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Film Theory and Philosophy

Smith, Murray, ed. (1997) Film Theory and Philosophy. Oxford: Clarendon Press, 474 pp. ISBN 978-0-19-815988-9. (The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided) (KAR id:3094)

The full text of this publication is not currently available from this repository. You may be able to access a copy if URLs are provided.

Abstract

While concepts from and debates within Continental philosophy have long formed a backdrop to arguments in film theory and criticism, exchanges between Anglo-American `analytic' philosophy and film studies have been relatively few and far between. In recent years this has begun to change, as the consensus around semiotic and psychoanalytic approaches has weakened, as film scholars have turned their attention to other sources such as cognitive theory and analytic philosophy, and as philosophers have taken a more focused interest in film.

Item Type: Edited book
Subjects: N Visual Arts
Divisions: Divisions > Division of Arts and Humanities > School of Arts
Depositing User: Kevin Goddard
Date Deposited: 30 Apr 2008 08:56 UTC
Last Modified: 16 Nov 2021 09:41 UTC
Resource URI: https://kar.kent.ac.uk/id/eprint/3094 (The current URI for this page, for reference purposes)

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