) ‘Coming to you Live!’: An Evening at the Film Premiere. Journal of British Cinema and Television, 2 (2). pp. 208-226. ISSN 1743-4521. (The full text of this publication is not available from this repository)

Holmes, Su (2005) ‘Not the Final Answer’: Who Wants to be a Millionaire and Revisiting Critical Approaches to the Quiz Show. European Journal of Cultural Studies, 8 (4). (The full text of this publication is not available from this repository)

Holmes, Su (2005) ‘Starring… Dyer?’: Re-visiting Star Studies and Contemporary Celebrity Culture’, in edition on ‘Celebrity’. Westminster Papers in Communication and Culture (WPCC), 2 (2). pp. 6-21. (The full text of this publication is not available from this repository)

Holmes, Su (2007) ‘Torture, Treacle, Tears and Trickery’: Celebrities, ‘Ordinary’ People, and This is Your Life (1955-65). In: Redmond, Sean and Holmes, Su, eds. A Reader in Stardom and Celebrity. Sage Publications Ltd, London, pp. 156-170. ISBN 9781412923200. (The full text of this publication is not available from this repository)

Holmes, Su (2006) ‘When Will I be Famous?’: Reappraising the Debate about Fame in Reality TV. In: Escoffery, David S., ed. Essays on Truth and Representation: How Real is Reality TV? McFarland & Company. (The full text of this publication is not available from this repository)

Holmes, Su (2004) “All you’ve got to worry about is the task, having a cup of tea, and what you’re going to eat for dinner”: Approaching Celebrity in Big Brother. In: Holmes, Su and Jermyn, Deborah, eds. Understanding Reality Television. Routledge. (The full text of this publication is not available from this repository)

Holmes, Su (2005) ”Off guard, Unkempt, Unready?”: Deconstructing Contemporary Celebrity in heat Magazine. Continuum: Journal of Media and Cultural Studies, 19 (1). pp. 21-38. (The full text of this publication is not available from this repository)

Holmes, Su and Jermyn, Deborah (2006) The audience is dead; Long live the audience!: Interactivity, ‘telephilia’ and the contemporary television audience. Critical Ideas in Television Studies, 1 (1). pp. 49-57. (The full text of this publication is not available from this repository)

Holmes, Su (2005) British television and film culture in the 1950s: coming to a TV near you! Intellect Books ISBN 1-84150-121-2. (The full text of this publication is not available from this repository)

Holmes, Su (2004) But this time you choose!: approaching the interactive audience of reality TV. International Journal of Cultural Studies, 7 (2). 213 -231. ISSN 1367-8779. (The full text of this publication is not available from this repository)

Holmes, Su (2005) Designed ‘Specially for Television Purposes and Technique’: The Development of the Television Cinema Programme. Historical Journal of Film, Radio and Television, 25 (3). pp. 455-475. ISSN 0143-9685. (The full text of this publication is not available from this repository)

Holmes, Su (2005) It’s a woman!: the question of gender in Who Wants to be a Millionaire. Screen, 46 (2). 155 -173. ISSN 0036-9546. (The full text of this publication is not available from this repository)

Holmes, Su (2004) Reality goes pop!: reality TV, popular music and narratives of stardom in Pop Idol (UK). Television and New Media, 5 (2). pp. 147-172. ISSN 1527476403255833. (The full text of this publication is not available from this repository)

Holmes, Su (2001) ‘The Infant Medium with the Adult Manner’: Television promotes the ‘X’ film (1952-62’). Historical Journal of Film, Radio and Television, 21 (4). pp. 379-397. ISSN 0143-9685. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2007) 'Carrying Concealed Weapons': Gendered Makeover in Calamity Jane. Journal of Popular Film and Television, 34 (4). pp. 179-187. ISSN 0195-6051. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2010) 'I even cry funny!' Doris Day, Performance and Genre. In: Acting In Film, 2nd-4th September 2010, Potsdam University. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2005) 'Under All Those Dirndls': Pillow Talk's Repackaging of Doris Day. In: Moseley, Rachel, ed. Fashioning Stars: Dress, Culture, Identity. BFI Publishing, pp. 50-61. ISBN 1844570681. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2006) 'Very Little Wrist Movement': Rock Hudson Acts Out Sexual Heterodoxy. Canadian Journal of Communication, 31 (4). pp. 843-858. ISSN 0705-3657. (The full text of this publication is not available from this repository)

Jeffers McDonald, Tamar E. L. (2007) Romantic Comedy: Boy Meets Girl Meets Genre. Columbia University Press, 144 pp. ISBN 1-905671-02-3. (The full text of this publication is not available from this repository)

Joannides, M. (1998) Correggio's study of 'Christ the Redeemer' for S. Giovanni Evangelista. Master Drawings, 36 (4). pp. 409-416. ISSN 0025-5025. (The full text of this publication is not available from this repository)

Kacimi, Mohamed (2010) Epistola alle Corinzie. Performance type: Live play Tramedautore Festival, September 2010, Piccolo Teatro, Teatro d'Europa, Milan. Performance. (Unpublished) (The full text of this publication is not available from this repository)

Kane, Martin (1995) 'All Quiet on the Western Front - Literary Analyiss and Cultural-Context -Firda, RA. Notes and Queries, 42 (1). pp. 127-128. ISSN 0029-3970. (The full text of this publication is not available from this repository)

Kear, Jon (2007) A Game That Must Be Lost: Chris Marker Replays Alain Resnais' Hiroshima mon amour. In: Guerin, Frances and Hallas, Roger, eds. The Image and the Witness: Trauma, Memory and Visual Culture. Wallflower Press, pp. 129-142. ISBN 9781905674206. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Black Vénus:Josephine Baker at the Follies- Bergère. In: Sheringham, Michael, ed. Parisian Fields. Reaktion, pp. 46-71. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Claude Monet; Life and art - Tucker,PH. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (2006) Cézanne's Cardplayers and the representation of the provençal peasantry. Art Bulletin . 0-0. (Submitted) (The full text of this publication is not available from this repository)

Kear, Jon (2004) Death and the Maiden: Cindy Sherman's Untitled Film Stills. In: Fortunati, Vita and Lamarra, Annamaria and Federici, Eleonora, eds. The Controversial Women's Body: Images and Representations in Literature and Art. Bononia University Press. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Early modernism - Butler,C. Oxford Art Journal, 19 (2). pp. 119-121. ISSN 0142-6540. (The full text of this publication is not available from this repository)

Kear, Jon (2006) Frenhofer C’est Moi; Cézanne and Balzac’s Le Chief d’oeuvre inconnu. Cambridge Quarterly . (The full text of this publication is not available from this repository)

Kear, Jon (2007) In the Brute Net of Sense: Merleau-Ponty’s Aesthetics. In: The Flesh in the Text, 2 day Conference, October 2007, University of Kent. (The full text of this publication is not available from this repository)

Kear, Jon (2007) In the Net of Brute Sense: Merleau Ponty’s Aesthetics. In: Weller, Shane and Baldwin, Thomas and Fowler, James, eds. Flesh In The Text. Peter Lang. ISBN 9783039111022 . (The full text of this publication is not available from this repository)

Kear, Jon (2002) In the spiral of time. In: Hughes, Alex and Noble, Andrea, eds. Phototextualities. University of New Mexico Press, pp. 199-233. (The full text of this publication is not available from this repository)

Kear, Jon (2002) Le Sang Provençal. Journal of European Studies . pp. 32-45. (The full text of this publication is not available from this repository)

Kear, Jon (2002) Le Sang Provençal: Joachim Gasquet’s Cézanne. Journal of European Studies, 32 (125-6 Part 2-3). pp. 135-150. ISSN 0047 2441. (The full text of this publication is not available from this repository)

Kear, Jon (2003) Leaving L’Estaque: Cézanne’s Representations of Provence in the 1880s. Art on the Line . pp. 1-20. (The full text of this publication is not available from this repository)

Kear, Jon (1991) Making Hay with Monet; Monets of the 90s. Art History . pp. 593-599. (The full text of this publication is not available from this repository)

Kear, Jon (1999) Manet's Modernism. Burlington Magazine . pp. 139-144. (The full text of this publication is not available from this repository)

Kear, Jon (2007) Marker’s Bergson. In: Invited Talk, 29th November 2007, University of Leeds. (The full text of this publication is not available from this repository)

Kear, Jon (2002) Masters of Colour: From Derain to Kandinsky. Royal Academy. (The full text of this publication is not available from this repository)

Kear, Jon (2007) Melancholy Images: Chris Marker’s Cine-Essays and the Ontology of the Photography. In: The Cine-Essay symposium, 8th February 2007, Loughborough University. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Modernism Revisited. Oxford Art Journal, 19 (2). pp. 119-122. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Monet Re-viewed. Burlington Magazine . (The full text of this publication is not available from this repository)

Kear, Jon (1996) Monet on the Normandy coast; Tourism and painting, 1867-1886 - Herbert,RL. Burlington Magazine, 138 (1122). pp. 610-612. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (1995) Montage, Modernism and its Histories. Word & Image . pp. 320-326. ISSN 0266-6286. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Odd Man Out; Cézanne in Context. LQ . (The full text of this publication is not available from this repository)

Kear, Jon (1995) Review of Nineteenth Century Painting: A Critical History. Review of: Nineteenth Century Painting: A Critical History by Eisenmann, Stephen F.. Apollo . pp. 60-61. (The full text of this publication is not available from this repository)

Kear, Jon (1997) Seurat and The 'Bathers'. Magazine, 139 (1135). pp. 709-711. ISSN 0007-6287. (The full text of this publication is not available from this repository)

Kear, Jon (1997) Seurat's Bathers at Asnières. Burlington Magazine . (The full text of this publication is not available from this repository)

Kear, Jon (2007) Spectres of Painting. University of Kent Press (The full text of this publication is not available from this repository)

Kear, Jon (2004) Spectres of the past: Jochen Gerz’s public monuments. In: Lamberti, Eleonora, ed. Representing Cultural Memory. University of Bologna Press, pp. 122-146. (The full text of this publication is not available from this repository)

Kear, Jon (1995) Street Noises -Parisian Pleasure,1900-1940 - RIFKIN,A. Art History, 18 (1). pp. 112-118. ISSN 0141-6790. (The full text of this publication is not available from this repository)

Kear, Jon (1998) Sunless (Chris Marker). Flicks Books (The full text of this publication is not available from this repository)

Kear, Jon (2005) The Clothing of Clio: Chris Marker’s Poetics and the Politics of Representing History. Film Studies: An International Review, 6 . pp. 49-63. ISSN 1469-0314. (The full text of this publication is not available from this repository)

Kear, Jon (1996) The Exposition Universelle of 1900. In: Banham, Joanna, ed. History of Interior Design. Fitzroy Dearborn. (The full text of this publication is not available from this repository)

Kear, Jon (2009) The Melancholy Image: Chris Marker’s Cine-Essays and the Ontology of the Photograph. In: Tormey, Jane and Whiteley, Gillian, eds. Telling Stories: Countering Narrative in Art, Theory and Film. Cambridge Scholars Press. ISBN 9781443805322. (The full text of this publication is not available from this repository)

Kear, Jon (2007) The Origin of the Fragment in Balzac’s Le Chef d’oeuvre inconnu. In: ‘The Fragment’ 3 day conference, 28th-30th June 2007, University of Aberysthwyth. (The full text of this publication is not available from this repository)

Kear, Jon (2008) The Treasures of the Impressionists. Andre Deutsch, 88 pp. ISBN 9780233002347. (The full text of this publication is not available from this repository)

Kear, Jon (2004) Through A Veil: Reflections on the History of Australian Landscape Painting. In: Balbari, M., ed. Paesaggi australiani: Australian Landscapes. Pendragon Press, pp. 36-61. (The full text of this publication is not available from this repository)

Kear, Jon (1995) Travellin' Light. Wasafiri . ISSN 0269-0055. (The full text of this publication is not available from this repository)

Kear, Jon (1996) Viewfinders: Looking at the Overlooked: Black Women photographers. Wasafiri . pp. 72-73. ISSN 0269-0055. (The full text of this publication is not available from this repository)

Kear, Jon (1994) Watching the Detectives. Art History . pp. 112-118. (The full text of this publication is not available from this repository)

Kear, Jon (2001) “Cézanne". In: The Oxford Companion to Western Art. Oxford University Press. (The full text of this publication is not available from this repository)

Kear, Jon and Turci, Monica (1999) Absorbing Mythologies: Michael Ondaatje's Bill the Kid. Englishes, 4 (2). (The full text of this publication is not available from this repository)

Klevan, Andrew (2000) Disclosure of the Everyday: Undramatic Achievement in Narrative Film. Trowbridge (The full text of this publication is not available from this repository)

Klevan, Andrew (2005) Film Performance – From Achievement to Appreciation. Wallflower Press, 144 pp. ISBN 190476424X. (The full text of this publication is not available from this repository)

