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Cultural criminology: Some notes on the script

Hayward, Keith J., Young, Jock (2004) Cultural criminology: Some notes on the script. Theoretical Criminology, 8 (3). pp. 259-273. ISSN 1362-4806. (doi:10.1177/1362480604044608) (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:38050)

The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided.
Official URL:
http://dx.doi.org/10.1177/1362480604044608

Abstract

Let us start with a question: what is this phenomenon called ‘cultural

criminology’? Above all else, it is the placing of crime and its control in the

context of culture; that is, viewing both crime and the agencies of control

as cultural products—as creative constructs. As such, they must be read in

terms of the meanings they carry. Furthermore, cultural criminology seeks

to highlight the interaction between these two elements: the relationship

and the interaction between constructions upwards and constructions

downwards. Its focus is always upon the continuous generation of meaning

around interaction; rules created, rules broken, a constant interplay of

moral entrepreneurship, moral innovation and transgression.

Item Type: Article
DOI/Identification number: 10.1177/1362480604044608
Subjects: H Social Sciences
Divisions: Divisions > Division for the Study of Law, Society and Social Justice > School of Social Policy, Sociology and Social Research
Depositing User: Mita Mondal
Date Deposited: 27 Jan 2014 09:46 UTC
Last Modified: 16 Nov 2021 10:14 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/38050 (The current URI for this page, for reference purposes)

University of Kent Author Information

Hayward, Keith J..

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