Smith, Murray, ed. (1997) Film Theory and Philosophy. Oxford: Clarendon Press, 474 pp. ISBN 978-0198159889.
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While concepts from and debates within Continental philosophy have long formed a backdrop to arguments in film theory and criticism, exchanges between Anglo-American `analytic' philosophy and film studies have been relatively few and far between. In recent years this has begun to change, as the consensus around semiotic and psychoanalytic approaches has weakened, as film scholars have turned their attention to other sources such as cognitive theory and analytic philosophy, and as philosophers have taken a more focused interest in film.
|Item Type:||Edited book|
|Subjects:||N Fine Arts|
|Divisions:||Faculties > Humanities > School of Arts|
|Depositing User:||Kevin Goddard|
|Date Deposited:||30 Apr 2008 08:56|
|Last Modified:||14 Jan 2010 14:10|
|Resource URI:||http://kar.kent.ac.uk/id/eprint/3094 (The current URI for this page, for reference purposes)|
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