Klevan, Andrew (2005) Guessing the unseen from the seen: Stanley Cavell and film interpretation. In: Goodman, Russell, ed. Contending With Stanley Cavell. Oxford University Press, pp. 118-139. ISBN 0-19-517568-9. (The full text of this publication is not available from this repository)

Klevan, Andrew (2005) Notes on teaching film style. In: Pye, Douglas and Gibbs, John, eds. Style and Meaning: Studies in the Detailed Analysis of Film. Manchester University Press, pp. 214-227. ISBN 0 7190 65259. (The full text of this publication is not available from this repository)

Klevan, Andrew (1999) The Composition of Charisma: The Lines of Sporting Seduction in Ron Shelton's Tin Cup. Journal of Film Studies, 1 (1). pp. 51-62. (The full text of this publication is not available from this repository)

Klevan, Andrew (2000) The Mysterious Disappearance of Style: Some Critical Notes about the Writing on Dead Ringers. In: Grant, Michael, ed. The Films of David Cronenberg. Flicks Books. (The full text of this publication is not available from this repository)

Klevan, Andrew (2003) The purpose of plot and the place of Joan Bennett in Fritz Lang’s The woman in the window. Cineaction (62). pp. 15-21. ISSN 0826-9866. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2014) ‘Amplifying Sensory Spaces: Headphone Theatre’. In: "Media, Politics, Performance Conference", Fast Forward Festival, 5th-7th May, 2014, Onassis Cultural Centre, Athens.. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2014) Amplifying Sensory Spaces: The In and Outputs of Headphone Theatre. Contemporary Theatre Review . ISSN 1048-6801. (Submitted) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2007) Between Realities: Intermediality and the Blurring of Boundaries in Multimedia Theatre. In: Sugiera, Malgorzata and Borowski, Matuesz, eds. Fictional Realities / Real Fictions:Contemporary Theatre in Search of a New Mimetic Paradigm. Cambridge Scholars Press, United Kingdom. ISBN 9781847181381 . (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2005) Between Realities: Intermediality in Multimedia Theatre. In: FIRT/IFTR International Conference "Fictional/Real in Contemporary Theatre", 17 - 20 November 2005, Jagiellonian University, Krakow. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2010) Copies, Robots, Mutants, and the Unfinished Human. In: (re)-Performing the Posthuman Conference, 21st-22nd May 2010, University of Sussex, Brighton.. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2005) David Pledger: On Eavesdrop and New Media. Performance Paradigm Journal (1). (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2006) During Intermediality: Remediation and Virtuality in Multimedia Theatre. In: Australasian Drama Studies Association Annual Conference, July 2006, University of Sydney. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) "Fleshing Out: The Body in Intermedial Dance". In: International Symposium of the Korean Society of Dance, 2nd November 2013, Sungkyunkwan University in Seoul, Korea. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) Hamlet Remembered. Performance type: Live play Hamlet Remembered, Friday May 31st and Saturday June 1st, Jarman Building, University of Kent. Performance. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2014) ‘The In and Outputs of Headphone Theatre’. In: Annual Conference of Theatre and Performance Research Association, 3rd-5th September 2014, Royal Holloway. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2010) Instance: The Builder’s Association. In: Bay Cheng, Sarah and Lavender, Andy and Nelson, Robin and Kattenbelt, Chiel, eds. Mapping Intermediality in Performance. Amsterdam University Press, Amsterdam, pp. 149-156. ISBN 978 90 8964 255 4. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) “InterMEdiation and the InterMEdial System”. In: International Federation for Theatre Research Annual Conference, 22nd – 26th July 2013, Institut del Teatre, Barcelona. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) Intermediality, Complexity and Emergence. In: Colloquium of Performance Research., 18th January 2013, Centre for Intermediality at the Royal Central School of Speech and Drama. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2005) Into Virtuality: Interactivity and Immersion in New Media Performance. In: E-Performance and Plug-ins, December 2005, University of New South Wales, Sydney. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2014) Mediation, Trace and Space in Dance Theatre: Already Elsewhere. In: Baxter, Virginia and Brannigan, Erin, eds. Bodies of Thought: 12 Australian Choreographers. Wakefield Press, Adelaide. ISBN 9781743052419. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2012) “Participate or Else”. In: Performance Studies International Conference 18, 27th June-1st July 2012., University of Leeds. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2007) Performing Posthuman Perspective: Can You See Me Now? Scan: Journal of Media Arts Culture, 4 (1). ISSN 1449-1818. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2010) "Performing at a Distance: Place, Pattern and Posthumanism". In: International Federation for Theatre Research Annual Conference, July 2010, LMU Munich. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2006) Performing ‘Posthuman’ Perspective: Remediation and Virtuality in New Media Performance. In: International Federation for Theatre Research Annual Congress, Helsinki, Finland. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2015) Playing a Punchdrunk Game: Immersive Theatre and Videogames. In: Frieze, James, ed. Framing Immersive Theatre. Palgrave Macmillan, Basingstoke. (In press) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2007) Postnarrativity in the Theatre of New Media Performance: Eavesdrop. In: Intermediality, Theatricality, Re-presentation and New Media Conference, 24th-29th May 2007, Centre for Research on Intermediality, University of Montreal, Montreal.. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) Send: Act: Perform. Performance Research, 18 (5). pp. 117-123. ISSN 1352-8165. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2007) Staging Space: Performing Plasticity and Plastic Performance. In: Annual Conference of the Theatre and Performance Research Association (TaPRA), 5th-7th September 2007, University of Birmingham. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2011) “Systems of Intermediality: Rites”. In: Performance Studies International Conference 17, 27th June-1st July 2011, Utrecht University. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2011) Systems of Spectatorship: Presence, Play and Performance in Blast Theory’s Games. In: “The Gaze is Us”, 23rd March 2011, Vooruit Centre for the Arts. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2005) The Play’s The Thing No Longer: Non-Linear Narrative in Kate Champion’s ‘Same, Same But Different'. Australasian Drama Studies Journal, 46 . pp. 58-69. (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2009) “What’s behind the smile?: The mediated other in performance". In: Performing Presence Conference, March 2009, University of Exeter. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. (2013) Work in Progress: Audience Engagement and an ‘Aesthetic of Unfinish’ in Richard Schechner’s Imagining O. Body, Space & Technology Journal, 11 (2). NA (online and downloadable PDF)-NA (online and downloadable PDF). ISSN ISSN 1470-9120. (The full text of this publication is not available from this repository)

Klich, Rosemary E. and Mitchell, Roanna and Dennis, Krysta (2014) Through the Grapevine: A Performed Wine Tasting (2013) and (2014). Performance type: Live play , 2014: 23rd, 24th October, 2014, Mrs Jones’ Kitchen, Canterbury: 26th and 27th April, 2013 Lumley Studio, University of Kent., Mrs Jones Kitchen, Canterbury and Lumley Studio, University of Kent.. Performance and documentation. (Unpublished) (The full text of this publication is not available from this repository)

Klich, Rosemary E. and Scheer, Edward (2011) Multimedia Performance. Basingstoke: Palgrave Macmillan, 240 pp. ISBN ISBN-10: 023057467X. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2002) "Fear of a Black and White Planet", Wonderyears. Neue Gesellschaft für Bildende Kunst. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2008) "Introduction" and "Capitalism as Cult", The Institute of Psychoplasmics. Pump House Gallery. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2010) Co-Operative Explanatory Capabilities in Organizational Design and Personnel Management, 2010. Testbed1, 18th-19th September 2010, Beaconsfield Gallery. Number of pieces: 1. Film. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2005) Militant Ironies: Art as a Strategic Weapon in Israel’s Culture Wars. Art Papers, 30 (5). pp. 24-27. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2006) Notes Towards the Scientific Understanding of an Enlightened Xenulogy, Concerning the Recent Discovery of the MARSH Archives. In: Marsh, Lynne, ed. Volcano. Platform, pp. 13-17. ISBN 0-9538800-1-X. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2007) RETRO/NECRO: From Beyond the Grave of the Politics of Re-Enactment. Art Papers, 31 (6). pp. 44-51. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2007) The Political Theology of Battlestar Galactica. In: BSG 2007: The Politics, Poetics and Philosophy of Battlestar Galactica, 28th July 2007, Buckinghamshire Chilterns University College. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2006) The Spectre of Manual Labour. In: On Liberty and Art, 18th October 2006, Tate Britain. (The full text of this publication is not available from this repository)

Kollectiv, G. and Kollectiv, P. (2010) We. Performance type: Musical event We, 29th August 2010, Kunsthall, Oslo. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2008) Art and the New Town. Art and the New Town, 11th - 15th December 2008, Harlow Temple of Utopias, Harlow. Number of pieces: 1. Silkscreen print. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 7th March - 15th April 2007, The Showroom, London. Number of pieces: 3. Performance, video and installation. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2007) Asparagus: A Horticultural Ballet. Asparagus: A Horticultural Ballet, 12th May 2007, SAT, Montreal. Number of pieces: 1. Performance. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2003) Becks Futures Student Film and Video Award Show. Becks Futures Student Film and Video Award Show , 25th - 28th April 2003, ICA, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2008) Better Future, Quad-Shaped. Better Future, Quad-Shaped, 28th October 2008, Cube Microplex, Bristol as part of The Sensible Stage, Media Art Bath. Number of pieces: 1. Performance. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2004) DaDaDa: Strategies against Marketecture. DaDaDa: Strategies against Marketecture, 21st October - 21st November 2004, temporarycontemporary gallery, London. Number of pieces: 2. Video and mixed media sculpture/installation. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2005) Diamonds For Workers. Diamonds For Workers, 3rd June - 10th July 2005, Kate McGarry, London. Number of pieces: 3. Sculpture/Installation. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2007) Emergency3. Emergency3, 1st December 2007 - 27th January 2008, Aspex, Portsmouth. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2008) Food: A Sci-Fi Banquet. Food: A Sci-Fi Banquet, 19th December 2008, Royal Academy of the Arts, London. Number of pieces: 1. Performance. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2007) Foreign Body(ies). Foreign Body(ies), 29th August - 22nd September 2007, White Box, New York. Number of pieces: 1. Video. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2008) Futureblueperfect. Futureblueperfect, 25th June - 27th July 2008, Cafe Gallery Projects, London. Number of pieces: 1. Installation. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2004) Grey Goo. Grey Goo, 16th October - 28th November 2004, Flaca Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2006) His Life Is Full Of Miracles. His Life Is Full Of Miracles, 11th March-29th April 2006, Animation Videotheque, Site Gallery, Sheffield.. Number of pieces: 5. Video. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2006) Little Private Governments. Little Private Governments, 20th February - 25th March 2006, University of Essex Gallery, Colchester. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2006) Metropolis Rise. Metropolis Rise, 13th April - 23rd April 2006 and 30th April - 14th May 2006, Moganshan Art Village, Shanghai and DIAF 06, 798 Space, Beijing. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2006) Modern Lovers. Modern Lovers, 12th May - 4th June 2006, Three Colts Gallery. Number of pieces: 1. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2008) No Haus Like Bau. No Haus Like Bau, 14th June 2008, HAU, Mes Nuits, Berlin Biennale, Berlin. Number of pieces: 1. Performance. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2009) Roll It To Me. Roll It To Me, 14th March - 9th May 2009, Collective, Edinburgh. Number of pieces: 3. Super 8mm and 16mm film transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2005) SV05. SV05, 5th August - 11th September 2005, Studio Voltaire, London. Number of pieces: 1. Super 8mm transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2008) Seven Times Two or Three. Seven Times Two or Three, 22nd June 2008, Cubitt, London. Number of pieces: 1. Performance. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2006) Slider. Slider, 29th April - 21st May 2006, Project Space, London. Number of pieces: 1. Video. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2009) Starmaker. Starmaker, 12th June - 12th July 2009, E:Vent Gallery, London. Number of pieces: 1. Video. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2004) Surrealestate. Surrealestate, 21st April - 29th May 2004, YYZ Artists' Outlet, Toronto. Number of pieces: 1. Super 8mm film transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2008) Svetlana. Svetlana, 11th October - 15th November 2008, S1 Artspace, Sheffield. Number of pieces: 27. Photography. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2008) The Institute of Psychoplasmics. The Institute of Psychoplasmics, 9th April - 26th May 2008, Pump House Gallery, London. Number of pieces: 1. 16mm film transferred to DVD. (The full text of this publication is not available from this repository)

Kollectiv, P. and Kollectiv, G. (2009) Ventriloquist. Ventriloquist, 27th February - 28th March 2009, Timothy Taylor, London. Number of pieces: 1. Video. (The full text of this publication is not available from this repository)

Laera, Margherita (2009) The Blue Planet. Teatro Romolo Valli, Reggio Emilia. (The full text of this publication is not available from this repository)

Laera, Margherita (2011) 'I'll Roughen It Up a Bit': Multiple-Authored Theatre Translations. In: Invisible Presences, 18-20 April 2011, Queen's University Belfast. (Unpublished) (The full text of this publication is not available from this repository)

Laera, Margherita (2009) Noi, gli eroi. In: Lagarce, Jean-Luc, ed. Teatro Completo. Ubulibri, Milan. ISBN 9788877483102. (The full text of this publication is not available from this repository)

Laera, Margherita (2011) Translating African Plays: Ethics, ‘Foreignisation’ and Collaboration. Practics as Research Portfolio. (The full text of this publication is not available from this repository)

Laera, Margherita (2010) The Wedding at Cana. In: Greenaway, Peter, ed. Veronese - The Wedding at Cana. A vision by Peter Greenaway. Charta Art Books, Milan. ISBN 9788881587575. (The full text of this publication is not available from this repository)

Lehmann, Hans-Thies (2012) Am grunde die steine. In: Das offene Geheimnis. Gedanken über Schauspielerei und Theater. Alexander Verlag Berlin, Berlin, pp. 132-153. ISBN 9783895812668. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2001) 'Ik ben een briljant filosoof.' Over zelfingenomenheid en ijdelheid. In: Filosofische Kring, February 2001, Kortrijk, Belgium. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2005) A Celestial Taxonomy of Remakes? Cinemascope. An Independent Film Journal, 1 (2). pp. 1-11. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Art and Pornography. In: 6th European Congress of Analytic Philosophy (ECAP), August 2008, Krakow, Poland. (Unpublished) (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Art and Pornography. Essay Review of Jerrold Levinson’s Contemplating Art. Journal of Aesthetic Education, 42 (3). (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2011) Art or Porn: Clear Division or False Dilemma? Philosophy and Literature, 35 (1). pp. 51-64. ISSN 0190-0013. (Full text available)
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Maes, Hans R.V. (2005) Arthur Danto and the End of Art. In: Midsouth Philosophy Conference, February 2005, Memphis, USA. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2001) Bescheidenheid en asymmetrie. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 93 (2). pp. 117-135. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2005) Bescheidenheid, trots en ijdelheid. Budel, Damon (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) Challenging Partial Intentionalism. In: American Society for Aesthetics, October 2006, Milwaukee, USA. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Challenging Partial Intentionalism. Journal of Visual Art Practice, 7 (1). pp. 85-94. ISSN 1470-2029 . (Full text available)
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Maes, Hans R.V. (2005) Critical Notice of Art in Progress. A Philosophical Response to the End of the Avant-Garde by Maarten Doorman. Budel, Damon, Jaarboek voor Esthetica. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2004) Danto en het einde van de kunst. In: Vandenabeele, Bart and Verneir, Koen, eds. Transgressie in de kunst. Budel, Damon, pp. 118-128. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2004) Danto, De Duve, and The End of Art. In: Rediscovering Aesthetics, July 2004, Cork, Ireland. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2005) David Hume over de emotie ‘trots’. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 81-97. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) De emotie ‘trots’. In: Internationale School voor Wijsbegeerte, March 2006, Leusden, The Netherlands. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2005) De emotie ‘trots’ in de hedendaagse analytische filosofie. In: Van Reijen, M., ed. Emoties. Van stoïcijnse apatheia tot heftige liefde. Amsterdam, Klement, pp. 186-204. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) De grappenmaker en zijn publiek. Over grappen, kunst en intimiteit. In: Conference on humour organised by the University of Antwerp, May 2006, University of Antwerp, Belgium. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) Different Kinds of Bullshit. In: German Society for Analytic Philosophy (GAP), September 2006, Berlin, Germany. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2007) Een treffende gelijkenis. Over grappen en kunst. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (4). pp. 281-296. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Elephants, Microscopes and Free Beauty: Reply to Davies. Philosophical Quarterly, 59 (235). pp. 332-336. ISSN 0031-8094. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Esthetica en Theorievorming: Interview met Kendall Walton. . (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) Grapje! Filosofische gedachten over grappen. Budel, Damon (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2001) Hypocrisie en Bescheidenheid. In: Internationale School voor Wijsbegeerte, March 2001, Leusden, The Netherlands. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2007) Intention, Interpretation, and Contemporary Visual Art. In: Annual Meeting of the Dutch-Flemish Society for Analytic Philosophy (VAF), April 2007, Antwerp, Belgium. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2010) Intention, Interpretation, and Contemporary Visual Art. British Journal of Aesthetics, 50 (2). pp. 121-138. ISSN 0007-0904. (Full text available)
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Maes, Hans R.V. (2006) Julia Driver on Moral Luck. In: 1st Annual Online Philosophy Conference, 2006, http://experimentalphilosophy.typepad.com/online_philosophy_confere. (Unpublished) (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2005) Larry Shiner and Arthur Danto on Art History. In: American Society for Aesthetics, Eastern Division Meeting, April 2005, Philadelphia, USA. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) Liefde, vriendschap en Casablanca. Streven (73). (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Love, Friendship, and Casablanca. In: Love in Our World. An International Conference, November 2008, University of Manchester. (Unpublished) (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2004) Modesty, Asymmetry, and Hypocrisy. Journal of Value Inquiry, 38 (4). pp. 485-497. ISSN 0022-5363. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2009) Nawoord: Over de relatie tussen film en filosofie. In: d'Hoine, Pieter and Engelen, Bart, eds. Denkbeelden. Een inleiding tot de filosofie aan de hand van films. Antwerpen, Pelckmans, pp. 245-260. ISBN 9789086870448. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Remember that we forget. In: Cultural Memory: Forgetting to Remember / Remember to Forget, September 2008, University of Kent, Canterbury. (Unpublished) (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2005) Review of Aesthetics and the Philosophy of Art. The Analytic Tradition by Peter Lamarque & Stein H. Olsen. Tijdschrift voor Filosofie, 67 (3). pp. 601-602. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) Review of Art and Intention. A Philosophical Study by Paisley Livingston. Tijdschrift voor Filosofie, 68 (2). pp. 414-415. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2005) Review of Arts & Minds by Gregory Currie. Review of Arts & Minds by Gregory Currie, 67 (3). p. 612. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Review of Contemplating Art by Jerrold Levinson. Review of: Contemplating Art by Levinson, Jerrold. Tijdschrift voor Filosofie, 70 (1). p. 186. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2004) Review of Filosofie & Film by Joost Raessens. Review of: Filosofie & Film by Raessens, Joost. Cinetext Online. Film & Philosophy . 0-0. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Review of On Images by John V. Kulvicki. Review of: On Images by Kulvicki, John V.. Tijdschrift voor Filosofie, 69 (4). p. 780. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Algemeen Nederlands Tijdschrift voor Wijsbegeerte, 99 (2). pp. 167-168. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2007) Review of Opmerkingen over het gevoel van het schone en het verhevene by Immanuel Kant. Review of: Opmerkingen over het gevoel van het schone en het verhevene by UNSPECIFIED. Tijdschrift voor Filosofie, 69 (2). p. 389. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2007) Review of Philosophy and Conceptual Art by Peter Goldie and Elisabeth Schellekens. Review of: Philosophy and Conceptual Art by Goldie, Peter and Schellekens, Elisabeth. Tijdschrift voor Filosofie, 69 (3). pp. 612-613. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) Review of Sight and Sensibility. Evaluating Pictures by Dominic McIver Lopes. Tijdschrift voor Filosofie, 68 (1). p. 434. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2007) Review of The Philosophy of Art by Stephen Davies. Review of: The Philosophy of Art by Davies, Stephen. Tijdschrift voor Filosofie, 69 (2). pp. 381-383. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2001) Review of The Subtlety of Emotions by Aaron Ben-Ze'ev. Tijdschrift voor Filosofie, 63 (4). pp. 810-811. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) Review of The Task of the Interpreter. Text, Meaning, and Negotiation by Pol Vandevelde. Tijdschrift voor Filosofie, 68 (3). pp. 651-653. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2006) Review of Three Philosophical Filmmakers. Hitchcock, Welles, Renoir by Irving Singer. Tijdschrift voor Filosofie, 68 (4). pp. 840-842. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2002) Review of Uneasy Virtue by Julia Driver. Tijdschrift voor Filosofie, 64 (3). pp. 606-607. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2005) The End of Art Revisited. Postgraduate Journal of Aesthetics, 2 (3). pp. 122-132. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2004) The End of Art: A real problem or not really a problem? Postgraduate Journal of Aesthetics, 1 (2). pp. 59-68. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2003) The End of Art: A real problem or not really a problem? In: the International Congress on Arthur C. Danto and the End of Art, December 2003, Murcia, Spain. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2008) Waarom vinden we kunst waardevol? In: Vormingplus, May 2008, Leuven, Belgium. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2012) Who Says Pornography Can't Be Art? In: Maes, Hans R.V. and Levinson, Jerrold, eds. Art and Pornography: Philosophical Essays. Oxford University Press, pp. 17-47. ISBN 9780199609581. (Full text available)
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Maes, Hans R.V. (2001) Zelfwaardering. In: 23rd Vlaams-Nederlandse Filosofiedag, October 2001, Kortrijk, Belgium. (The full text of this publication is not available from this repository)

Maes, Hans R.V. (2002) Zelfwaardering en het standpunt van anderen. In: Braeckman, Antoon and Devos, Rob and Verdonck, B., eds. Terugkeer van het subject. Recente ontwikkelingen binnen de filosofie,. Universitaire Pers Leuven, Leuven, pp. 223-235. (The full text of this publication is not available from this repository)

Maes, Hans R.V. and Schaubroeck, Katrien (2006) Different Kinds and Aspects of Bullshit. In: Hardcastle, Gary and Reisch, George A., eds. Bullshit and Philosophy. Open Court, pp. 171-182. (The full text of this publication is not available from this repository)

Marotti, Ferruccio and Tinti, Luisa and Allain, Paul (2005) Il Principe Costante di Jerzy Grotowski Riconstruzione, with subtitles in English. Centro Teatro Ateneo - University of Rome 'La Sapienza' DVD. (The full text of this publication is not available from this repository)

Mei, Todd (2006) Commitment and Communication: The Aesthetics of Receptivity and Historicity. Contemporary Aesthetics, 4 . p. 30. ISSN 19328478.. (The full text of this publication is not available from this repository)

Mikuriya, Theresa and Lai, Linda (2004) Cryptoglyph: dialogues in many tongues in the hidden crevices of an open city. Philippe Charriol Foundation, 284 pp. ISBN 9889739119. (The full text of this publication is not available from this repository)

Mikuriya, Theresa and Lai, Linda (2004) Push: The quest for a voice, in search of a body. Interactive digital media installation. (The full text of this publication is not available from this repository)

Mikuriya, Junko Theresa (2008) Cryptoglyph. In: Urban Encounters Conference, 16-17th May 2008, Centre for Urban and Community Research, Goldsmiths, University of London. (Unpublished) (The full text of this publication is not available from this repository)

Mikuriya, Junko Theresa (2007) Eight Hours of Sleep and other works. Eight Hours of Sleep and other works, 9th May - 4th September 2007, Keynes Gallery, University of Kent. Photography. (The full text of this publication is not available from this repository)

Mikuriya, Junko Theresa (2007) On the Walls of the Cave are Shadows. Stimulus Respond, London (1). pp. 93-96. (The full text of this publication is not available from this repository)

Mikuriya, Junko Theresa (2006) On the Walls of the Cave are Shadows. In: Affective Imaging; Uneasy Spaces Symposium, 20th October 2006, Goldsmiths University of London. (Unpublished) (The full text of this publication is not available from this repository)

Mikuriya, Junko Theresa (2008) Solo photographic exhibition, invited by the Hong's Foundation in Education and Culture. Meme: Antimatic 3 programme, 2nd June - 29th August 2008, Taipei, Taiwan. Photography. (The full text of this publication is not available from this repository)

Mikuriya, Theresa (2005) Theresa Mikuriya: photographs. Theresa Mikuriya: Photographs, 10 June 2005-26 June 2005, Seven Seven Contemporary Art, London. Number of pieces: 15. Photographs. (The full text of this publication is not available from this repository)

Neale, Steve (1992) The Big Romance or Something Wild - Romantic Comedy Today. Screen, 33 (3). pp. 284-299. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Neale, Steve (1995) The story of Custer in everything but name, colonel-Thursday and 'fort apache'. Journal of Film and Video, 47 (1-3). pp. 26-32. ISSN 0742-4671. (The full text of this publication is not available from this repository)

Newall, Michael (2006) 'Pictures, Colours and Resemblance'. Philosophical Quarterly, 56 (225). pp. 587-595. ISSN 0031-8094. (The full text of this publication is not available from this repository)

Newall, Michael (2003) A restriction for pictures and some consequences for theories of depiction. Journal of Aesthetics and Art Criticism, 61 (4). pp. 381-394. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Newall, Michael (2009) Pictorial Experience and Seeing. British Journal of Aesthetics, 49 (2). pp. 129-141. ISSN 0007-0904. (Full text available)
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Newall, Michael (2005) Picturing pictures: reply to Dilworth. Journal of Aesthetics and Art Criticism, 60 (1). 70 -73. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Pavis, Patrice (2003) Analyzing Performance: Theater, Dance and Film. University of Michigan Press, 362 pp. ISBN 978-0472096893. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) La Mise en Scène Contemporaine. Armand Colin, 332 pp. ISBN 9782200340438. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Verse une Théorie de la Pratique Théâtrale : Voix et Images de la Scene. Septentrion Presses Universitaires, 485 pp. ISBN 9782757400098. (The full text of this publication is not available from this repository)

Pavis, Patrice (2003) Avignon in 2002 : five moments captured by Guy Delahaye. Studies in Theatre and Performance, 22 (3). pp. 139-144. (The full text of this publication is not available from this repository)

Pavis, Patrice (2003) Bernard-Marie Koltès. In der Einsamkeit der Baumwollfelder, oder die Welt in der man dealt. In: Weiler, Christel and Lehmann, Hans-Thies, eds. Szenarien von Theater und Wissenschaft. Festschrift für Erika Fischer-Lichte. Recherchen 15, pp. 100-126. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Das zeitgenössische französische Theater. E Podium Verlag, München, 250 pp. (The full text of this publication is not available from this repository)

Pavis, Patrice (2003) De donde viene la puesta en escena y hacia donde va ? Revista de la escuela Navarra de Teatro (20). (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) De la critica. Conjunto. Revista de teatro latinoamericano (144). pp. 8-13. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Dialogue. A lexikon. Performance research, 11 (3). (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Die Inszenierung zeitgenössischer Theaterstücke. Lendemains . pp. 52-68. (The full text of this publication is not available from this repository)

Pavis, Patrice (2002) D’une photo à l’autre ou comment le off réinvente la mise en scène. Théâtre/Public (165). pp. 49-61. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Entrevue avec Kim Hye-Jin. Revue de la Korean National University of the Arts . (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Generacion. Teatro (21). pp. 201-209. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Generation. Performance Research, 9 (3). pp. 97-105. ISSN 1352-8165. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Génération. Culture Coréenne (68). pp. 24-28. (The full text of this publication is not available from this repository)

Pavis, Patrice (2005) Impressions de théâtre à Séoul. Culture Coréenne (70). pp. 12-15. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Impressions d’un Séoulite de passage. Revue du Théâtre Coréen . (The full text of this publication is not available from this repository)

Pavis, Patrice (2005) Iscenesættelsen af samtidige stykker. Peripeti . pp. 35-51. (The full text of this publication is not available from this repository)

Pavis, Patrice (2003) Jean-Luc Lagarce : J’étais dans ma maison et j’attendais que la pluie vienne, oder die Pavane der Frauen um das Bett eines schlafenden Mannes. Forum Modernes Theater, 18 (1). pp. 73-85. (The full text of this publication is not available from this repository)

Pavis, Patrice (2005) Koltès’ Black battles with dogs on the stage. Cliché Europe. About cliché in life & on the stage . pp. 63-71. (The full text of this publication is not available from this repository)

Pavis, Patrice (2003) Kunst oder die Kunst der Fugue. In: Keim, Katharina and Boenisch, Peter M and Braunmuller, Robert, eds. Theater ohne Grenzen, Festschrift für Hans-Peter Bayerdörfer zum 65. Geburtstag. Herbert Utz Verlag, München, pp. 194-208. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Le 11 septembre 2001 et sa première mise en scène aux Etats-Unis. Europe (924). pp. 164-175. (The full text of this publication is not available from this repository)

Pavis, Patrice (2002) Le Théâtre contemporain. Analyses des textes de Sarraute à Vinaver. Armand Colin, Paris, 232 pp. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Les médias auront-ils la peau du spectacle vivant ? In: Morizot, Jacques and Pouivet, Roger, eds. Dictionnaire d’esthétique et de philosophie de l’art. Armand Colin, Paris, pp. 413-415. (The full text of this publication is not available from this repository)

Pavis, Patrice (2005) Les écritures dramatiques contemporaines. In: Thomasseau, Jean-Marie, ed. Le Théâtre au plus près. Presses Universitaires de Vincennes, Saint-Denis, pp. 71-82. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Mes Trois Sœurs, Mis tres Hermanas, My three Sisters. Ateneo de Madrid, 267 pp. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Mes trois sœurs. Forum of Theatre and Drama, Seoul . pp. 314-356. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Préface au livre de Cathy Rapin et Im Hye-Gyông Théâtre Coréen d’hier et d’aujourd’hui. In: Rapin, Cathy and Hye-Gyong, Im, eds. Théâtre Coréen d’hier et d’aujourd’hui. Les Éditions de l’Amandier, Paris, pp. 9-18. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Préface au livre de Michel Liard Parole écrite, parole scénique. In: Liard, Michel, ed. Parole écrite, parole scénique. Éditions Joca Seria, Nantes, pp. 7-9. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Préface au livre de Sophie Proust La Direction d’acteurs dans la mise en scène contemporaine. In: Proust, Sophie, ed. La Direction d’acteurs dans la mise en scène contemporaine. L’Entretemps Éditions, pp. 9-18. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Quatre ouvrages en langues anglaise et allemande. Théâtre/Public (184). p. 121. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Quelques mois en Corée. Théâtre/Public (175). pp. 34-62. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Ravenhill and Durringer, or the Entente cordiale misunderstood. Contemporary Theatre Review, 14 (2). pp. 1-13. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Ravenhill et Durringer ou les malentendus de l’entente cordiale. Théartre (5). pp. 11-30. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Reflexions introductoriès sobre el final en el teatre. Pausa, 23 . pp. 94-114. (The full text of this publication is not available from this repository)

Pavis, Patrice (2005) Ritualité et mise en scène dans les vidéos graffitis de Gómez-Peña. Henmès (43). pp. 131-139. (The full text of this publication is not available from this repository)

Pavis, Patrice (2005) Réflexions liminaires sur la fin au théâtre. In: Egger, Carol, ed. Rideau ou la fin du théâtre. Lansman, pp. 35-48. (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Staging September 11th in the United States. Theater Forum (25). pp. 91-96. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Staging calamity : mise-en-scène and performance at Avignon 2005. In: Ben-Zvi, Linda and Davis, Tracy C., eds. Considering Calamity : Methods for Performance Research. Assaph Books, Tel Aviv university, pp. 13-38. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Staging calamity. Mise-en-scène and Performance at Avignon 2005. Theater, 36 (3). pp. 5-27. (The full text of this publication is not available from this repository)

Pavis, Patrice (2002) Tesis para el analisis del texto dramatico. Gestos, 17 (33). pp. 9-47. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) The effect produced. In: Christie, Judie and Gough, Richard and Watt, David, eds. A Performance Cosmology,. Routledge, London & New York, pp. 173-178. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Theatralia. Du texte au spectacle. Mélanges offerts à Halina Sawecka. Wydawnictwo UMCS . pp. 37-49. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Théâtre et calamité. Théâtre/Public (180). pp. 81-91. (The full text of this publication is not available from this repository)

Pavis, Patrice (2007) Traduction (avec Philippe Ivernel) et édition de Woyzeck de Georg Büchner. Classiques Larousse (The full text of this publication is not available from this repository)

Pavis, Patrice (2004) Woyzeck à la Cour d’Honneur. Théâtre/Public (175). pp. 67-72. (The full text of this publication is not available from this repository)

Pavis, Patrice (2006) Wymiana czy unterakcja ? Dialog (5-6). pp. 8-9. (The full text of this publication is not available from this repository)

Pavis, Patrice (2005) Yasmina Reza : Sztuka, czyli sztuka fugi. Etos życia – etos sztuki . pp. 283-299. (The full text of this publication is not available from this repository)

Pearlman, A. (2007) Ernst Toller plays three. London: Oberon Books (Submitted) (The full text of this publication is not available from this repository)

Pearlman, A. (2007) Ernst Toller plays two. London: Oberon Books (Submitted) (The full text of this publication is not available from this repository)

Pearlman, Alan (2007) Expressionism and modernism in the American theatre: Bodies, voices, words. Review of: Expressionism and modernism in the American theatre: Bodies, voices, words. by Walker, Julia A.. Theatre Research International, 32 (2). pp. 202-203. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Pitts, Virginia (1998) Army and University in conflict. New Zealand Herald . (The full text of this publication is not available from this repository)

Pitts, Virginia (2010) Beat. Pitts Productions HD. (Full text available)
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Pitts, Virginia (2007) Cross-cultural Filmmaking in Aotearoa New Zealand. In: MEDIANZ Conference, 8th-10th February 2007, Victoria University, Wellington, New Zealand. (The full text of this publication is not available from this repository)

Pitts, Virginia (2003) Fleeting Beauty. New Zealand Film Commission Film. (The full text of this publication is not available from this repository)

Pitts, Virginia (1999) Form and Politics in Punitive Damage. Australian Screen Education (20/21). (The full text of this publication is not available from this repository)

Pitts, Virginia (2010) From Process to Product: Intercultural Collaboration in the Making of Whale Rider. In: Impure Cinema: Interdisciplinary and Intercultural Approaches to World Cinema. (Unpublished) (Full text available)
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Pitts, Virginia (1997) From novel to film : Le journal d’un curé de campagne and the art of adaptation. European Connection (3). (The full text of this publication is not available from this repository)

Pitts, Virginia (2004) Homophobia has no place in tale of fatal love triangle. New Zealand Herald . (The full text of this publication is not available from this repository)

Pitts, Virginia (2008) Igniting the Peripheries: Digital Cinema in Aotearoa New Zealand. In: Screen Studies Conference, 4th-6th July 2008, University of Glasgow. (The full text of this publication is not available from this repository)

Pitts, Virginia (2006) Intercultural Short Filmmaking in Aotearoa New Zealand. Metro Film, Television, Radio & Multimedia journal (148). pp. 140-146. (The full text of this publication is not available from this repository)

Pitts, Virginia (2000) Trust Me. New Zealand Film Commission Film. (The full text of this publication is not available from this repository)

Pitts, Virginia (1999) “Searching for context” Article about the making of Punitive Damage & i/v with director Annie Goldson. Loose (1). (The full text of this publication is not available from this repository)

Pooke, Grant F. (2008) Art History: The Basics. Routledge ISBN 978-0415373081. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2008) Art, Abjection and the Sadian Imaginary: Installations and Sculptures by Kamilla Sztyber. Kent University Fine Art, pp47-50. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2007) Francis D. Klingender, ‘Exodus and Exile’. Socialist History 30: 1956 and the New Left (30). pp. 22-42. ISSN 0969 4331. (The full text of this publication is not available from this repository)

Pooke, Grant F. (1994) Larionov,mikhail and the russian avant-garde - parton,a. Art History, 17 (4). pp. 685-686. ISSN 0141-6790. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2003) Marxism, Art & Engagement: Francis Klingender. Bulletin of the Marx Memorial Library (137). pp. 19-26. ISSN 0969-1154. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2003) Museology. Open University. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2003) Teach Yourself Art History. Hodder & Stoughton ISBN 0340869216. (The full text of this publication is not available from this repository)

Pooke, Grant F. (2006) The Anal Sadistic Universe of Gilbert & George. In: Sculpture & Psychoanalysis. Ashgate Press in association with the Henry Moore Foundation, pp. 139-160. ISBN 0-7546-0984-7. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M. (2003) Art in Context. Open University. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M. (2004) Contemporary Art Practice. Open University. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M. (2003) Cross Curricular Issues. Open University. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M. (2003) Engaging Students. Open University. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M. (2003) Looking at Paintings. Open University. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Newall, Diana M. (2003) Why Teach Art and Design? Open University. (The full text of this publication is not available from this repository)

Pooke, Grant F. and Whitham, Graham (2010) Understand Contemporary Art: Teach Yourself. Hodder & Stoughton, 224 pp. ISBN 9781444111255. (The full text of this publication is not available from this repository)

Pryor, Angus (2012) Critical Narratives in Colour and Form. Critical Narratives in Colour and Form, 27th November -30 th November 2012, The Visual Arts Gallery The New Habitat Centre New Delhi. Exhibition catalogue. ISBN 9789055923074. (Full text available)
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Radosavljevic, Duška (2010) A Reflection on Internal. Contemporary Theatre Review, 20 (2). pp. 249-251. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Affairs of the Heart and Issues of Fidelity: Perspectives on Kneehigh’s Adaptation Method. In: AAS Berlin Conference , 29th September - 1st October 2010, Berlin. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2001) Beginner’s Serbo-Croatian. Hippocrene Books, 257 pp. ISBN 978-0781808453 . (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2006) Believe it or Not? Suspension of Disbelief and Emotional Responses to Fiction. In: Meyer-Dinkgrafe, Daniel, ed. Consciousness, Theatre, Literature and the Arts. Cambridge Scholars Press, pp. 70-82. ISBN 1-904303-63-3. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Emma Rice in Interview with Duska Radosavljevic. Journal of Adaptation in Film and Performance, 3 (1). pp. 89-98. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2004) Foreword. In: Kaput! New Writing North. ISBN 978-0954145637. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2005) From Dramaturg to Chocolatier: The Working Process on Margaret Wilkinson's new play Kaput! Dram Forum . (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2004) Introduction. In: Sajtinac, Ugljesa, ed. Huddersfield. Oberon Books, pp. 15-16. ISBN 9781840024494. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2008) Kako pokrenuti kritičara: Edinburg 2008 - Eksperimenti u političkom teatru. TFT: Teatar Film Televizija . ISSN 1821-0120. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2003) Lindzi Kemp, jedna karijera - Scena. Sterijino Pozorje (39). ISSN 0036-5734. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2010) Northern Stage Ensemble as an Adaptation of the Russian Theatre Model. In: International Federation for Theatre Research Translation, Adaptation, and Dramaturgy Working Group, 25th-26th July 2010, Munich. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2008) Sarah Kane's Illyria: A Balkan reading of Blasted. In: 'Sarah Kane: Reassessments', 16th February 2008, University of Cambridge. (Unpublished) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2005) Staging Theatricalised Reality: Yugoslav Metatheatre and its Political Significance. In: Haas, Birgit, ed. Macht Performanz, Performativität, Polittheater seit 1990. Würzburg: Königshausen & Neumann, pp. 283-302. ISBN 3-8260-3040-0. (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2009) The Alchemy of Power and Freedom – A Contextualisation of Slobodan Šnajder’s Hrvatski Faust (The Croatian Faust). Contemporary Theatre Review, 19 (4). pp. 428-447. ISSN 1048-6801 . (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2006) The Canterbury Tales Study Day: Learning and Teaching Methodology at the CAPITAL Centre. English Subject Centre Newsletter (10). (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2008) The Golden Age of Kneehigh. In: at Cultures of Translation: Adaptation in Film and Performance, 26th-28th June 2008, Glamorgan University, Cardiff. (Unpublished) (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2009) The Need to Keep Moving: Remarks on the Place of a Dramaturg in 21st Century England. Performance Research, 14 (3). 45 -51. ISSN 1352-8165 . (The full text of this publication is not available from this repository)

Radosavljevic, Duška (2007) Translating the City: A Community Theatre Version of Wenders’ Wings of Desire in Newcastle upon Tyne. Journal of Adaptation in Film and Performance, 1 (1). pp. 57-70. ISSN 17536421. (The full text of this publication is not available from this repository)

Radosavljevic, Duška and Awde, Nick (2004) Serbian Dictionary and Phrasebook. Hippocrene Books, 239 pp. ISBN 978-0781810494 . (The full text of this publication is not available from this repository)

Ramsay, N. (1998) From England into Normandy: Medieval alabaster carvings. Apollo, 147 (435). pp. 50-51. ISSN 0003-6536. (The full text of this publication is not available from this repository)

Roesner, David P. and Rebstock, Matthias, eds. (2012) Composed Theatre. Aesthetics, Practices, Processes. intellect, Bristol, 367 pp. ISBN 9781841504568. (The full text of this publication is not available from this repository)

Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. (2005) Szenische Orte - Mediale Räume. MuTH Medien und Theater, 1 . Olms, Hildesheim / New York, 265 pp. ISBN 9783487127996. (The full text of this publication is not available from this repository)

Roesner, David P. and Kendrick, Lynne, eds. (2011) Theatre Noise. The Sound of Performance. Cambridge University Scholars, Newcastle ISBN 978-1-4438-3440-7. (The full text of this publication is not available from this repository)

Roesner, David P. (2013) Accidental Collective’s Here is Where We Meet, Marlowe Studio, Canterbury, June 2013 (Musical dramaturg and sound design). Performance type: Other Here is where we meet, 19-22 June 2013, Canterbury, Marlowe Studio. Live performance. (The full text of this publication is not available from this repository)

Roesner, David P. (2006) Bending Gender and Acting Theory - Performing essays by Goethe and Cocteau on the theatrical benefits of cross-dressing. Studies in Theatre and Performance, 26 (2). pp. 111-127. ISSN 1468-2761. (The full text of this publication is not available from this repository)

Roesner, David P. (2005) Die Diskursivierung des Performativen und die Performativität diskursiver Praxis. Theaterpartituren zwischen Werkzeug und Waffe. In: Hempfer, K.W. and Traninger, A., eds. Macht Wissen Wahrheit. Rombach Litterae, Freiburg im Breisgau, pp. 243-258. ISBN 9783793094326. (The full text of this publication is not available from this repository)

Roesner, David P. (2005) Die Playlist als Inszenierung. Ein Portrait des Theatermusikers Lars Wittershagen. Theater der Zeit, 2005 (6). pp. 14-15. ISSN 0040-5418. (Full text available)
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Roesner, David P. (2010) Die Utopie 'Heidi'. Arbeitsprozesse im experimentellen Musiktheater am Beispiel von Leo Dicks Kann Heidi brauchen, was es gelernt hat? In: Röttger, Kati, ed. Welt - Bild - Theater: Politik der Medien und Kulturen des Wissens. Narr, Tübingen, pp. 221-234. ISBN 9783823366065. (The full text of this publication is not available from this repository)

Roesner, David P. (2011) The Guitar Hero's Performance. Contemporary Theatre Review, 21 (3). pp. 276-285. ISSN 1048-6801. (The full text of this publication is not available from this repository)

Roesner, David P. (2012) "It is not about labelling, it's about understanding what we do" – Composed theatre as discourse. In: Roesner, David P. and Rebstock, Matthias, eds. Composed Theatre: Aesthetics, Practices, Processes. Intellect, Bristol, pp. 319-362. ISBN 9781841504568. (The full text of this publication is not available from this repository)

Roesner, David P. (2007) Komik - Körper - Kunst - Kommerz. Eine Analyse der Elemente der Commedia dell`Arte in den Silent Slapstick Comedies. Other masters thesis, University of Hildesheim. (Full text available)
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Roesner, David P. (2002) Kompositionen der Ausdrucksnot — Einar Schleefs Musikalisierung von Sprache in seiner Inszenierung Verratenes Volk. In: Bayerdörfer, Hans-Peter, ed. Stimmen — Klänge — Töne. Synergien im szenischen Spiel. Gunter Narr, Tübingen, pp. 309-324. ISBN 9783823352303. (The full text of this publication is not available from this repository)

Roesner, David P. (2005) „Materialausgabe.“ Review of Wolfgang Sander (ed.), Heiner Goebbels. Komposition als Inszenierung. Berlin: Henschel, 2002. In: Porombka, St. and Schneider, W. and Wortmann, Volker, eds. Kollektive Kreativität. Jahrbuch der Kulturwissenschaften. Francke, Tübingen, pp. 167-170. ISBN 9783772081255. (The full text of this publication is not available from this repository)

Roesner, David P. (2011) The Mechanics of Noise. Theatricality and the Automated Instrument in Heiner Goebbels' theatre and Pat Metheny's Jazz. In: Kendrick, Lynne and Roesner, David P., eds. Theatre Noise. The Sound of Theatre. Cambridge Scholars Press, Newcastle, pp. 149-163. ISBN 9781443834407. (The full text of this publication is not available from this repository)

Roesner, David P. (2010) Musicality as a paradigm for the theatre – a kind of manifesto. Studies in Musical Theatre, 4 (3). pp. 293-306. ISSN 17503159. (Full text available)
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Roesner, David P. (2010) Musicking as mise-en-scène. Studies in Musical Theatre, 4 (1). pp. 89-102. ISSN 1750-3159. (The full text of this publication is not available from this repository)

Roesner, David P. (2004) Musik mit den ‘Mitteln der Bühne’ — Aufführungsanalyse mit den Mitteln der Musik. In: Kurzenberger, Hajo and Matzke, Annemarie, eds. TheorieTheaterPraxis. Theater der Zeit, Berlin, pp. 107-116. ISBN 9783934344297. (The full text of this publication is not available from this repository)

Roesner, David P. (2005) Musikalische Spiel-Räume. In: Roesner, David P. and Wartemann, Geesche and Wortmann, Volker, eds. Szenische Orte-Mediale Raume. Olms, Hildesheim / New York, pp. 129-147. ISBN 9783487127996. (The full text of this publication is not available from this repository)

Roesner, David P. (2010) Musikalisches Theater – Szenische Musik. In: Mungen, Anno, ed. Mitten im Leben. Musiktheater von der Oper bis zur Everyday-Performance mit Musik. Königshausen & Neumann, Göttingen, pp. 193-211. ISBN 9783826041846. (The full text of this publication is not available from this repository)

Roesner, David P. (2009) Musikalität als Paradigma für die Theaterarbeit. Zehn Thesen. In: Theater. Musik. Fokus Schultheater (8). Edition Körber Stiftung, Hamburg, pp. 8-16. ISBN 978-3896841872. (The full text of this publication is not available from this repository)

Roesner, David P. (2009) Performing theory and its evaluation as research. In: Allegue, Ludivine and Kershaw, Baz and Jones, Simon and Piccini, Angela, eds. Practice-as-Research: In Performance and Screen. Palgrave Macmillan, London, p. 223. ISBN 9780230220010. (The full text of this publication is not available from this repository)

Roesner, David P. (2011) Presentation given at the Academy of the Arts, Berlin: “Ich komponiere als Regisseur und inszeniere als Komponist“ (Heiner Goebbels) Dialoge über komponiertes Theater – Versuch einer Diskursanalyse. Presentation video. (The full text of this publication is not available from this repository)

Roesner, David P. (2003) Ribbible Ribble — Motivik und musikalische Form im Theater Christoph Marthalers. In: Balme, Christopher and Fischer-Lichte, Erika and Grätzel, Stephan, eds. Theatre als Paradigma der Moderne. Francke, Tübingen, pp. 365-374. ISBN 9783772027963. (The full text of this publication is not available from this repository)

Roesner, David P. (2007) Singing Actors and Dancing Singers. Oscillations of genre, physical and vocal codes in two contemporary adaptations of Purcell’s Dido and Aeneas. Studies in Musical Theatre, 1 (2). pp. 123-137. ISSN 14682761. (Full text available)
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Roesner, David P. (2003) Theater als Musik. Musikalische Aspekte in den Inszenierungen Christoph Marthalers. Theater der Zeit, 2003 (6). pp. 42-43. ISSN 0040-5418. (The full text of this publication is not available from this repository)

Roesner, David P. (2003) Theater als Musik. Verfahren der Musikalisierung in chorischen Theaterformen bei Christoph Marthaler, Einar Schleef und Robert Wilson. Gunter Narr, Tübingen ISBN 3823360205. (Full text available)
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Roesner, David P. (2009) "Vom Nutzen und Nachteil der Theatergeschichte und -theorie für die künstlerische Ausbildung".On the use and abuse of theatre history and theatre theory in vocational drama training, Paper given at the Universität der Künste, Berlin, 26. January 2009. . Electronic Article. (Full text available)
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Roesner, David P. (2008) Wenn Musik zu Wort kommt. Portrait des Komponisten und Schauspielmusikers Lars Wittershagen. Ruhrtriennale 2008, Germany. (Full text available)
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Roesner, David P. (2004) „Über Musik und Raum im zeitgenössischen Theater”. Monthly magazine of the Theater Basel, 2004 (3). pp. 22-23. ISSN N/A. (Full text available)
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Roesner, David P. (2009) 'An entirely new art form' – Katie Mitchells intermediale Bühnen-Experimente. Forum Modernes Theater, 24 (2). pp. 101-119. ISSN 0930-5874. (Full text available)
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Roesner, David P. (2008) The politics of the polyphony of performance. Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1048-6801 . (Full text available)
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Roesner, David P. (2008) The politics of the polyphony of performance: Musicalization in contemporary German theatre. Contemporary Theatre Review, 18 (1). pp. 44-55. ISSN 1477-2264. (The full text of this publication is not available from this repository)

Roesner, David P. and Risi, Clemens (2009) Die polyphone Werkstatt. Kollektives Arbeiten im zeitgenössischen Musiktheater. Theater der Zeit, 2009 (1). pp. 28-30. ISSN 0040-5418. (Full text available)
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Roser-i-Puig, Montserrat (2001) Moral Games and Corrupting Justice in Fernando Arrabal’s The Architect and the Emperor of Assyria. In: Batley, Edward and Bradby, David, eds. Morality and Justice: The Challenge of European Theatre. European Studies: A Journal of European Culture, History and Politics (17). Rodopi, Amsterdam, pp. 209-224. ISBN 90-420-1398-2. (The full text of this publication is not available from this repository)

Sakwa, Richard (1996) The Gorbachev Encyclopedia - Gorbachev the Man and his Times - Wieczynski, JL. Slavonic and East European Review, 74 (2). pp. 366-368. ISSN 0037-6795. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2006) Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer. Significação: Revista Brasileira de Semiótica (26). pp. 139-172. ISSN 15164330. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2006) Mutant Authors and Cross-Pollinating Texts in Charlie Kaufman’s Adaptation. In: Housel, Rebecca, ed. From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation. Cambridge Scholars Press, Cambridge, p. 123. ISBN 978-1847180315. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2008) O jogo da reinvenção: Charlie Kaufman e o lugar do autor no cinema. Alameda, Sao Paulo, 64 pp. ISBN 9788598325729. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2010) Review of After Hitchcock: Influence, Imitation, and Intertextuality, David Boyd and R. Barton Palmer (eds.). Review of: After Hitchcock: Influence, Imitation, and Intertextuality by Boyd, David and Barton Palmer, R.. Journal of Adaptation in Film and Performance, 3 (2). pp. 119-121. ISSN 1753-6421. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2008) Um cinema desenquadrado: a política da linguagem e a linguagem da política em Duas ou três coisas que eu sei dela. In: Estudos de cinema – SOCINE IX. Annablume, Sao Paulo. ISBN 9788574198644. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2014) Eduardo Coutinho's Films Were About Gaps and Creative Frictions. Mediático, n/a (n/a). n/a-n/a. ISSN n/a. (The full text of this publication is not available from this repository)

Sayad, Cecilia (2010) Flesh for the Author: Filmic Presence in the Documentaries of Eduardo Coutinho. Framework: The Journal of Cinema and Media, 51 (1). pp. 134-150. ISSN 0306-7661. (Full text available)
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Sayad, Cecilia (2011) The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard. Journal of Film and Video, 63 (4). pp. 21-34. ISSN 0742-4671. (Full text available)
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Sayad, Cecilia (2011) The Persistence of Auteurism in Brazilian Cinema. In: Issues of Auteurism in Latin American Cinema - SCMS, 10-13 March 2011, Ritz-Carlton, New Orleans. (The full text of this publication is not available from this repository)

Sharman, L.F. (1992) Cohl,emile, caricature, and film - crafton,d. Screen, 33 (4). pp. 441-445. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Sharratt, Bernard (1999) Paul Rand. Review of: Paul Rand by Heller, Steven. New York Times Book Review . p. 8. ISSN 0028-7806. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (1997) Between the Scenes: Virginia Woolf’s Freshwater. Women and Theatre: Occasional papers (4). pp. 35-67. ISSN 0-951-88753. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2004) Breathe body of lovely death: the disappearing subject in Susan Glaspell’s Auto/biographical Theatre. In: Gale, Maggie B. and Gardner, Viv, eds. Women, Theatre and Performance: Autobiography and Identity. Manchester University Press. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2008) Does it Work? Prove it! Reflections on Efficacy and Ethics. In: Theatre and Performance Research Association, September 2008. (Unpublished) (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2008) Double Acts: Mirror Neurons & Applied Performance. In: Researching Applied Theatre and Performance Conference, April 2008, University of Exeter. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2007) Gertrude Stein. Writers and their work. Plymouth: Northcote House ISBN 0746309066. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (1996) Is s/he or isn’t s/he?: Screening Orlando. In: Cartmell, Deborah, ed. Pulping Fictions: Consuming Culture across the Literature/Media Divide. Pluto Press, pp. 43-56. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2000) One, Two, Three: Sylvia Plath’s Verse Dramas. In: Donnell, Alison and Polkey, Pauline, eds. Representing Lives: Women and Auto/biography. Macmillan, pp. 241-250. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2013) Perceiving Differently: The Neuro-Divergent Aesthetic and Contemporary Performance. Interdisciplinary Science Reviews, 38 (4). pp. 321-334. ISSN 0308-0188. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (1996) Theatres of Absurdity: pedagogy, performance and institutional politics. Studies in Theatre Production (13). pp. 39-53. ISSN 1357-5341. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (2005) Truths and lies: towards a new methodology of performance applications. Research in Drama and Education . 0-0. ISSN 1356-9783. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola (1994) When this you see remember me: Three plays by Gertrude Stein. In: Griffin, Gabrielle, ed. Difference in View. Taylor & Francis. (The full text of this publication is not available from this repository)

Shaughnessy, Nicola and Shaughnessy, Robert and Caines, Michael and Goring, Paul (2008) Margaret Woffington: lives of shakespearian actors part 1. Pickering & Chatto (The full text of this publication is not available from this repository)

Shaughnessy, Nicola and Trimingham, Melissa (2012) Autism Affects: cognition, kinesthetics and practice based research. In: Theatrical Histories - American Society for Theatre Research , 31/10/2012 - 04/11/2012, Nashville USA. (Submitted) (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1997) "Ragging the Bard”: Terence Gray, Shakespeare and Henry VIII. Theatre Notebook, 51 (2). pp. 92-111. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2004) Approaching the Globe. In: Shakespeare Association of America Annual Conference, April 2004, New Orleans. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2008) Behind the Scenes. In: Thirty-third International Shakespeare Conference, August 2008, The Shakespeare Institute. (Unpublished) (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2009) Behind the Scenes. Shakespeare Survey , 62 (62). pp. 236-247. ISSN ISBN 0 521 39529 1. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2010) A Choice of Programs. Shakespeare Bulletin, 28 (1). pp. 55-76. ISSN 0748-2558. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2008) Domestic life and domestic tragedy in early modern England: The material life of the household. Review of: Domestic life and domestic tragedy in early modern England: The material life of the household by Richardson, Catherine T.. Literature and History, 17 (1). pp. 82-83. ISSN 0306-1973. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) Dreaming the Globe: Poel, Guthrie, and the quest for authenticity. In: Shakespeare and Tudor Traditions, September 2006, Queen Mary and Westfield College & Shakespeare’s Globe. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2005) Dreams of England. In: Massai, Sonia, ed. World-Wide Shakespeares: Local appropriations in film and performance. London and New York: Routledge. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2007) Early modern tragedy and the cinema of violence. Review of: Early Modern Tragedy and the Cinema of Violence by Simkin, Stevie. Literature and History, 16 (1). pp. 107-108. ISSN 0306-1973. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2001) Edward Bond. In: Dobson, Michael and Wells, Simon, eds. The Oxford Companion to Shakespeare Studies. Oxford: Oxford University Press. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1998) Eugene O’Neill and American Drama to 1945. . (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2005) Hamlet. Performance Research, 10 (3). p. 103. ISSN 1352-8165. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1989) Howard Barker, The Wrestling School and the Cult of the Author. New Theatre Quarterly (15). pp. 264-271. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2001) In his Entirety: Tyrone Guthrie, Hamlet and Psychoanalysis. In: London Renaissance Seminar, February 2001, University of London. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) Introduction to Shakespearean Tragedy. In: Bradley, A.C., ed. Shakespearean Tragedy 4th revised edition. Palgrave Macmillan, xii-xlvi. ISBN 9780230001893. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2005) On Location: de Certeau, Shakespeare and the pedestrian. In: Trinity College, Dublin, February 2005, Trinity College, Dublin. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2005) On location. In: Hodgdon, Barbara and Worthen, W.B., eds. A Companion to Shakespeare and Performance. Blackwell, pp. 80-100. ISBN 1 4051 1104 6. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2007) One Piece at a Time. Shakespeare Bulletin, 25 (3). pp. 11-26. ISSN 0748-2558. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) One Piece at a Time. In: Watching Ourselves Watching Shakespeare, November 2006, University of Michigan. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Film, May 2006, Royal Holloway, University of London. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) Our Shakespeares. In: Shakespeare on Television seminar, April 2006, Shakespeare Association of America Annual Conference, Philadelphia. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) Our Shakespeares: British Television Shakespeare and the Strains of Multiculturalism. In: Thornton Burnett, Mark and Wray, Ramona, eds. Screening Shakespeare in the Twenty-First Century. Edinburgh: Edinburgh University Press. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1997) Postmodernism, interculturalism and a recurring Dream. In: Shakespeare Association of Korea First Annual Conference, May 1997, Seoul University. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1994) Representing Shakespeare: England, History and the RSC. Hemel Hempstead: Harvester Wheatsheaf (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2003) Romeo and Juliet: the rock and roll years. In: Aebischer, Pascale and Esche, Edward J. and Wheale, Nigel, eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures. Basingstoke and New York: Palgrave. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2001) Romeo and Juliet: the rock and roll years. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 2001, Anglia Polytechnic University. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2002) Setting the Scene: A Midsummer Night’s Dream. In: Shakespeare’s Globe, May 2002, Shakespeare’s Globe. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1999) Shakespeare Goes Pop. In: Millennium Shakespeares, November 1999, Hofstra University. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2005) Shakespeare and 21st Century Film. In: British Shakespeare Association Conference, September 2005, University of Newcastle. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2003) Shakespeare at Ground Level. In: London Shakespeare Seminar, November 2003, University of London. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2001) Shakespeare versus Performance. In: London Shakespeare Seminar, April 2001, University of London. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2000) Shakespearean Utopias. Shakespeare Survey (54). pp. 233-243. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1998) Shakespearean Utopias. In: The Shakespeare Institute, February 1998, The Shakespeare Institute. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) Stage, Screen and Nation: Hamlet and the Recovery of History. In: Henderson, Diana E., ed. A Concise Companion to Shakespeare on Screen. Oxford: Blackwell. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2005) Stage, Screen and Nation: Hamlet and the recovery of history. In: The Shakespeare Institute, March 2005, The Shakespeare Institute. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2006) Staging the media apparatus: the Shakespeare revolution will not be televised. In: Holland, Peter, ed. Shakespeare: Remembering Performance. Cambridge University Press. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1994) Terence Gray’s Shakespeare. In: Shakespeare on the British Stage 1990-1945, July 1994, Leicester University. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2008) The Falstaff Syndrome: Pathos, Prosthetics and Performance. In: Filming and Performing Renaissance History symposium, April 2008, Queen's University Belfast. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1996) The Last Post. In: Shakespeare’s Language in Performance Seminar, 27th International Shakespeare Conference, August 1996, The Shakespeare Institute. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1998) The Last Post: Henry V, war culture and the postmodern Shakespeare. Theatre Survey, 39 (1). pp. 41-61. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2007) The Nazi appropriation of Shakespeare: Cultural politics in the Third Reich. Review of: The Nazi Appropriation of Shakespeare: Cultural Politics in the Third Reich by Symington, Rodney. Theatre Research International, 32 (2). pp. 216-217. ISSN 0307-8833 . (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2004) The Shakespeare Revolution will not be televised. In: Shakespeare: Remembering Performance, November 2004, University of Notre Dame. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2002) The Shakespeare effect: A history of Twentieth-Century performance. Palgrave, 221 pp. ISBN 0 333 77937 1. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1992) Three Socialist Plays: Lear, Roots, Serjeant Musgrave’s Dance. Buckingham and Philadelphia: Open University Press (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2002) Twentieth-Century Fox: Volpone’s Metamorphosis. Theatre Research International, 27 (1). pp. 27-48. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1997) Volpone, anthropomorphism, and the discourses of late capitalism. In: SCAENA: Shakespeare and his Contemporaries in Performance, August 1997, Anglia Polytechnic University. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1994) Voltaire’s Brain: Strategies for Enlightenment and Studies in the Death of the Author. Studies in Theatre Production (9). pp. 22-37. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2001) What have the Romans ever done for us? In: Royal Shakespeare Company Summer School, August 2001, Royal Shakespeare Company Summer School. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (2004) ‘Robert Bensley’, ‘Francis Gentleman’, ‘William Havard’, ‘Charles Lee Lewes’, ‘Charles Macklin’, ‘Sarah Siddons’. In: Oxford Dictionary of National Biography. Oxford: Oxford University Press. (The full text of this publication is not available from this repository)

Shaughnessy, Robert (1996) ‘William, Gaskill’, ‘Terence Gray’, ‘Bill Alexander’. In: Hawkins-Dady, Mark, ed. International Dictionary of Theatre, Volume 3: Actors, Directors and Designers. London: St James’s Press. (The full text of this publication is not available from this repository)

Skillen, Tony J. (1994) Explanation and value in the Arts - Kemak,S, Gaskell,I. British Journal of Aesthetics, 34 (4). pp. 398-399. ISSN 0007-0904. (The full text of this publication is not available from this repository)

Smith, Murray (2003) A reasonable guide to horrible noise (Part 2) – listening to Lost Highway. In: Hojbjerg, Lennard and Schepelern, Peter, eds. Film Style and Story: A Tribute to Torben Groda. Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 153-170. ISBN 87-7289-851-8. (The full text of this publication is not available from this repository)

Smith, Murray (2005) Against Nature. In: The Cognitive Neuroscience of Film, April 2005, University of Washington-St-Louis. (The full text of this publication is not available from this repository)

Smith, Murray (2005) Cinema and Cognition. In: Cinema and Cognition, Society for Cinema and Media Studies, April 2005, London. (The full text of this publication is not available from this repository)

Smith, Murray (1995) Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press, 265 pp. ISBN 978-0198183471. (The full text of this publication is not available from this repository)

Smith, Murray (2002) Trainspotting. BFI Modern Classics, 95 pp. ISBN 0851708706. (The full text of this publication is not available from this repository)

Smith, Murray (2005) What Difference Does it Make. In: Representing and Conveying Emotions in Audio-Visual Forms of Media, December 2005, University of Hamburg. (The full text of this publication is not available from this repository)

Smith, Murray (2005) Who’s afraid of Charles Darwin? The art of film in the age of evolution. In: Brutsch, Matthias, ed. Emotionalität und Film. Marburg: Schüren, pp. 287-310. ISBN 978-3894725129. (The full text of this publication is not available from this repository)

Smith, Murray and Wartenburg, Thomas (2006) Thinking Through Cinema: Film as Philosophy. Journal of Aesthetics and Art Criticism 64(1). (The full text of this publication is not available from this repository)

Smith, Murray (1999) (Dis)engaging characters: a response to Lynne Pearce's review. Screen, 40 (3). pp. 358-362. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Smith, Murray (1992) Coming to terms - the rhetoric of narrative in fiction and film - Chatman,S. Journal of Aesthetics and Art Criticism, 50 (3). pp. 253-254. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Smith, Murray (2009) Consciousness. In: Livingston, Paisley and Plantinga, Carl, eds. The Routledge Companion to Philosophy and Film. Routledge Philosophy Companions . Routledge, London and New York, pp. 39-51. ISBN 9780415771665. (The full text of this publication is not available from this repository)

Smith, Murray (1998) Image and mind: Film, philosophy, and cognition science. Review of: Image and Mind: Film, Philosophy, and Cognitive Science. by Currie, Gregory. British Journal of Aesthetics, 38 (3). pp. 325-327. ISSN 0007-0904. (The full text of this publication is not available from this repository)

Smith, Murray (2006) My Dinner with Noel; or, Can We Forget the Medium ? Film Studies: An International Review, 8 . pp. 140-148. ISSN 1469-0314. (Access to this publication is restricted)
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Smith, Murray (1998) Regarding film spectatorship: A reply to Richard Allen. Journal of Aesthetics and Art Criticism, 56 (1). pp. 63-65. ISSN 0021-8529. (The full text of this publication is not available from this repository)

Smith, Murray (1992) Society-for-cinema-studies conference, pittsburgh, 30-april 3-may, 1992. Screen, 33 (4). pp. 436-438. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Smith, Murray (2007) Was macht es fur einen Unterschied ? Wissenschaft, Gefuhl und Film. In: Bartsch, Anne and Eder, Jens and Fahlenbrach, Kathrin, eds. Audiovisuelle Emotionen:Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Herbert von Halem, Cologne, pp. 39-59. ISBN 978-3-938258-30-9. (Full text available)
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Stanfield, Peter (2005) American Like Chop Suey: Invocations of gangsters in Chinatown 1920-35. In: Stanfield, Peter and Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of the American Gangster Film. New York: Rutgers University Press, pp. 238-262. ISBN 0-8135-3557-3. (The full text of this publication is not available from this repository)

Stanfield, Peter (2005) Body & soul: jazz and blues in American film, 1927-63. Urbana: University of Illinois Press, 213 pp. ISBN 0252 029 941. (The full text of this publication is not available from this repository)

Stanfield, Peter (2010) Crossover: Sam Katzman’s Switchblade Calypso Bop Reefer Madness Swamp Girl or ‘Bad Jazz,’ Calypso, Beatniks, Hot Rods, and Rock ’n’ Roll in 1950s Teenpix’. Popular Music, 29 (3). pp. 437-456. ISSN 0261-1430. (Full text available)
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Stanfield, Peter (2002) ‘An Excursion into the Lower Depths: Hollywood, St. Louis Blues, and Urban Primitivism.’. Cinema Journal, 41 (2). pp. 84-108. ISSN 0009-7101. (Full text available)
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Stanfield, Peter (2000) ‘From the Vulgar to the Refined: American Vernacular & Blackface Minstrelsy in Showboat (1936)’. In: Marshall, Bill and Stillwell, Robynn, eds. Musicals: Hollywood and Beyond. Intellect Press, pp. 147-156. ISBN 1-84150-003-8. (Full text available)
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Stanfield, Peter (2012) “‘Got-to-See’: Trends in Social Problem Pictures and the Postwar Cycles of Juvenile Delinquency Movies”. In: Lucia, Cynthia and Grundmann, Roy and Simon, Art, eds. The Wiley-Blackwell History of American Film. Wiley-Blackwell, Chichester, pp. 220-241. ISBN 9781405179843. (The full text of this publication is not available from this repository)

Stanfield, Peter (2001) Hollywood, westerns and the 1930s: the lost trail. University of Exeter Press, 258 pp. ISBN 085989 6943. (The full text of this publication is not available from this repository)

Stanfield, Peter (2002) Horse opera: the strange history of the singing cowboy. Urbana: University of Illinois Press, 177 pp. ISBN 0252027337. (The full text of this publication is not available from this repository)

Stanfield, Peter (2011) Maximum Movies -- Pulp Fictions: Film Culture and the Worlds of Samuel Fuller, Mickey Spillane and Jim Thompson. Other. Rutgers University Press, New Jersey (The full text of this publication is not available from this repository)

Stanfield, Peter (2008) Maximum Movies: Lawrence Alloway’s Pop Art Film Criticism. Screen, 49 (2). pp. 179-193. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Stanfield, Peter (2008) Notes Toward a History of the Edinburgh International Film Festival, 1969-77. Film International, 6 (4). pp. 62-71. ISSN 1651-6826. (Full text available)
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Stanfield, Peter (1997) ‘“An Octoroon in the Kindling”: American Vernacular & Blackface Minstrelsy in 1930s Hollywood.’. Journal of American Studies, 31 (3). pp. 407-438. ISSN 0021-8758. (Full text available)
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Stanfield, Peter (2011) “Punks! Topicality and the 1950s Gangster Bio-Pic Cycle”. In: Bolton, Kingsley and Olsson, Jan, eds. Media, Popular Culture and the American Century. National Library of Sweden, pp. 185-215. ISBN 9780861966981. (Full text available)
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Stanfield, Peter (2005) ‘A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films’. Film Studies: An International Review (7). pp. 66-82. ISSN 1469-0314. (The full text of this publication is not available from this repository)

Stanfield, Peter (2007) ‘A Monarch for the Millions: Jewish Filmmakers, Social Commentary & the Postwar Cycle of Boxing Films’. In: Krutnik, Frank and Neale, Steve and Neve, Brian and Stanfield, Peter, eds. “Un-American” Hollywood: Politics & Film in the Blacklist Era. Rutgers University Press. ISBN 0-8135-4198-3 . (The full text of this publication is not available from this repository)

Stanfield, Peter (1996) ‘Country Music & the 1939 Western: From Hillbillies to Cowboys’. In: Cameron, Ian and Pye, Douglas, eds. The Movie Book of the Western. Studio Vista, pp. 22-33. ISBN 0-289-80140-0. (The full text of this publication is not available from this repository)

Stanfield, Peter (1998) ‘Dixie Cowboys & Blue Yodels: The Strange History of the Singing Cowboy’. In: Buscombe, Edward and Pearson, Roberta, eds. Back in the Saddle Again: New Essays on the Western. British Film Institute, pp. 96-117. ISBN 0-85170661-4. (The full text of this publication is not available from this repository)

Stanfield, Peter (1992) ‘Heritage Design: The Harley-Davidson Motor Company.’. Journal of Design History, 5 (2). pp. 141-155. ISSN 0952-4649. (The full text of this publication is not available from this repository)

Stanfield, Peter (2003) ‘The Last Scene of the Titanic: Vernacular American Phonograph Recordings’. Interdisciplinary Literary Studies, 5 (1). pp. 21-33. ISSN 1524-8429. (The full text of this publication is not available from this repository)

Stanfield, Peter (1987) ‘The Western 1909-14: A Cast of Villains.’. Film History, 1 (2). pp. 97-112. ISSN 0892-2160. (The full text of this publication is not available from this repository)

Stanfield, Peter (2005) ‘Walking the Streets: Black Gangsters and the “Abandoned City” in the 1970s Blaxploitation Cycle’. In: Grieveson, Lee and Sonnet, Esther, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 281-300. ISBN 1845203305. (The full text of this publication is not available from this repository)

Stanfield, Peter (2001) ‘“Extremely Dangerous Material”: Hollywood and the Ballad of Frankie and Johnny’. In: Bernardi, Daniel, ed. Classic Hollywood, Classic Whiteness. University of Minnesota Press, pp. 442-465. ISBN 0-166-3239-1. (The full text of this publication is not available from this repository)

Stanfield, Peter (2002) ‘“Film Noir Like You’ve Never Seen”: Jim Thompson Adaptations and Cycles of Neo Noir’. In: Neale, Stephen, ed. Genre and Contemporary Hollywood. British Film Institute, pp. 251-268. ISBN 0-8517-08870. (The full text of this publication is not available from this repository)

Stanfield, Peter and Sonnet, Esther (2005) ‘“Good Evening, Gentleman, Can I Check Your Hats Please?”: Masculinity, Dress and the Retro Gangster Cycles of the 1990s’. In: Grieveson, Lee and Sonnet, Esther and Stanfield, Peter, eds. Mob Culture: Hidden Histories of American the Gangster Film. Berg, pp. 163-184. ISBN 1845203305. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2000) Artefici and Huomini Intendenti: Questions of Artistic Value in Sixteenth-Century Italy. In: Shepherd, Rupert and Neher, Gabriele, eds. Revaluing Renaissance Art. Ashgate Press, pp. 43-56. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (1999) Artefici and huomini intendenti: questions of artistic value in sixteenth-century Italy. In: Images and Values, Association of Art Historian’s 25th Annual Conference, 9-11th April 1999, University of Southampton. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (1999) Calendar of the Fortnum Papers at the Ashmolean Museum, 1999. National Art Library. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2007) Casa Vasari: writing and decorating the artist’s house. In: Hendrix, Harald, ed. Writers’ Houses and the Making of Memory. Routledge, pp. 139-148. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2005) Casa Vasari: writing and decorating the artist’s house. In: Writers’ Houses and the Construction of (Trans)National Cultural Memory, ACUME European Thematic Network Conference, 11th-15th May 2005, Rome. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2008) Disegno. In: Renaissance Keywords, 19th September 2008, University of Birmingham. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2002) Edgar Wind and Leonardo da Vinci. In: University of Oxford, Renaissance History Seminar, 4th February 2002, University of Oxford. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2005) Enea Vico, The Academy of Baccio Bandinelli. National Gallery of Canada, Leonardo da Vinci, Michelangelo and the Renaissance in Florence, exhibition catalogue. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2003) Finding Ovid through Raphael in the Schools of the Tombs. Art on the Line, 1 (2). pp. 1-11. ISSN 1478-6818. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2002) Finding Ovid through Raphael in the Schools of the Tombs. In: Monkeying about with Antiquity, AHRB Centre for Cultural Analysis, Theory and History, 17th May 2002, University of Leeds. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2006) Framing Giambologna’s Rape of a Sabine. In: Renaissance Society of America Annual Conference, 22nd-25th March 2006, San Francisco. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (1999) Hercules and the Hydra: C. D. E. Fortnum, Arthur Evans and the Ashmolean Museum. Journal of the History of Collections , 11 (2). pp. 159-169. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2012) In Defence of Marginal Anarchy: Edgar Wind and the Congress for Cultural Freedom. In: Art History and the Cold War. Ashgate. ISBN ???. (In press) (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2012) John Evelyn's Project of Translation. Art in Print . (In press) (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2008) Noble or Commercial? The Early History of Mezzotint in Britain. In: British Printed Images to 1700, 12th-13th September 2008, Victoria & Albert Museum. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2010) Noble or Commercial? The Early History of Mezzotint in Britain. In: Hunter, Michael, ed. Printed Images In Early Modern Britain. Essays in Interpretation. Ashgate, Farnham and Burlington, pp. 279-296. ISBN 9780754666547. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2005) Parallel Lives: Dante, Michelangelo and the Reception of the Medici Chapel Sculpture. In: Conception: Reception, 31st Annual Conference of the Association of Art Historians, 31st March - 2nd April 2005, University of Bristol. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2005) The Academy of Baccio Bandinelli by Enea Vico. In: Renaissance Society of America Annual Conference, 7-9th April 2005, University of Cambridge. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2003) The Dissemination of Disegno: Baccio Bandinelli and Anton Francesco Doni. In: The Business of Prints in Rome, 24th-25th March 2003, University of Edinburgh. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (1999) The Fortnum Archive in the Ashmolean Museum. Journal of the History of Collections , 11 (2). pp. 253-268. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2008) The Locations of Art in the Mezzotints of Wallerant Vaillant. In: Early Modern Prints Symposium and Study Day, 2nd April 2008, Courtauld Institute Research Forum. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2006) The Many Faces of Lucas van Leyden and Other Stories: Some Historiographical Reflections on the Pictorum aliquot celebrium Germaniae inferioris effigies of Domenicus Lampsonius. In: Courtauld Institute Research Seminar, 16th May 2006, Courtald Institute. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. The Paradox of Mezzotint, 12th April - 11th June 2008/2nd July-31st October 2008, Museum of Canterbury/Strang Print Room, University College London. Prints. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint. In: Centre for Medieval and Early Modern Studies, 24th January 2008, University of Kent. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2008) The Paradox of Mezzotint, exhibition catalogue. Canterbury ISBN 978-1-902671-55-0. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2000) The Renaissance artist’s sense of history. In: 30th International Congress of the History of Art, 3rd-8th September 2000, National Portrait Gallery, London. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2008) The Truest Poetry is the Most Feigning: Edgar Wind on Art and Morals during the Cold War. In: Cultural Memory:Forgetting to Remember/Remembering to Forget, KIASH conference, 10th-13th September 2008, University of Kent. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2005) The academy of Bandinelli. Print Quarterly, XXII (1). pp. 3-14. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2001) The lantern of painting: Michelangelo, Daniele da Volterra and the paragone. Apollo, CLIV (474). pp. 46-53. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2004) Tracing the Course of Forms: John Obadiah Westwood. In: Connecting Cultures, Kent Institute for Advanced Studies in the Humanities biannual conference, 2-4th April 2004, University of Kent. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2006) Van Dyck pinxit/After Van Dyck. Van Dyck pinxit/After Van Dyck, May-November 2006, Museum of Canterbury. Prints. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2004) ‘Wind, Edgar Marcel (1900-1971). Oxford University Press, Oxford Dictionary of National Biography. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2000) “A beautiful and rare invention”: Gian Girolamo Savoldo’s so-called portrait of Gaston de Foix. In: University of Oxford, Oxford Brookes University and Ashmolean Museum Art History Seminar, 26th January 2000, Oxford. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (1996) “The Spaniard’s Peccadillo”: The Interrelation of Painting and Sculpture in Sixteenth-Century Italy. In: University of Oxford, Renaissance History Seminar, 16th February 1996, University of Oxford. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. (2003) “The art consists of hiding the art”: Castiglione and Raphael. In: Braida, Antonella and Pieri, Giuliana, eds. Image and Word. Reflections of Art and Literature from the Middle Ages to the Present. Legenda/Oxford University Press, pp. 134-150. (The full text of this publication is not available from this repository)

Thomas, Ben D. H. and Clayton, Timothy (2000) George Clarke Print Collection, Worcester College, Oxford, 2000. Worcester College Oxford, http://prints.worc.ox.ac.uk/. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2011) The Theatre of the Bauhaus: the Modern and Postmodern Stage of Oskar Schlemmer. Routledge Advances in Theatre and Performance Studies . Routledge, New York and London, 214 pp. ISBN 9780415403986. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2002) A Methodology for Practice as Research. Studies in Theatre & Performance, 22 (1). pp. 54-60. ISSN 1468-2761. (Full text available)
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Trimingham, Melissa (2010) 'Objects in transition: the puppet and the autistic child'. Journal of Applied Arts in Health, 1 (3). pp. 251-265. ISSN 2040-2457. (Full text available)
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Trimingham, Melissa (2004) Oskar Schlemmer’s Research Practice at the Dessau Bauhaus. Theatre Studies International, 29 (2). 128 -142. ISSN 0307-8833. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2004) Sehr geehrter Herr Schlemmer. Performance Research, 9 (1). 81 -98. ISSN 1352-8165. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2004) Sehr geehrter Herr Schlemmer... A letter to Oskar Schlemmer occasioned by a performance of the Bauhaustanze at the Dessau Bauhaus 1928. Performance Research, 9 (1). pp. 81-98. ISSN 1352-8165. (The full text of this publication is not available from this repository)

Trimingham, Melissa (2012) bauhaus lighthouse: der bau als buehne das buehne als bau. In: bauhaus art as life. Konig, Cologne, pp. 200-203. ISBN 9783863351632. (The full text of this publication is not available from this repository)

Turner, Sarah E. (1996) A Life in a Day with Helena Goldwater. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (1991) A Tale Part Told. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2007) All of tomorrow’s parties. Film. (Unpublished) (The full text of this publication is not available from this repository)

Turner, Sarah E. (1998) Beacons of Style: A history of Experimental Cinema. Beacons of Style: A history of Experimental Cinema , 1998, Nationwide Tour. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2001) Cut. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2007) Ecology. DVD 87mins. (The full text of this publication is not available from this repository)

Turner, Sarah E. (1992) Flesh Histories. Flesh Histories, 1992, Nationwide Tour. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2003) London birds can’t fly. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (1990) One and the other time. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (1989) She Wanted Green Lawns. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (1994) Sheller Shares her Secret. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (1995) Sight & Sound/BFI Women Making Movies Tour. Sight & Sound/BFI Women Making Movies Tour, 1995, Nationwide Tour. Film. (The full text of this publication is not available from this repository)

Turner, Sarah E. (2008) The Raw and The Cooked. Fourth ICA Biennial. The Raw and The Cooked. Fourth ICA Biennial , 2008, Nationwide tour. Film. (The full text of this publication is not available from this repository)

Vaage, Margrethe Bruun (2010) Fiction Film and the Varieties of Empathic Engagement. Midwest Studies In Philosophy, 34 (1). pp. 158-179. ISSN 0363-6550. (The full text of this publication is not available from this repository)

Vaage, Margrethe Bruun (2013) Fictional reliefs and reality checks. Screen, 54 (2). pp. 218-237. ISSN 1460-2474. (The full text of this publication is not available from this repository)

Vaage, Margrethe Bruun (2009) The Role of Empathy in Gregory Currie's Philosophy of Film. British Journal of Aesthetics, 49 (2). pp. 109-128. ISSN 0007-0904. (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2008) 'Body and Mask’ in Performances of Classical Drama on the Modern Stage. In: Hardwick, Lorna and Stray, Christopher, eds. The Blackwell Companion to Classical Reception. Oxford: Blackwell. ISBN 9781405151672. (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2007) 'The Use of Masks in Koun's Stage Interpretations of Aristophanes' Birds, Frogs and Peace'. In: Hall, Edith and Wrigley, Amanda, eds. Aristophanes in Performance, 421BC-AD2007, Peace, Birds and Frogs. Legenda Press, pp. 179-193. ISBN 9781904350613. (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2014) ‘Aristophanic Performance as an all-inclusive event: audience participation and celebration in the modern staging of Aristophanic comedy'. In: Classics in the Modern World - a Democratic Turn?, July 2010, Open University.. (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2014) ‘An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century’. ‘An Emotional Engagement with the Classical Past: Karolos Koun and the staging of ancient Greek drama in the twentieth century’ . (Submitted) (Access to this publication is restricted)
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Varakis-Martin, Angeliki (2014) Laughter and distributed attention in the spectating of Aristophanic comedy. In: Cognitive Futures in the Humanities conference, 24-26 April 2014, Durham University. (Unpublished) (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2008) Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation. Review of: Mask & Performance In Greek Tragedy: From Ancient Festival To Modern Experimentation by Wiles, David. Theatre Research International, 33 (3). pp. 325-326. ISSN 0307-8833 . (Full text available)
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Varakis-Martin, Angeliki (2010) ‘Performing' celebration and ‘celebrating’ performance in modern Aristophanic productions'. In: 10th Annual APGRD PG Symposium. ‘Revelry, Rhythm and Blues’ in the reception of Greek and Roman drama from antiquity to the present day’, 21 July 2010, Royal Holloway. (Unpublished) (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2004) Research on the Ancient Mask. Research on the Ancient Mask, 6 (1). N/A-N/A. ISSN ISSN 1321-4853. (Access to this publication is restricted)
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Varakis-Martin, Angeliki (2008) Review of Oedipus. Review of: Oedipus by Edmunds, Lowell. Classical Review, 58 (2). p. 619. ISSN 0009-840X . (Access to this publication is restricted)
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Varakis-Martin, Angeliki (2004) ‘The Staging of Aristophanes in Modern Times’. In: Studying the Ancient Greek Theatre, 11-12 March 2004, Colloquium organised by the ICS (Institute of Classical Studies) , London. (Unpublished) (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2010) ‘The aesthetics of the mask in Karolos Koun’s ancient Greek Productions.’ (in Greek). In: The mask in ancient Greek drama, 14-15 September 2010, Centre for Ancient Greek drama 'Desmoi', Eleusina. (Unpublished) (The full text of this publication is not available from this repository)

Varakis-Martin, Angeliki (2002) The masks of Dionysis Fotopoulos in modern productions of Ancient Greek Drama. In: The Greek Theatre Mask in Ancient and Modern Performance, 20-21 April 2002, Royal Holloway, Egham. (Unpublished) (The full text of this publication is not available from this repository)

Wood, Aylish (1998) "You ever fuck a mutant?" Technology, Gender and Identity in Total Recall. In: Ainley, Rosa, ed. New Frontiers of Space, Bodies and Gender. Routledge, pp. 191-202. ISBN 0415154901. (The full text of this publication is not available from this repository)

Wood, Aylish (2007) 'Pixel Visions: Digital Intermediates and Micromanipulations of the Image'. Quarterly Review of Film and Video, Film Criticism 32 (1). pp. 72-94. ISSN 0163-5069. (The full text of this publication is not available from this repository)

Wood, Aylish (2008) Cinema as Technology: Encounters with an Interface. In: Furstenau, Marc and Mackenzie, Adrian and Bennett, Bruce, eds. Cinema and Technology. Palgrave Press. ISBN 9780230524774. (The full text of this publication is not available from this repository)

Wood, Aylish (2013) Contests and Simulations: Tron: Legacy and its Connections with Technologies. Journal of Film and Video . ISSN 0742-4671. (In press) (The full text of this publication is not available from this repository)

Wood, Aylish (2007) Digital Encounters. Routledge, Taylor and Francis Group, 200 pp. ISBN 9780415410663. (The full text of this publication is not available from this repository)

Wood, Aylish (2007) Digital Intermediates and Digital Expressive Practice. In: Society for Cinema and Media Studies Conference 2007, 8th March - 11th March 2007, Chicago, USA. (The full text of this publication is not available from this repository)

Wood, Aylish (2001) Fresh Kill: Information Technologies as Sites of Resistance. In: Munt, Sally, ed. Technospaces: inside the new media. Continuum, pp. 161-174. ISBN 0826450032. (The full text of this publication is not available from this repository)

Wood, Aylish (2010) Making the Dark Knight. In: MeCCSa Conference 2010, 6th-8th January 2010, London School of Economics. (The full text of this publication is not available from this repository)

Wood, Aylish (2008) Proliferating Connections and Communicating Convergence. Fibreculture (13). ISSN 1449-1443 . (The full text of this publication is not available from this repository)

Wood, Aylish (2006) Re-Animating Space. Animation: An Interdisciplinary Journal, 1 (2). pp. 133-152. ISSN 1746-8477 . (The full text of this publication is not available from this repository)

Wood, Aylish (2010) Resolving the Posthuman. In: The Posthuman Subject, 2nd-3rd July 2010, University of Surrey. (The full text of this publication is not available from this repository)

Wood, Aylish (2013) Talking about Maya. Project report. University of Kent (Unpublished) (Full text available)
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Wood, Aylish (2002) Technoscience in contemporary American films: beyond science fiction. Manchester University Press, 240 pp. ISBN 0719057736. (The full text of this publication is not available from this repository)

Wood, Aylish (2005) The Animated Queer. In: Griffiths, Robin, ed. Queer Cinema in Europe. Intellect. ISBN 1841500798 . (The full text of this publication is not available from this repository)

Wood, Aylish (2004) The Expansion of Narrative Space: Titanic and CGI Technology. In: Street, Sarah and Bergfelder, Tim, eds. Titanic as Myth and Memory: Representations in Visual and Literary Culture. I.B.Tauris, pp. 225-234. ISBN 1850434328. (The full text of this publication is not available from this repository)

Wood, Aylish (2004) The Metaphysical Fabric that Binds Us’: Proprioceptive Coherence and Performative Space in Minority Report. New Review of Film and Television Studies, 2 (1). pp. 1-18. ISSN 1740-0309. (The full text of this publication is not available from this repository)

Wood, Aylish (2004) The collapse of reality and illusion in The Matrix. In: Tasker, Yvonne, ed. The Action Reader. Routledge, pp. 119-129. ISBN 0415235073. (The full text of this publication is not available from this repository)

Wood, Aylish (2002) The timespaces of spectacular cinema: crossing the great divide of spectacle versus narrative. Screen, 43 (4). pp. 370-386. ISSN 0036-9543. (The full text of this publication is not available from this repository)

Wood, Aylish (2005) Vectorial dynamics: transtextuality and complexity in the Matrix. In: Gillis, Stacy, ed. The Matrix. Wallflower Press. ISBN 1904764320. (The full text of this publication is not available from this repository)

guerin, Frances (2002) Reframing the Photographer and his Photographs. Film and History, 32 (1). pp. 43-54. ISSN 1548-9922. (Full text available)
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This list was generated on Thu Nov 27 15:34:50 2014 GMT.